percy seitlin editors (18 risultati)

Softcover. Condizione: Poor. Covers are detached from the pages but present. Spine has chipping and tearing. Covers have chipping to the outer corners. Number "50" written on front cover, partially erased. Contents very good. ; Approx. 5 1/2" wide by 7 3/4". ; 64 pages.

Softcover. Condizione: Good. Illustrated by Laszlo Matulay (illustratore). Covers have light edge wear. ; Includes W. A. Dwiggins "Caledonia A New Printing Type Designed for Mergenthaler Linotype Company. "; Watercolor.

softcover. Condizione: Very good. Card covers, approx. 5 3/8" wide by 7 7/8" tall. [2] 64 [2] pages. Articles include: William Edwin Rudge: A Brief Account of His Life and Work Together With Some Notes on His Influence on American Printing. A Preface to Words: 1. Pictography--Primitive Picture Writing, by Milton I. Strumpf. Apprentices or Machine Tenders? by Edward Borden. Notes on Printing Design: V. Harmony, by Arthur Thompson. Functional Color. Reports on Case Histories by Faber Birren. Light soil on rear cover. 092717A.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Poor. 1st Edition. 12mo, color printed pictorial wrappers, 39pp. + terminal illustrated display advertising leaves. The preliminary text and illustrations (and the cover design) are the work of Lucille Corcos, and a later section memorializes the designs of the late George Switzer, of Plymouth, Indiana. Illustrations throughout in line and in halftone. A Very Good copy.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 12mo, color printed pictorial wrappers (by Philip Reisman), 54pp., terminal display advertising supplement. With a preliminary appreciation of Philip Reisman and many examples of his work (some for the WPA), a charming chapter on the art of the linotyper, and a portfolio of the work of Hubert Davis. There is some silverfishing on the spine paper. A good+ to Very Good copy.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 12mo, color printed pictorial wrappers, unpaginated. With sections pertaining to Joseph Binder, Society of Designers for Industry and the work of some of its members, etc. Illustrated throughout, some of it on colored paper stock. A Very Good copy.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 12mo, color printed pictorial wrappers, 72pp. + terminal ad leaves (one of which features brightly colored swatches of Strathmore paper samples). The cover illustration and preliminary section is devoted to the work of the twenty-nine year old Frank Lieberman; it's followed by Arthur Zaidenberg's "ANYONE CAN DRAW!" Later, Tom Maloney reviews his first year of U. S. CAMERA. A Good+ to Very Good copy.

Paperbound. Condizione: Near Fine. Illustrated (illustratore). First Edition. An Inimate Journal for Art Directors, Production Managers, and their Associates. Small 8vo.

Soft cover. Condizione: Near Fine. Irvine Kamins issue. 57 pp. Softcover, bound in printed wraps. Light edge-wear.

softcover. Condizione: Very good. Paper cover, approx. 5 3/8" by 7 7/8", 40 pages + ads. Frontispiece: Children's books, 18th and 19th century style. Articles include; Book Printing For Children by Margaret C. Scoggin. Illustrations by Kate. Notes on Printing Design by Arthur Thompson. Art Education and the Art Studios; A Preface To Words, the second of a series, by Milton I. Strumpf. A Word About E. McKnight Kauffer. Appreciation by Aldous Huxley. Some biographical notes by E. McKnight Kauffer. A little creasing on bottom corners. 092717A.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 12mo, color printed pictorial wrappers (designed by George Giusti, in a remarkable, Surrealist, Dali-like manner), 62pp., terminal display advertising supplement. The content in this issue mixes brilliant design concepts (largely from George Giusti), and reporting on the business and marketing conceptualizing of the American Artists Group with some fairly maudlin and uninspired material on American design, the WPA backed Art Project group of supervisors who had been sacked for their alleged associations with the CIO, the United Federal Workers, and, ostensibly, with Communism and Nazism. An altogether curious mix of stuff. A Very Good copy.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 12mo, printed pictorial wrappers (with circular gilt Pegasus mounted disc intact), [64]pp. With content by, or relating to, Clarence P. Hornung, Gy. Zilzer, Faber Birren, John Peter Zenger, Chinese Ideographic Writing, a review of the now famous and historic MOMA Photography Exhibition, an explication with illustrations on the photogravure process, etc. About a Very Good copy.

Issue No. 36: Volume 3, no. 12, August 1937. Feature articles dedicated to the Baltimore printer Norman T. A. Munder, essays by Robert L. Leslie and Frederic W. Goudy, and article on the cover artist, Robert Carroll. 8vo. 54pp. Paper wraps featuring watercolor illustration by Robert Carroll, covers toned, with bumps and chips to edges, very good.

Spiral bound. Blue boards with color illustration. Spiral-bound with wire. Illustrated in B&W and color. Numbered at 68 pp. but includes many unnumbered pages of ads. Mylar title page reading "design for music." A bimonthly periodical on printing, the book industry and trade, design, and marketing. Includes articles on the Steuben Glass Collection, Peter Takal, "The Production Man and His Job," and design fundamentals, all in addition to regular segments. G, boards quite worn, interior very clean and intact.

Softcover. 8vo. Periodical is in VG- condition; edges of covers are sunned and are rippling. Edges are also lightly rubbed, and corners bumped. There is a long horizontal crease to top edge of rear cover. Contains several articles on type designer Walter Gilliss. Published July 64 pp.

Softcover. 8vo. Periodical is in VG+ condition; edges of covers are lightly sunned and worn, and corners are creased at tips. Interior is bright and clean; a crisp, tight copy with numerous illustrations. 56 pp.

Hardcover. Condizione: Very Good. No Jacket. LESLIE, Robert L. & SEITLIN, Percy [co-editors] [68] pp. A-D Publishing Co. 1941 Cover graphics by Steinweiss Spiral-bound 8 1/2" x 5 3/4".

Condizione: Very good. - Octavo, 8-1/2 inches high by 5-3/4 inches wide. Twelve issues, each in its original pictorial stiff wraps, bound into light indigo blue cloth with a gilt titled brown leather label within gilt rules on the spine. The cloth covers are rubbed and slightly stained and the label is rubbed and chipped. Over 600 pages, profusely illustrated throughout with full-page and textual illustrations, plates and color pictorial covers including works by Samuel Bernard Schaeffer, Sam Adler, Miguel Covarrubias, Kate Steinitz, Buk Ulreich, Robert Carroll, etc. and designs by Frederic W. Goudy, Bruce Rogers, Clarence P. Hornung, Edward F. Molyneux, et al. The overlapping edges of one wrapper are darkened with a chip to the bottom edge of that front wrapper. An internally bright & near fine volume in very good condition overall. Issue No. 25: Volume 3, no. 1, September 1936. 48 pages plus pictorial covers by Gustav Jensen bound in. The feature article is "Gustav Jensen - A Master of Design" by Nathaniel Pousette. Another contribution is "Hugo Knudsen - Pioneer Photo Lithographer" by William Glass and Percy Seitlin.Issue No. 26: Volume 3, no. 2, October 1936. 38 [10] pages plus the original covers in a wire-o binding. In addition there is a 4-page insert of color samples. The feature article is "Pose Please - A review of Samuel Bernard Schaeffer's book with some photographic illustrations therefrom". The front cover of this issue is a photographic illustration of a nude by Schaeffer. Another contribution is "Mr. Gondor Comes to America" by Emery I. Gondor.Issue No. 27: Volume 3, no. 3, November 1936. 30 [2] pages plus the original folding covers bound in. In addition there is a 4-page insert of color samples. The folding covers are illustrated with 3 color photographs, one each by Paul Outerbridge and Hi Williams and a third photo by Albert W. Stevens described by PM as the "only color photograph taken in stratosphere". The feature article is "Theodore Scheel" by Robert L. Leslie.Issue No. 28: Volume 3, no. 4, December 1936. 42 [6] pages plus the original covers bound in. In addition there is a 4-page insert of color samples. The feature article is "S. M. Adler, Artist" by Percy Seitlin. The front cover bears a color illustration by Sam Adler picturing a Mexican with a machete. Frank H. Young contributes an article, "Technique of Advertising Layout". There is a full page illustration by Miguel Covarrubias, "The Lindy Hop".Issue No. 29: Volume 3, no. 5, January 1937. 28 [4] pages plus the original covers bound in. In addition there is a 4-page insert of illustrations by R. L. Leonard and a 4-page insert of color samples. The feature article is "A Walk With Leonard", a well-illustrated article on the artist R. L. Leonard by Arnold Genthe. The front and back covers feature designs by Leonard. There is also an article by Percy Seitlin "A. M. Cassandre and the Poster Art of the Future".Issue No. 30: Volume 3, no. 6, February 1937. 64 [2] pages plus the original covers bound in. There is also a folding facsimile of an 1818 indenture for a printer's apprentice. The feature article is a 34 page insert devoted to William Edwin Rudge. The well-illustrated article was written by Frederick G. Rudge and printed by William Rudge's sons "with the cooperation of Frederic W. Goudy, who designed the cover". Bruce Rogers designed the title page for the Rudge feature.Issue No. 31: Volume 3, no. 7, March 1937. 40 [8] pages plus the original covers bound in. The front cover bears a color illustration by Kate Steinitz. The feature article is "Amberger" by Paul W. Sampson. It is a well-illustrated 16-page two color section on the graphic designer F. L. Amberger. In addition, there is an article by Aldous Huxley, "A Word About E. McKnight Kauffer".Issue No. 32: Volume 3, no. 8, April 1937. 56 [8] pages plus a 4-page insert and the original covers bound in. The feature article is a 16-page insert on Clarence P. Hornung. It includes "an interview with the editor accompanied by specimens of this designer's work". The original wrappers on heavy red stock are folding and the front cover by Hornung is a die stamped design. The 4-page insert was designed by Lucian Bernhard.Issue No. 33: Volume 3, no. 9, May 1937. 46 [6] pages plus the original covers bound in. The front cover was designed by Howard E. Miller and is printed in three colors. The featured articles are on the artists Marcel Jacno and LeRoy Appleton. In addition there is a 22-page article on The Monotype Typesetting Machine.Issue No. 34: Volume 3, no. 10, June 1937. 44 [4] pages, plus a 10-page insert and the original covers bound in. This issue is primarily devoted to Burton Emmett (1871 - 1935). A 10-page insert is "from a manuscript memorandum recently found in some old papers". It is printed by The Overbrook Press. A 3-page article by Sherwood Anderson is entitled "Friend". The cover is based on text of Burton Emmett and was designed by Edward F. Molyneux. In addition there is a 16-page insert devoted to the graphic artist Raymond Lufkin. Written by Robert L. Leslie, it includes 13 full page illustrations by Lufkin.Issue No. 35:Volume 3, no. 11, July 1937. 32 pages, a one page insert, 3 folding sheets, and the original covers bound in. The feature article is a 16-page insert "written, designed and illustrated by Buk Ulreich. Photolithographed in two colors by Crafton Graphic Company". The covers are illustrated by Ulreich. The one page insert illustrates "Modern Monographs" which are "printed direct from linoleum cuts engraved by Otto W. Fuhrmann". the three folding sheets illustrate 6 type faces from Eugene de Lopatocki's "Typographer's desk Manual" published by the Ronald Press Company.Issue No. 36: Volume 3, no. 12, August 1937. 54 [10] pages plus the original covers bound in. The feature articles are devoted to the Baltimore printer Norman T. A. Munder. The essays are written by Robert L. Leslie and Frederic W. Goudy. In addition, there is an illustrated article on th.