Peter lynan (24 risultati)
Lingua: Inglese
Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardback. Condizione: New. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular insti…tutions.British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Lingua: Inglese
Editore: Boydell & Brewer Ltd, Woodbridge, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardcover. Condizione: new. Hardcover. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and s…ecular institutions.British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardback. Condizione: New. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular insti…tutions.British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Lingua: Inglese
Editore: Boydell & Brewer Ltd, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Condizione: New. 2021. Hardcover. . . . . .
Lingua: Inglese
Editore: Boydell & Brewer Ltd, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Lingua: Inglese
Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Lingua: Inglese
Editore: Boydell & Brewer Ltd, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Condizione: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardback. Condizione: New. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular insti…tutions.British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardback. Condizione: New. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular insti…tutions.British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Lingua: Inglese
Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardcover. Condizione: Brand New. 291 pages. 9.75x6.50x1.00 inches. In Stock.
Lingua: Inglese
Editore: Boydell & Brewer Ltd, Woodbridge, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardcover. Condizione: new. Hardcover. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and s…ecular institutions.British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Hardcover. Condizione: Brand New. 291 pages. 9.75x6.50x1.00 inches. In Stock. This item is printed on demand.
British Music, Musicians and Institutions, C. 1630-1800: Essays in Honour of Harry Diack Johnstone
Peter Lynan|Julian Rushton|Olive Baldwin|Donald Burrows|John Caldwell
Lingua: Inglese
Editore: Boydell & Brewer Ltd, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and profession…al) and music-printing, within the wider .
Lingua: Inglese
Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Buch. Condizione: Neu. British Music, Musicians and Institutions, C. 1630-1800 | Essays in Honour of Harry Diack Johnstone | Peter Lynan (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2021 | Boydell Press | EAN 9781783276479 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]lib…ri[dot]de | Anbieter: preigu Print on Demand.
Lingua: Inglese
Editore: Boydell Press, 2021
Serie: Music in Britain, 1600-2000, Libro 5 di 8. Libro 5 di 8 - Music in Britain, 1600-2000
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Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical persp…ective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
