peter lukehart (100 risultati)

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Fair.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Fine. 1st Edition. Stiff tan color illus. wraps. Minor binding lean original to issue, slight crease to top front cover corner, otherwise as issued. 1st ptg. xxiii,205 pp., 122 b&w plates at rear. Size: 4to - over 9¾" - 12" tall. Book.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Hardcover. Studies in the History of Art No. 38. Varying practices, traditions, and products of the artist's workshop, from the trecento through the 19th century, both East and West, are explored in 8 essays. 196 pages, 143 illustrations, 4 color plates. Center for Advanced Study in the Visual Arts Symposium Papers XXII 196 pages; 9 1/4 x 11 1/2" Near Fine in Near Fine dust jacket.

Soft Cover. Condizione: Very Good+. First Edition; First Printing. Almost Like New. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New. ; 11 X 9.20 X 0.80 inches; 296 pages.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: NoNE. PHOTOS (illustratore). FIRST PRINTING. A VERY DETAILED LOOK AT THE BEGINNINGS OF AAMERICAN ART HISTORY SOLID CLEAN AND BRIGHT NO CREASES UNMARKED FULL NUMBER LINE CORNERS ARE 95 % PERFECT A VERY NICE COPY.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good+. Hard cover in dust jacket. Book in very good condition with light shelf wear to top and bottom of spine, very light rubbing to edges, very lightly rubbed, otherwise fine with very little use, age or wear, very clean with bright interior, tight binding. Jacket in very good condition with light rubbing, otherwise very fine with little wear, very bright and clean with mylar protective cover.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Pages are clean and crisp. Binding is tight. Covers are clean and solid, slightly bent at one edge, with minimal edgewear. BP/Art.

Paperback. Condizione: Very Good. Factory sealed. 430p. Measures 7x10 inches. Duotone illustrations. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide.

Condizione: New. 196 pp., Hardcover, NEW in a NEW dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Condizione: Fine. 1st. viii, 421 pages, illustrations, maps; 26 cm. Tight, clean copy. *** "This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them." - Publisher. *** CONTENTS: From universitas to accademia: notes and reflections on the origins and early history of the accademia di San Luca based on documents from its archives, by Monica Grossi & Silvia Trani; Disegna and Logos Paragone and Academy, by Charles Dempsey; Notaries and the Accademia di San Luca, 1590-1630, by Laurie Nussdorfer; The Universita dei Pittori and the Accademia di San Luca: from the installation in San Luca sull'Esquilino to the reconstruction of Santa Martina al Foro Romano, by Isabella Salvagni; Teaching in the studio of the "accademia del Disegno dei pittori, scultori e architetti di Roma" (1594-1636), by Pietro Roccasecca; Visions and divisions in the early history of the Accademia di San Luca, by Peter M Lukehart; Artistic practice in late Cinquecento Rome and Girolamo Muziano's Accademia di San Luca, by John Marciari; Florentine artists and Disegno in late Cinquecento Rome, by Julian Brooks; Giulio Mancini and artistic-amateur relations in seventeenth-century Roman academies, by Frances Gage; The archiconfraternita di San Giuseppe and the Universita dei Falegnami: the development of professional institutions in early Baroque Rome, by Paul Anderson; The early Accademia di San Luca and artists in Rome: a historian's observations, by Elizabeth S. Cohen. Size: 4to. Collectible.

Softcover. Condizione: Very Good. Solid VG large softcover.

paperback. Condizione: Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.

Softcover. Condizione: Very Good-. Book in Very Good- condition. Normal ware on spine form soft cover book being read. Text is clean and spine is tight. Minor cracking in gutter of book.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 143 illustrations with 4 color plates. Minimal shelf wear to the edges; interior clean and unread. DJ nicely in archival wraps.

Condizione: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Soft cover. Condizione: As New. 1st Edition. 148 pages. Issued in conjunction with the exhibition held at the Trout Gallery, Dickinson College (PA) and the Florence Griswold Museum, Old Lyme (CT), 1997. Like new softcover copy.

Paperback. Condizione: New. New trade softcover in printed wraps. 4to. (10 x 7.1 x 1.7 inches) Clean text free of marks or underlining. B&W photos and illustrations. Includes notes, bibliography and an index. 430 pp. Fast shipping in a secure book box mailer with tracking. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them. Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press.

paperback. Condizione: New. BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

Paperback. Condizione: Fine. 1st. 148 pages, illustrations (some colour); 30 cm. Exhibition held at the Trout Gallery, Dickinson College, 4 April to 14 June, 1997 and the Florence Griswold Museum, Old Lyme, Conn., 28 June to 28 September, 1997. Firm binding, clean inside copy. *** "American Impressionism paintings between 1890 and 1925 exemplify the search for traditional American values." - Publisher. *** CONTENTS: Cultivated wildness and remote accessibility: American Impressionist views of the home and its grounds, by Lisa N. Peters; Old dwellings, traditional landscapes: Impressionist artists and the rediscovery of American places, by David Schuyler; "For the scent of present fragrance and the perfume of olden times": the domestic garden in American Impressionist painting, by May Brawley Hill; Catalogue of works exhibited; Index of paintings reproduced. Size: 4to. Collectible.

Paperback. Condizione: Used-Very Good. Illustrated. Pap. Slight shelf-wear, else bright and clean.

Hardcover. Size: 9.25"x11.25", 196pp., illustrated with some in colour. Near new, fresh unused condition, covers bright, text clean & binding tight / bright and crisp dust jacket.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. First Edition. Another fine contribution to the series, Studies in the History of Art. terling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bound handsomely in brown cloth, with sharp and distinct gilt lettering to spine. Bright and shiny dust jacket, illustrated, showing only very minor wear, not price-clipped. A fine and probing study of the varying practices, traditions, and products of the artist's workshop, with a Preface by Henry A. Millon, edited by and contributed to by Peter M. Lukehart, and with eight essays, by Mojmir S. Frinta, Gail Feigenbaum, John M. Rosenfield, Marianna Shreve Simpson, Hellmut Hager, David R. Brownlee, Larry D. Lutchmansingh nnd others. 196 pp., with 143 illustrations and four in full color.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Condizione: VG/VG. Brown cloth/rust DJ. 196 pp. 4 color, 143 bw plates. This book is part of the series, Studies in the History of Art. The Varying practices, traditions, and products of the artist's workshop, from the trecento through the nineteenth century, inboth East and West, are explored in eight essays. Contents: Preface / H.A. Millon -- Introduction / P.M. Lukehart -- Observations on the trecento and early quattrocento workshop / M.S. Frinta -- Delineating the Genoese studio: Giovani accartati or sotto padre? / P.M. Lukehart -- Practice in the Carracci Academy / G. Feigenbaum -- Japanese studio practice: The Tosa family and the imperial painting office in the seventeenth century / J.M. Rosenfield -- The Making of manuscripts and the workings of the Kitab-khana in Safavid Iran / M.S. Simpson -- Carlo Fontana: Pupil, partner, principal, preceptor / H. Hager -- Victorian office practice and Victorian architecture: The case of Sir Gilbert Scott / D.B. Brownlee -- The British arts and crafts workshop between tradition and reform / L.D. Lutchmansingh.