peter norgaard larsen (45 risultati)

Soft cover. Condizione: Fine. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, buyers and sellers of good books at fair prices since 1991. Come visit! Please contact us if downsizing your library; we travel worldwide to buy good collections.

Condizione: Good. 2nd Edition. Paperback, numerous illustrations in colour, 8vo.

Softcover (Stiff Card). Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Denmark; ISBN: 8790096479. ISBN/EAN: 9788790096472. All our pictures shown here are of the actual item, not stock photos. Inventory No: 25730. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. Very Good condition. Very Good dust jacket. Statens Museum For Kunst edition. (Art, Art Exhibition, Exhibition Catalog, Pictorial works) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condizione: New.

Paperback. Condizione: New. These essays examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. They pose questions like: How do paintings present themselves to us today; how are they 'framed' experientially, institutionally and culturally? In which way can paintings of today be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each of them pursuing a distinct line of inquiry: 1. How to situate painting in a wider cultural context; 2. How to rethink the question of the ontology of painting; 3. How to define 'painting' today by taking into consideration that the discipline has assimilated a wealth of new means of expression and materials; 4. How to address the role of gender in painting; 5. How to address the complex relationship between painting, art institutions and the art market.

Paperback. Condizione: new. Paperback. The essays collected in Contemporary Painting in Context examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. The contributors address a range of important issues ? including how paintings present themselves to us today. That is to say, how paintings are ?framed? experientially, institutionally and culturally; the ways in which paintings of today can be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption; and whether it is possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history, visual culture studies or gender studies. Contributors: Jonathan Harris, Peter Weibel, Barry Schwabsky, Stephen Melville, Katharina Grosse, Anne Ring Petersen, Katy Deepwell, Rune Gade, Gitte Orskou and Chin-Tao Wu. Features essays that examine the transformation and expansion of the field of painting over the decades in relation to the more general lines of development in contemporary culture and visuality. This book is divided into five parts that pursue a distinct line of inquiry. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2010. Paperback. Editor(s): Bogh, Mikkel; Christensen, Hans Dam; Larsen, Peter Norgaard; Petersen, Anne Ring. Num Pages: 220 pages, 30 colour illus. BIC Classification: ACXJ; AFC. Category: (G) General (US: Trade). Dimension: 237 x 169 x 18. Weight in Grams: 638. . . . . . Books ship from the US and Ireland.

Condizione: New. 2010. Paperback. Editor(s): Bogh, Mikkel; Christensen, Hans Dam; Larsen, Peter Norgaard; Petersen, Anne Ring. Num Pages: 220 pages, 30 colour illus. BIC Classification: ACXJ; AFC. Category: (G) General (US: Trade). Dimension: 237 x 169 x 18. Weight in Grams: 638. . . . . .

Condizione: New.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. One-inch tear to jacket. Light bump to top of spine.

Paperback. Condizione: new. Paperback. The essays collected in Contemporary Painting in Context examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. The contributors address a range of important issues ? including how paintings present themselves to us today. That is to say, how paintings are ?framed? experientially, institutionally and culturally; the ways in which paintings of today can be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption; and whether it is possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history, visual culture studies or gender studies. Contributors: Jonathan Harris, Peter Weibel, Barry Schwabsky, Stephen Melville, Katharina Grosse, Anne Ring Petersen, Katy Deepwell, Rune Gade, Gitte Orskou and Chin-Tao Wu. Features essays that examine the transformation and expansion of the field of painting over the decades in relation to the more general lines of development in contemporary culture and visuality. This book is divided into five parts that pursue a distinct line of inquiry. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardcover. First American Edition. Quarto. (11" x 12") 312pp. Green cloth in dust jacket. Catalogue for the exhibition held in at Ateneum Art Museum, Helsinki (21 April - 27 August 2006), Nationalmuseum, Stockholm (30 September 2006 - 14 January 2007), The National Museum of Art, Architecture and Design, Oslo (15 February - 20 May 2007), Statens Museum for Kunst, Copenhagen ( 6 October 2007 - 20 January 2008), and The Minneapolis Institute of Arts (23 June - 2 September 2007). Small closed tear and a bit of wrinkling and discoloration to jacket. Smudge to bottom edge of. A stunning book. Very Good in Very Good dust jacket.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New. &Uumlber den AutorAnne Ring Petersen is Associate Professor of Modern Culture at the University of Copenhagen. Mikkel Bogh is Rector at The Royal Danish Art Academy. Hans Dam Christensen is Head of Research at the Royal School of Librar.

Hardback. Condizione: New. New Book, Direct from Publisher.

Condizione: Fair. Verschmutzung / Wasserschaden; Leichte Kratzer / Abnutzungen / Druckstellen; Gebrochener Buchrücken / Seiten oder Softcover umgeknickt. Features essays that examine the transformation and expansion of the field of painting over the decades in relation to the more general lines of development in contemporary culture and visuality. This book is divided into five parts that pursue a distinct line of inquiry.

Hardcover. Condizione: Fine in Fine dust jacket. 312 pages. Ateneum Art Museum Helsinki, Nationalmuseum Stockholm, The National Museum of Art, Architecture and Design Oslo, The Minneapolis Insitute of Arts Minneapolis, Statens Museum for Kunst Copenhagen. articles by Torsten Gunnarsson, Magne Malmanger, Annika Waenerberg, Peter Norgaard Larsen, Leena Ahtola-Moorhouse, Philip Conisbee, Janne Gallen-Kallela-Siren, Klaus P. Mortensen. shipping will be extra for this large and heavy book, please inquire. ; 12 x 10 3/4 ".

Paperback. Condizione: New. These essays examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. They pose questions like: How do paintings present themselves to us today; how are they 'framed' experientially, institutionally and culturally? In which way can paintings of today be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each of them pursuing a distinct line of inquiry: 1. How to situate painting in a wider cultural context; 2. How to rethink the question of the ontology of painting; 3. How to define 'painting' today by taking into consideration that the discipline has assimilated a wealth of new means of expression and materials; 4. How to address the role of gender in painting; 5. How to address the complex relationship between painting, art institutions and the art market.

Oversize Hardback. Condizione: Fine. Condizione sovraccoperta: Good. Large, oblong format in forest green cloth with embossed title on cover and spine. Previous owner's name on front end paper, otherwise Fine, As New. 312 pages heavily illustrated with many full page, full color prints. Text/interior is clean and free of marking of any kind, pages and page block is excellent and unblemished in straight, solid binding. Dust jacket shows edge wear, chipping, soiling, 1/2" tear top back cover at corner. In business for 20 years, we provide excellent and responsive customer service and pack in material appropriate to insure your purchase arrives undamaged. Keywords: Ellen Thesleff, Frits Thaulow, August Strindberg, Harals Sohlberg, Harald Slott-Moller, Christian Skredsvig, Peter Christian Skovgaard, Niels, Skovgaard, Otto Sinding, Hugo Simberg, Helene Schjerfbeck, Laurits Andersen Ring, Theodor Philipsen, Eilif Peterssen, Julius Paulsen, Helmer Osslund, Carl Larsson, Marcus, August Malmstrom, Berndt Lindholm 2.

Condizione: Very good.

Couverture souple, 176 pages, 24 x 29 cm, Français. En bon état. ISBN 9788874391981. Impressions du Nord : La peinture scandinave 1800-1915 0 g.