peter h selz (29 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard cover. Contemporary American Art Critic. Very good in very good dust jack.

Trade Paperback. Condizione: Used - Very Good. Book was signed by the previous owner. Used copy with light wear.

Trade Paperback. Condizione: Used - Very Good.

Trade Paperback. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks. Book is signed by previous owner.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Used - Good. Book has minor shelf wear. Erratum sheet laid in.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fine. Condizione sovraccoperta: None. First Edition. softcover, illustrated, 127 pages, fine.

Trade Paperback. Condizione: Used - Very Good. Book has minor shelf wear. Slight yellowing along edges of covers.

paperback. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.

Hardcover. Condizione: Used - Very Good. Richard Lindner (1901-1978), a German-born refugee from Nazi oppression who settled in New York, created a bold and deeply disturbing body of work completely at odds with that city's vanguard of the 195Os. A former commercial artist, Lindner drew on personal memory and his emigre cultural heritage to fashion images of a bizarre and lurid humanity. Grotesque children, automaton couples, and denizens of the urban underworld populate his canvases. While his bold, precision-tooled figurative paintings found an appreciative audience in the 196Os with the advent of Pop Art, Lindner nonetheless remained a resolutely independent artist whose paintings speak to the alienation and moral crises of this century and evoke the absurdity of the human condition. Richard Lindner: Paintings and Watercolors, 1948-1977 includes 73 oil paintings and watercolors in full color, some of which have never before been exhibited or published. The book is based on the first exhibition of Lindner's work in a generation, organized by the Hirshhorn Museum and Sculpture Garden, which reexamines Lindner's life and traces the unfolding thematic content of his art from the late 194Os until his death in 1978. Essays are by organizing curator Judith Zilczer, Curator of Paintings at the Hirshhorn Museum, and Peter Selz, Professor Emeritus of the University of California, Berkeley. Dr. Zilczer explores the biographical and cultural sources for Lindner's figurative symbolism, while Professor Selz analyzes Lindner's controversial images of women. Very nice clean, tight copy free of any marks.

146 pp.; 30.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 50,000; unsigned and unnumbered; offset-printed; January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. Varian; "Public Art and Private Gallery," by James Wines; "Money for Money's Sake," by Jean Lipman; "Rediscovery: William O. Golding;" "New Talent - The Computer," by Stan VanDerBeek; "At Home With Art: The Samuel Rautbord House;" "Presenting Charles Close," by Cindy Nemser; "Francis Bacon at Sixty," by John Russell; "Paris: The Lettrist Movement," by Carol Cutler; "Vancouver: Scene and Unscene," by Peter Selz with Alvin Balkind; "Boston's Centenary Acquistions;" "Letters to the Editor;" "The State of Taste: Culturettes," by Russell Lynes; "Readers' Choice: Monet's La Terrasse," by Douglas Dillon; "New York Gallery Notes: The New Decade.at Dawn," by Grace Glueck; "Forum: The Vanishing Indian," by Rosalind Constable; "Graphics '70: Paul Jenkins," presented by Donald H. Karshan and "Books: Ambitious Projects," by Jay Jacobs. Cover: Robert Indiana. Includes "Phenomena Tide Finder," a 1969 full color original offset lithograph by Paul Jenkins printed by the Triton Press, bound into the magazine, and published in an edition of 50,000. Good. Yellowing of covers, light edgewear, and slight curl to publication. 3.5 cm. blue pen mark on recto. Contents clean and unmarked.

Hardcover. 260p., first edition, 12x11 inches; b&w and color plates, fore-edge slightly toned, small tear between front bottom dj and front panel, spine and rear dj heavily toned and slightly soiled, minor edgewear and creasing on back dj, rear side of spine slightly rubbed, else very good.

Condizione: Good. [Exhibition catalogue]. 8vo. Oblong. 17 pp. Soft, stapled white and color illustrated wraps. Very good with marginal soiling along front wrap. Color plates. Includes texts by curator Peter Selz and Richard H. W. Brauer. Includes artist biography. Catalogue created on occasion of memorial exhibition "A Sense of Wonder: The Memorial Retrospective of Robert Kostka: Paintings and Drawings from 1950-2005" held at Meridian Gallery in San Francisco, CA from January 19 through March 18, 2006. Scarce. From the Collection of the Art Historian Peter Selz.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Size: 4to - over 9¾" - 12" tall 0.0.

Condizione: Good. [Exhibition catalogue]. 8vo. Oblong. 17 pp. Soft, stapled white and color illustrated wraps. Very good with marginal soiling along front wrap. Color plates. Includes texts by curator Peter Selz and Richard H. W. Brauer. Includes artist biography. Catalogue created on occasion of memorial exhibition "A Sense of Wonder: The Memorial Retrospective of Robert Kostka: Paintings and Drawings from 1950-2005" held at Meridian Gallery in San Francisco, CA from January 19 through March 18, 2006. Scarce. From the Collection of the Art Historian Peter Selz.

Condizione: Good. 8vo. 12 pp. Very Good. Soft Cover. Illustrated paper wraps. Staple binding. B&W illustrations. Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Condizione: Good. [Exhibition catalogue]. 4to. [16 pp.]. Soft, stapled red glossy wraps with white lettering. Very good with marginal creasing along bottom of spine. Black and white plates. Includes texts by Elayne H. Varian, Peter Selz, Professor Stanislaw Lorentz and Dr. Jerzy Zanozinski.Includes artist C.V. and chronology and exhibition checklist of 62 works. Catalogue created to accompany an exhibition of works by Jan Cybis, opening September 29, 1966 at the Finch College Museum of Art. Scarce.From the Collection of the Art Historian Peter Selz.

Condizione: Good. Original photograph. 18 cm x 12.5 cm. Submitted by the author or their agent for inclusion in the publication "Contemporary Authors". Very Good.Provenance: From the collection of Frederic Gale Ruffner, Jr, the founder of Gale Research, Detroit.

Condizione: Good. Two Typed Letters Signed, 24 x 15 cm., Very Good on Reed College letterhead.Provenance: Peter Selz.