perelle nicolas (55 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size 10x15. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A4. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A4. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A4. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A3. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A3. The motif is printed with a white border (museum-style presentation). No.

Condizione: Good. Hand-colored engraving and etching . 22 x 31 cm (sheet). Very Good, minor water staining in lower left corner of image.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A3. The motif is printed with a white border (museum-style presentation). No.

Kupferstich nach einer Zeichnung von Erik Dahlberg. -- Maße: ca. 28 x 34 cm. -- gut erhalten. || Original copper engraving after a drawing by Erik Dahlberg. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 15.

Kupferstich nach einer Zeichnung von Erik Dahlberg. -- Blatt-Maße: ca. 35 x 43 cm. -- gut erhalten. || Original copper engraving after a drawing by Erik Dahlberg. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 15.

Condizione: Good. Hand-colored etching. 22 x 34 cm (sheet). Very Good, crease in left margin.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condizione: Good. Hand-colored etching. 22 x 34 cm (sheet). Good, crease in left quadrant, staining in image and margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condizione: Good. Hand-colored etching. 31 x 38 cm (sheet). Good, light printed? areas in left quadrant, surface soiling in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condizione: Good. Hand-colored engraving and etching . 22 x 34 cm (sheet). Good, some staining, rubs in upper quadrant of image and tears along top sheet edge.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Prächtiger Kupferstich mit schöner Bordure. Von 2 Platten gedruckt. -- Bild-Maße: ca. 20,5 x 54 cm. -- mit kleinem Rostfleck, sonst gut erhalten. || Magnificent copper engraving with a beautiful border. Printed from 2 plates. -- with a small rust spot, otherwise in very good condition. || Magnifique gravure sur cuivre avec une belle bordure. Imprimée sur 2 planches. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.

Nancy, Éditions du Musée Lorrain, s.d. (vers 1980) ; (253 x 122 mm), 30 ff., feuilles libres dans une pochette. Fac-similé de gravures en taille-douce.

Condizione: Good. Engravings. Album of 22 engraved landscapes and a marine view. from the 17th century, including 14 in rondo and 8 rectangular, including 1 by Pérelle (15 x 9.5 cm) and 1 by Balthasar Moncornet (12.5 x 9 cm). Three are published and sold by Nicolas Poilly, rue Saint-Jacques, A la Belle Image.Oblong quarto, green morocco, smooth spine, gilt roulette frame and fillet on the covers (19th century binding).Handwritten ex-dono from Ramon Medina to Mr. Arnoult, Salamanca, April 25, 1865.Nicolas de Poilly (1627 - 1696):Engraver, print-publisher, print-seller. Brother of François de Poilly; father of engraver and print-seller Jean-Baptiste de Poilly (1669-1728), François de Poilly the younger (1671-1723), painter Nicolas de Poilly (b. 1675).Expertise by Cabinet Poulain5, rue de Saintonge75003 Paris.

Contemporary mottled full calf; expertly rebacked; spine with five (5) raised bands; gilt lettered title on morocco label on two; compartments with central gilt floral ornament; dated; endpapers renewed; all edges cut., PERELLE, GABRIEL (1603/or 10/ or 20 - 1675/or77/ or 80?), an eminent French designer and engraver, born at Paris. He excelled in drawing and engraving landscapes and views, of which we have a prodigious number, which prove the fertility of his invention, and an extraordinary, facility of execution, rather than an observant study of nature. They are, however, composed in a very pleasing style, and executed with neatness and taste. He usually enriched them with ruins and other objects, which give an agreeable variety to his scenery. His principal defect is in the management of his masses, and his lights are scattered and in spots, by which the general effect of his prints is materially injured. Although by far the greater part of his plates are from his own compositions, he also engraved from the designs of several other masters, particularly Paul Brill Gaspar, Poussin [[Jan] Asselyn, and above all, after Silvestre. He was assisted in his numerous works by his sons, ADAM (1638/ or 40-1695?) and Nicholas (b.1631/ or 38- 1695?) PERELLE, who, after his death, engraved a great number of plates of architectural views, landscapes, &c., but which are inferior to those of their father. He is considered the Hollar of France, both in his style of engraving and the esteem in which his views are held. His large views of public buildings and gardens in France, Italy, and Spain were published, with those of Silvestre, in 1680; and there is a set of smaller views by these artists., Size : oblong folio (285x370mm), Illustrated with 164 architectural etchings of palaces, great houses and churches, detailed views of their gardens, gates, squares, fountains, etc. The album of Perelle engravings depict four (4) overall areas, 1. Paris and surroundings, 2. Versailles, 3. France, and 4. A collection on Rome - the latter containing six (6) plates etchings after drawings by Asselyn. This attractive album consists solely of large views, no plan outlines or small sized (half-paged) etchings, otherwise often featured as part of these albae. Title pages point to the publication being very early ? not yet including the imprints printed in later publications.The album on Paris containing 61 plates starts with a title without imprint, but signatures by Perelle and Langlois; perspective views of Paris follow, with its bridges, the Seine, the Louvre and Tuileries, the Palais-Royal, the Luxembourg or ?Palais d'Orleans?, the Place Dauphine, the College des quatre nations; the small island of the Notre Dame on the Seine, the city hall, the famous entrance gates to the city: Porte de la Conference, St.Honore, St. Denis, St. Martin, St.Bernard, and St.Anthoine; depictions of monuments and buildings as the l'Arc de Triomphe, the Notre Dame, the ?Monastere Royal de Val de Grace?, fountains and the observatory, the ?Invalides?, l'Hospital de la Salpestriere, gardens of the Hotel de Conde and St. Victor. The views of the surrounding Paris feature the Chateau de Vincennes, Conflans, the Chateau of St. Maur, the Chateau of Madrid, the Chateau of St. Cloud, the Chateau of Meudon, the House of Boisfrant at St.Ouen, the Grotte of Ruel.The album on Versailles with 36 plates [# 62- 97] starts with its title page without imprint then depicts perspectives of the castle, the gardens and castle grounds, the king's stables, the great entrance, cascades, grottes, water-fountains, bassins dedicated to gods, and the menagerie.Perelle?s great houses of France with 45 plates [#98-142] begins with its titlepage with no imprint except signatures, followed by more buildings in the environs of Paris, of Chaville, St. Germain en Laye, Maison, Sceaux, Rincy, Pompone, Choisi; this is followed by views of Fontaine-bleau, the Chateau of the Vaux le Vicomte, of Villiers-Coste-Rez, Monceaux, Liencour, Chantilly, Richelieu, and Ancy.The Rome or fourth album with 22 etchings starts with a title leaf without imprint but signatures of Perelle and N. Langlois; followed by magnificent views of St. Peter, St. Angelo, the new capitol and the arc of Constantin and the Colisseum, the arc of Septimus Severus, the bath of Emperor Diocletian; a group of six unsigned plates after I. Asselin e. showing Charles V, Rome?s aquaeduct, the Colisseum (2), ruins of the Palais Maior, ruins of Marius? trophies; this is followed by views of the Vigne Pamphili, with its entrance, garden, amphitheatre and the fountain of Venus; at the end a plate depicting the fountain of Tivoli., References : Michael Bryan, Dictionary of Painters and Engravers, Biographical and Critical, (1849), p.560; Berlin Katalog 2483&2675; BNF - Getty Research Institute, 2015, pp. 90-115 (chap. II: Architecture and engraved views); Brunet IV, p. 494; Fowler p. 245; Ganay, Expertly rebacked; few tear repairs, mostly marginal; overall in near fine condition with plates clean and crisp.

Hardcover. Condizione: Very Good. Veues des belles maisons de France - Les Places, portes, fountaines, églises, et maisons de Paris - Veues des belles maisons des environs de Paris - Veues des plus beaux endroits de Versailles - Veues des belles maisons de France - Diverse veues de Chantilly - Veues de Rome et des environs. 7 parts in one volume, oblong folio (11 1/2 x 15 1/4 in; 29.9 x 38.9 cm). Manuscript contents leaf, 7 engraved title-pages, 280 engraved views or plans on 243 leaves, 2 engraved folding plans. The distribution is as follows: PART I: Engraved title-page plus 23 engraved views and plans on 19 leaves, including views of the Palais Royal and Luxembourg Palace. PART II: Engraved title-page plus 45 views and plans on 45 leaves of Paris, including its bridges, l'Hôtel de Ville, l'Hôtel des Invalides, and Notre-Dame. PART III: Engraved title-page plus 36 engraved views and plans on 29 leaves, including the Châteaux of St. Cloud and Vincennes. PART IV: Engraved title-page, engraved folding plan, plus 44 engraved views and plans on 42 leaves, chiefly of Versailles. PART V: Engraved title-page, engraved folding plan of Fontainebleau, plus 42 engraved views and plans on 38 leaves, including St. Germain-en-Laye, Sceaux, and Vaux-le-Vicomte. PART VI: Engraved title-page with an engraved view below (bound in after plate 13), engraved folding plan of Chantilly, plus 72 other engraved views and plans on 52 leaves. PART VII: Engraved title-page plus 17 engraved views on 17 leaves. CONDITION: A few leaves creased in Parts I and VII, skillful repair to long tear on last plate in Part IV (Le Château de Marly), occasional minor marginal tears, light marginal stain at the bottom of "Les Cascades de Fontainebleau" in Part V. BINDING: Eighteenth-century mottled calf, gilt dentelles, edges, two pin fastenings on lower board; rebacked to style, rehinged with renewed endpapers, corners neatly repaired, clasps lacking, some oxidation to mottling. (64F6B) An extensive collection of fine engravings depicting important French châteaux and gardens, including Versailles and Fountainebleau, as well as Parisian views and architectural landmarks. It appears to have been issued by any one of four generations of the Langlois and Mariette families of publishers. While most albums vary in content, the present collection has uniform Langlois imprints that agree with Berlin Katalog, including the view "La Place St. Marc à Venise" at the end; the last view is of the Escurial in Madrid. Gabriel Perelle was a draftsman and printmaker of topographical views and landscapes and his technical skill is reflected in the present collection of engravings, which range from classical landscapes and views to technical diagrams and architectural renderings. REFERENCES: Berlin Katalog I:2483, 2675; Fowler 245; Millard I:136-137. PROVENANCE: Francis Ferrand Foljambe (his monogram stamp on Part I title-page and sale, Christie's New York, 30 April 2008, lot 138).

Edition : First or Early, 18th century black half-calf with marbled boards, spine flat with horizontal gilt dentelles creating five (5) compartments; all edges speckled brown. , Captions in French This is a rare, attractive example of views of French topography engraved by the accomplished members of the Perelle family and published as collection in an oblong album; the present work may therefore not necessarily have another matching or comparative album containing the same plates., Size : oblong quarto (193x 305 m, With illustrated title page and 178 etched plates, from various suites, by the Perelle family, including Gabriel Perelle (1603-77), Nicolas (b.1631), and Adam (1638-1695), predominantly landscapes but including a set of the 12 months of the year, a set of six illustrating fountains of Fontainebleau and The Château de Saint-Cloud, four illustrating the seasons, numerous Mediterranean harbour views and maritime scenes, and many others,etchings, on laid paper, various watermarks throughout, probably mid to late 17th century., unobtrusive blind stamp on lower free endpaper ?Neatham Mill Library// TW// 228? , References : William Roberts, 'Perelle's Topographical Albums: Problems and Solutions', Relations & Relationships in Seventeenth-Century French Literature, Portland State University, 2004, pp. 163-176; Berlin Kat. 2483, 2675; cf. Fowler 245 and Millard I, 136-37; Rare example in near fine condition with repaired tear to the 151st plate, small marginal hole on the 36th plate and occasional marginal spots.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A2. The motif is printed with a white border (museum-style presentation). No.

Prächtiger Kupferstich mit schöner Bordure. Von 2 Platten gedruckt. -- Bild-Maße: ca. 20,5 x 54 cm. -- gut erhalten. || Magnificent copper engraving with a beautiful border. Printed from 2 plates. -- in very good condition. || Magnifique gravure sur cuivre avec une belle bordure. Imprimée sur 2 planches. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.

Prächtiger Kupferstich mit schöner Bordure. Von 2 Platten gedruckt. -- Bild-Maße: ca. 20,5 x 54 cm. -- gut erhalten. || Magnificent copper engraving with a beautiful border. Printed from 2 plates. -- in very good condition. || Magnifique gravure sur cuivre avec une belle bordure. Imprimée sur 2 planches. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.

Prächtiger Kupferstich mit schöner Bordure. Von 2 Platten gedruckt. -- Bild-Maße: ca. 20,5 x 54 cm. -- gut erhalten. || Magnificent copper engraving with a beautiful border. Printed from 2 plates. -- in very good condition. || Magnifique gravure sur cuivre avec une belle bordure. Imprimée sur 2 planches. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.

Prächtiger Kupferstich mit schöner Bordure von ca. 1650. Von 2 Platten gedruckt. -- Blatt-Maße: ca. 24,5 x 62 cm. -- gut erhalten. || Magnificent copper engraving with a beautiful border from around 1650. Printed from 2 plates. -- in good condition. || Magnifique gravure sur cuivre avec une belle bordure d'environ 1650. Imprimée sur 2 planches. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.

Loose Leaf. Condizione: New. Reproduction. Original title: Village face German: Dorfgesicht French: Visage du village Spanish: Cara de pueblo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1613). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A2. The motif is printed with a white border (museum-style presentation). No.

Prächtiger Kupferstich mit schöner Bordure von ca. 1650. Von 2 Platten gedruckt. -- Blatt-Maße: ca. 24,5 x 62 cm. -- gut erhalten. || Magnificent copper engraving with a beautiful border from around 1650. Printed from 2 plates. -- in good condition. || Magnifique gravure sur cuivre avec une belle bordure d'environ 1650. Imprimée sur 2 planches. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.