peter ortman (26 risultati)

Stockholm; Bonniers, 2003. Originalupplaga. 18x12 cm. 90, (5, 1 blank) s. Förlagets pappband med tryckt skyddsomslag. Fint ex.

paperback. Condizione: Fine. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Condizione: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Stockholm; Bonniers, 1968. Originalupplaga. 18x13,5 cm. 79, (1) s. Häftad med tryckt omslag. Det överdimensionerade omslaget är aningen veckat i nedre marginalerna. Fint ex. Ortmans tredje diktsamling. Dedikation på titelbladet: "Till Maria [=tryckt text] och till Gunnar Q. från Peter". Mottagare var Gunnar Qvarnström, litteraturvetare i Lund.

Condizione: New.

Condizione: New.

Albert Bonniers Förlag, Stockholm 1979. 69, (4) sidor. Häftad. Gott skick. Illustrerad av Cilla Ericson.

Condizione: New.

Stockholm; Bonniers, 1967. Originalupplaga. 17,5x13,5 cm. 69, (3) s. Häftad med tryckt omslag. Ouppskuren. Det överdimensionerade omslaget är aningen veckat i nedre marginalerna. Fint ex. Ortmans andra diktsamling. Dedikation på titelbladet: "Svenska flaggans dag 1967 / Till Gunnar Q, som redan läst och godkänt boken -- till glädje för tillgivne förf. / Peter O.". Mottagare var Gunnar Qvarnström, litteraturvetare i Lund.

Lund; Cavefors, 1977. Originalupplaga. 24x17 cm. (45, 1 blank) s. Häftad med tryckt omslag. Fint ex. En bildsvit delvis bestående av collage. Bokens enda text finns på bakre omslag.

Lund; Galerie S:t Petri, 1974. [29,5x20,5 cm]. Opaginerad. (7 stencilerade A4-ark + 3 ark med fotografier). Klammerhäftad med ett tryckt A4 som främre omslag. En liten fläck på främre omslaget, annars ett fint ex. Bifogat finns ett brev till besökaren där Ortman beskriver sin utställning: "Vad är det jag visar? Fixeringsbilder och föremål som jag funnit mig i - som funnit sig i mig genom åren? Som finns i sig själva? Ja ochj Nej? ? etc." Katalogen innehåller en lång text med titeln ?Stilleben?, vars motto är: ?Är 'stilleben' och 'nature morte' i verkligheten ett och samma??

paperback. Condizione: New.

C:a 1970. Leporello. Vikt 3 gånger. 27 x 18,5 cm. Gott skick.

Condizione: New. In.

154, (4) s. Häftad. Förlagsnytt exemplar.

Kartoniert / Broschiert. Condizione: New. Featuring a wealth of digital content, this concept-based Print and Enhanced Online Course Book Pack has been developed in cooperation with the IB to provide the most comprehensive support for the new DP Mathematics: applications and interpretation HL sylla.

Bolsillo. Condizione: New. Condizione sovraccoperta: Nuevo. 01. Featuring a wealth of digital content, this concept-based Print and Enhanced Online Course Book Pack has been developed in cooperation with the IB to provide the most comprehensive support for the new DP Mathematics: applications and interpretation HL syllabus, for first teaching in September 2019. LIBRO.

Bonniers 1968. 80 s. Trådhäftad. 18 x 13 cm.[#\138363].

1 ark vikt tre gånger (leporello). 1 ark vikt tre gånger (leporello). Lättare bruksspår. Dikt av Ortman bildsatt av Billgren.

Bo Cavefors Bokförlag. 1977. Häftad. 24 x 17 cm. [48] sidor. Gott skick.

CD-ROM. Condizione: Brand New. 832 pages. 8.66x5.91x8.46 inches. In Stock.

Första upplagan. Häftad, främre omslaget med smärre nötning i nedre inre hörnet. Dedikation: "Till Björn Julén med vänliga hälsningar Ola B". Lund, Bo Cavefors bokförlag, 1977. 8:o. 48 sid. Består helt av bilder, delvis i färg.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

[28] pp.; 27.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. Artists included Anthea Alley, Stephen Antonakos, Hans Arp, Hubert Berke, Jose Bermudez, Ronald Bladen, Lee Bontecou, Harry Bouras, George Brecht, Alberto Burri, Alexander Calder, John Chamberlain, David Chapin, Chryssa, Christo Coetzee, Bruce Conner, Joseph Cornell, Roy De Forest, Sari Dienes, James Dine, Enrico Donati, Tom Doyle, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, William Giles, Charles Ginnever, Mathias Goeritz, Red Grooms, Grover Hendricks, Edward Higgins, Robert Indiana, Paul Jenkins, Jasper Johns, Zoltan Kemeny, Yffe Kimball, Yves Klein, Irving Kriesberg, Bernard Langlais, John Latham, John Little, Hubert Long, Anthony Magar, Robert Mallary, Glen Michaels, Manolo Millares, Renee Miller, Henry Moore, Louise Nevelson, Claes Oldenburg, George Ortman, Alfonso Ossorio, Lil Picard, Arnaldo Pomodoro, Leo Rabkin, Robert Rauschenberg, Irwin Rubin, Salvatore Scarpitta, Kurt Schwitters, Richard Stankiewicz, Takis, Antonio Tapies, Alice Terry, Sofu Teshigahara, Stanley Vanderbeek, Robert Whitman, May Wilson and Wilfred Zogbaum. Includes eight installation images by Rudolph Burckhardt and checklist of the exhibition with prices listed. Very Good. Light rubbing of covers and edges with 7.1 cm. of yellowing to recto. Contents are clean and unmarked.