Peter cannon editor (20 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. New York: St Martin's Press Fine in Fine dust jacket. 1998. First Edition; First Printing. Hardcover. 0312180713. This copy has been signed by the Dust Wrapper artist, Jill Bauman, on the title page. Collects 15 pastiches, 356 pages. Fine copy in Fine jacket clphE. Jill Bauman dust jacket (illustratore).…

Softcover. Condizione: Very Good. 1st. 96 pages, photographs throughout. Jackie Gleason cover article, as well as pieces on Martin Scorsese, Dyan Cannon, Minnesota filmmakers.

Soft cover. Condizione: Near Fine. 1st Edition. (x) 284 pp. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Cover art by Harry Fassl. This anthology contains: The Weird Shadow Over Innsmouth byJohn S. Glasby and H. P. Lovecraft; Understudy by Gary Myers; The Doom That Came to Innsmouth by Brian McNaughton; The Old Ones' Signs by Pierre Comtois; Fleas of the Dragon by C. J. Henderson; Mail Order Bride by Ann K. Schwader; The Idol by Scott David Aniolowski; The Guardian of the Pit by Franklyn Searight; Trust Me by Stanley C. Sargent; Just a Tad Beyond Innsmouth by Stanley C. Sargent; The Deep End by Gregory Luce; and It Was the Day of the Deep One by Peter Cannon. Size: 8vo. H. E. Fassl; (illustratore). Book.…

stiff paper wrappers. square 8vo. stiff paper wrappers. (2), 139+(1) pages. British History Painting: 1750-1830. A catalogue to an exhibition at the Heim Gallery in London shown in 1991 from May 1st to june 11th. Illustrated with contributions from scholars such as, Martin Butlin, David Alexander, Geoffrey Ashton, Martin Postle, and Michael Bellamy. With the signature of Gavin Bridson. …

Condizione: Fine. First Edition, 1st Printing. Lovecraft Studies 34. Spring 1996. Cover art by Jason Eckhardt. 36 numbered pages in illustrated paper wraps. Fine unread copy. Contents: On At the Mountains of Madness: A Panel Discussion by Peter Cannon, Jason C. Eckhardt, Steven J. Mariconda, and Hubert Van Calenbergh; Overdetermination and Enigma in Alhazred's Cryptic Couplet by Dan Clore; "The Outsider," THe Terminal Climax, and Other Conclusions by Robert H. Waugh; A Textual Oddity in "The Quest of Iranon" by Donald R. Burleson; The Vanity of Existence in "The Shadow out of Time" by Paul Montelone' and Lovecraft in Brooklyn by Rheinhart Kleiner. [II-c-1(OX)]. Staple bound softcover in paper wraps. Jason Eckhardt (illustratore).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. H.P. Lovecraft by Peter Cannon (First Edition) A firm square copy. Very minor foxing to text block edges. A bright jacket with portrait of H.P. Lovecraft. Copyright 1989. Twayne's United States Authors Series; TUSAS 549. Blue boards stamped gilt; 153 pp. Includes bibliographic references and index. Warren French(Editor) (illustratore). BOOK. …

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1998. Black cloth covered boards with gold spine titles; mild wear; jacket has mild wear, now in Brodart like cover; 8vo, 7 3/4" to 9 3/4" tall; illustrations in black and white; no internal markings; 486 pages.

Sauk City: Arkham House:, 1998. First edition, Hardcover, Fine in Fine dust jacket, 486 pp. Cover artwork by: Martin Hertzel First edition, Hardcover, Fine in Fine dust jacket. Martin Hertzel (illustratore).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition stated. Date on title page. Fine, if not new hardback in fine, if not new dust jacket ($29.95).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Lovecraft Remembered by Peter Cannon (editor) A sharp copy. Minor wear to top spine end. Bright gilt to spine. Pictorial dust jacket. Minor rubbing to back cover. Minor wear to spine ends. Not price clipped. First Edition stated. Illustrated with black and white photographs. Peter Cannon(Editor) Martin Hertzel(Cover Artist) Jason C. Eckhardt(Jacket Illustration) (illustratore). BOOK.…

Paperback. Condizione: Brand New. 324 pages. 8.50x6.00x0.75 inches. In Stock.

Paperback. Condizione: Brand New. 232 pages. 8.50x5.75x0.75 inches. In Stock.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Brand New. 1st edition. 454 pages. 10.25x7.25x1.00 inches. In Stock.

Hardcover. Condizione: Brand New. 324 pages. 9.00x6.00x0.94 inches. In Stock.

Hardcover. Condizione: Brand New. 232 pages. 9.50x6.50x0.75 inches. In Stock.

Condizione: Very good. Presumed First Edition, First printing. The format is approximately 8.75 inches by 9.25 inches. 112 pages. Illustrated cover. Profusely illustrated (many illustrations are in color). Minor cover wear and soiling noted. One page TLS on Heim stationery signed by Michael Bellamy relating to the catalogue and associated exhibition laid in. The gallery is recognized as being among the first commercial galleries to present scholarly exhibitions. In art history, "Old Master" (or "old master") refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way. In theory, "Old Master" applies only to artists who were fully trained, were Masters of their local artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as "A pre-eminent artist of the period before the modern; esp. a pre-eminent western European painter of the 13th to 18th centuries." The first quotation given is from 1696, in the diary of John Evelyn: "My L: Pembroke.shewed me divers rare Pictures of very many of the old & best Masters, especially that of M: Angelo.,& a large booke of the best drawings of the old Masters." The Dutch may have been the first to make use of such a term when oude meester mostly meant painters of the Dutch Golden Age of previous centuries. Heim Gallery London began in June 1966 with François Heim (from Galerie Heim, Paris, begun 1954) and Andrew S. Ciechanowiecki as partners. Ciechanowiecki served as director in London while Heim remained in France. The emphasis of the gallery was Old Master paintings, especially French of the 15th - 18th century, Italian paintings of all periods, and sculpture (marble, terracotta and bronze) from the Renaissance to the 19th century. The gallery was known for its scholarly exhibitions and catalogs. Between 1966 and 1989 the gallery presented exhibitions two to three times a year. The gallery did business with museums and individual clients in Europe and the United States. Ciechanowiecki helped build two significant private collections in the United States, the terracotta sculpture collection of Arthur Sackler (a portion of which is now at the National Gallery in Washington), and the Ian Ross collection of 19th century French sculpture. Heim Gallery also did business under other names: Old Masters (Paintings and Sculptures) Ltd. was created, apparently, as an internal device for tax purposes and had by 1986 as its sole directors, Ciechanowiecki and John Pomian, also sole directors of Heim Gallery at this time. The two entities existed concurrently in different premises. In October 1986, the Heim Gallery premises were leased to Richard Herner, owner of Swiftdene Ltd., and the corporate names exchanged: Herner was to use Heim Gallery, and Ciechanowiecki and John Pomian took on the name Swiftdene Ltd. Swiftdene and Old Masters shared premises at 67/68 Jermyn Street. At this point, Old Masters was still wholly owned by Ciechanowiecki and Pomian, with Swiftdene controlled by a Swiss company. Swiftdene ceased trading 30 September 1989 and its stock was purchased by Old Masters. Trade paperback [stiff card cover].…

Paperback. Condizione: New.

Condizione: Very Good+. 14 issues of the long-running British conspiracy/ parapolitics journal, in a broken run beginning with their first issue in A4 format, #9, then nos. 10, 18, 20-29, 31. Stapled wraps. Very Good+ overall, light wear. Includes a lot of antifascist historical research such as part two of scholar Jeffrey Bale's essay on right-wing terrorism and the extraparliamentary left in post-WWII Europe, Peter Dale Scott (coiner of the much-abused term "deep politics") on the US and the Indonesian genocide, and David Teacher on Le Cercle. Some of the sharpest writers chronicling the hidden or scandalous aspects of Western intelligence services' Cold War endeavors wrote for the newsletter at this time.…

Paperback. Condizione: Brand New. 324 pages. 8.50x6.00x0.75 inches. In Stock. This item is printed on demand.