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  • Altre immagini

    Editore: The Old School Press, Bath, 1995

    • Rilegato

    Da: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, U.S.A.Swan's Fine Books, ABAA, ILAB, IOBA

    Venditore con 5 stelle
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    Membro dell’associazione: ABAAIOBAILAB

    Condizione: Usato - Quasi ottimo

    EUR 138,68

    EUR 4,49 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Hardcover. Condizione: Near fine. Limited Edition. One of 150 copies, octavo size, [37] pp. A stunning re-telling of the legend of the Phoenix, "one of the great myths of mankind with all it tells us of our many deaths and re-births" (n.b., from translator's note on p. [13]). Published by The Old School Press, known for publishing texts "in limited editions with specially commissioned illustrations. We use traditional letterpress printing techniques - metal type and fine papers - and our books are hand-bound to our designs" (n.b., from the web site of the Press). A lovely work, printed from blocks made from original calligraphy, and with pochoir hand-stencilled illustrations by Peter Allen who "studied printmaking and book arts in the UK.[his] images are made up of lots of observed details, imagination and humour. Their strong, graphic character is inspired by folk art, picture books, postage stamps and indie video games" (n.b., from the web site of the artist). Originally titled the "De Ave Phoenice", the poem was written by the Latin poet Lactantius (circa 244-320 C.E.) which was a re-expression in Christian form of ancient mythologies, "in a form that would be palatable to Roman pagans" (n.b., from the Introduction). ___DESCRIPTION: Bound in full black cloth over boards, paper spine label with black letering, black endpapers, text written by a hand based on a mid fifth-century Italian manuscript and printed from the original blocks, with five three-color illustrations done in pochoir; introductory essay printed in 12pt Monotype Perpetua italic, supporting material in foundry Perpetua italic, on Zerkall mould-made paper, slightly oblong large octavo size (9 5/8" wide by 8 3/4" tall), [37] pp., this no. 12 of 150 copies. ___CONDITION: Near fine, with clean boards, straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; a very small bow to the front board, else fine. Note that this volume lacking the slipcase. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Allen, Peter (illustratore).…

  • Altre immagini

    Editore: London: Secker and Warburg, 1975

    0043656501 / 9780043656501

    • Brossura
    • Prima edizione
    • Firmato

    Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books

    Venditore con 5 stelle
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    Condizione: Usato - Buono

    EUR 1155,67

    EUR 8,98 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Condizione: Good. 8vo. , 16.7 x 24.3 cm. , 514 p., publisher's binding, full green morocco basane, spine with 4 bands, author, title and edges gilt (without slipcase). First edition. of 126 deluxe copies (ex. no. 100), with a 14-color silkscreen by Allen Jones, justified, dated and signed in pencil. The David Hockney engraving is lacking.Allen Jones (United Kingdom, 1937) is a British pop artist renowned for his provocative sculptures, paintings, and lithographs that explore themes of sexuality and the human form. His controversial works, such as 'Hatstand,' 'Table,' and 'Chair,' feature female figures as furniture, challenging societal norms and sparking debates on objectification in art. .Painter and sculptor Allen Jones was a seminal?and controversial?member of the British Pop art movement; he's renowned for highly sexual figurative works that raise questions about the representation and objectification of women. Jones rose to infamy in the 1960s with a series of sculptures that depicted women as furniture, posed for submission and clad in fetishwear. Feminists derided these pieces, yet the female form remained Jones's primary subject. He has made photographs?notably of Kate Moss in a gold breastplate of his design?and stylized oil paintings, watercolors, and prints that reference fashion, dancing, and cabaret. Jones has exhibited in London, Zürich, Hong Kong, Shanghai, St. Louis, and Lisbon. His work sells for millions on the secondary market and belongs in the collections of the Museum of Modern Art, the Tate, the National Portrait Gallery in London, the Stedelijk Museum, the Whitney Museum of American Art, the Hirshhorn Museum and Sculpture Garden, and the Nagaoka Museum, among other institutions.Peter Webb is a lecturer in Canadian literature at McGill University. He has published journal and book articles on Sara Jeannette Duncan, Timothy Findley, and Tom Thomson, and is writing a book-length study of war fiction entitled Shattered Lines: War in the Canadian Novel. He is a co-applicant member of the Editing Modernism in Canada (EMiC) research group. …