peter laki (40 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. No marks. Minimal wear.

Paperback. Condizione: Very Good. Light edgewear. A nice, bright copy. ; B&W reproductions; 6 X 0.82 X 9 inches; 314 pages.

Soft cover. Condizione: New. 314 pages.

Hardcover. Condizione: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by University of Chicago Press, 1997. Octavo. Hardcover. Book is very good with very light toning to the page ends and the previous owner's name inscribed on the flyleaf. Dust jacket is very good with very light shelf wear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Trade Paperback. Condizione: Like New. First Edition. First Edition, First Printing. Published by Princeton, 1995. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Condizione: Near Fine. Pbk, 313pp, an unread copy, excellent, clean, tight and unmarked as new.

Trade Paperback. Condizione: Fine. Excellent condition, no creases or markings.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Wyeth, N. C. (illustratore). 1st Edition. Fine, first edition / first printing, brown boards with black cloth quarter binding, xxii, 274 p., 34 p. of plates : ill. ; 20 cm. Notes; "English-language edition sponsored by the Museum of Fine Arts, Houston." Includes bibliographical references and index. Contents; Partial contents The letters - Hallwau to Parnassus / by Andor Horváth - Education of a young artist / by Anne Wilkes Tucker. Summary; Nicknamed the "Eye of Paris" by Henry Miller. Lovely condition, without writing, bright but this is ex-library, with minimal library markings. Dust wrapper unclipped and under mylar wraps. "The letters that Brassaï wrote to his parents between 1920 and 1940 chronicle the sometimes painful stages by which this gifted man hauled himself from penury to celebrity." Brassai was one of the great European photographers of the 20th century. This volume of letters and photographs, many published for the first time, chronicles the early years of Brassai's life and artistic development in Paris and Berlin during the 1920s and 1930s.

Large Softcover. Condizione: Very Good Plus. The 2008 season program book of one of the USA's premiere summer music school/festivals. CONTENTS: Letter from the Board Chair, Welcome Message, Introducing Hahn Hall, Renovation Campaign Donors, Academy Alumni: Where Are They Now?, Maurice Abravanel: An Appreciation, 2008 Faculty & Visiting Artists, 2008 Fellows, About the Academy, Music Academy Milestones, Guide to Summer Festival Events, Women's Auxiliary, Concert Programs, Fellow Biographies, Faculty & Visiting Artist Biographies, General Festival Information, Supporting the Academy, Advertising Index. 134 pages. CONDITION: a bright, tight, square, unmarked, uncreased Very Good Plus copy with moderate shelf-wear, bumped on the spine and scuffed at the spine-ends. This handsome copy is now in a clear, protective polypropylene bag with archival backing board.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. xxii, 274 pages, [36] pages of plates, illustrations; 20 cm. English-language edition sponsored by the Museum of Fine Arts, Houston. Translated from the Hungarian. Tight, clean copy. Dust jacket, slightly faded (?), protected in a mylar cover. *** "Nicknamed the 'Eye of Paris' by Henry Miller, Brassai was one of the great European photographers of the twentieth century. This volume of letters and photographs, many published for the first time, chronicles the fascinating early years of Brassai's life and artistic development in Paris and Berlin during the 1920s and 1930s." - Publisher. Size: 8vo. Collectible.

Hardcover. Condizione: Used - Very Good. Nicknamed the 'Eye of Paris' by Henry Miller, Brassai was one of the great European photographers of the 20th century. This volume of letters and photographs, many published for the first time, chronicles the fascinating early years of Brassai's life and artistic development in Paris and Berlin during the 1920s and 1930s. The amazing letters Brassai wrote to his parents during his years as a student and struggling artist in Paris and Berlin are published here in English for the first time. Just as Brassai captured in his photographs the texture, mood, and mystery of 1930s Paris, so too in his letters, through his candid, detailed, and vivid descriptions, he conveys in an immediate and forceful way what it was like to live in that world. An important, revealing work for everyone interested in Brassai and the history of photography, this collection will fascinate anyone who wants a firsthand account of Berlin and Paris in the '20s and '30s. Nicknamed the 'Eye of Paris' by Henry Miller, Brassai was one of the great European photographers of the 20th century. This volume of letters and photos, many published for the first time, chronicles the fascinating early years of Brassai's life and artistic development in Paris and Berlin during the 1920s and '30s. 37 halftones. Very nice clean, tight copy free of any marks.

First edition As new and bright tan boards in like pictorial (Brassai) glossy dustjacket with crisp bright text throughout. Beautifully illustrated with photographs, many full page size and with clean bright text. Gift quality volume. New and bright all around, gift quality.

Condizione: as new. Hbk, 314pp, no dj as issued, fine orange cloth with gilt titles, now in custom acetate jacket, an excellent clean tight unmarked copy, as new.

Condizione: Gebraucht - Gut. Einband leicht gewellt - mit CD - Tamas - TB -h4.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Satisfaction Guaranteed or your money back.

Paperback. Condizione: New. Bela Bartok, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartok was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartok in a large historical and cultural context. Laszlo Somfai reports on the catalog of Bartok's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallian surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Bela Balazs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartok and Stravinsky.Most of the letters and interviews in Part II concern Bartok's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartok's work as well as literary and poetic responses to his music and personality.

Condizione: New. 1995. Paperback. . . . . .

Condizione: New.

Condizione: New. 1995. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 328 pages. 9.00x6.25x1.00 inches. In Stock.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: New. Bela Bartok, who died in New York fifty years ago this September, is one of the most frequently performed twentieth-century composers. He is also the subject of a rapidly growing critical and analytical literature. Bartok was born in Hungary and made his home there for all but his last five years, when he resided in the United States. As a result, many aspects of his life and work have been accessible only to readers of Hungarian. The main goal of this volume is to provide English-speaking audiences with new insights into the life and reception of this musician, especially in Hungary. Part I begins with an essay by Leon Botstein that places Bartok in a large historical and cultural context. Laszlo Somfai reports on the catalog of Bartok's works that is currently in progress. Peter Laki shows the extremes of the composer's reception in Hungary, while Tibor Tallian surveys the often mixed reviews from the American years. The essays of Carl Leafstedt and Vera Lampert deal with his librettists Bela Balazs and Melchior Lengyel respectively. David Schneider addresses the artistic relationship between Bartok and Stravinsky.Most of the letters and interviews in Part II concern Bartok's travels and emigration as they reflected on his personal life and artistic evolution. Part III presents early critical assessments of Bartok's work as well as literary and poetic responses to his music and personality.