Peter petermann (131 risultati)

Condizione: as new. Wie neu/Like new.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 9.5 x 11.25 inches. 480 pages. Text in German. Tan cloth cover with brown script on spine and illustration on front. Very light wear on dust jacket. Full-colour illustrations. Fine condition. This is a heavy book and may require additional shipping charges.…

0. 1. Aufl., 891 S., 8°, Ln. mit SU, mit einer Einleitung von Martin Fontius. (HRMII8) Band.

Condizione: As New. Unread book in perfect condition.

Leinen. 1. Aufl. Erste Auflage, 891 S. Ln. ordentliches Bibliotheksexemplar (foliert, mit Stempel u. Signaturschild).

372 Seiten. Quart (30x 21 cm). Orig.Broschur. ** Gut erhalten. (Aus Natur und Landschaft in Saarland, 4).

Leinen. Condizione: Gut. 1. bis 70. Tausend. Groß-Oktav. 263 Seiten. Leinen. mit 1500 farbigen Illustrationen auf 205 Tafeln. gut erhalten.

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Softcover. 192 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Schnitt leicht sommersprossig. Rücken, Ecken, Kanten gut. Sprache: Deutsch Gewicht in Gramm: 300.

Leinen. Condizione: Gut. Groß-Oktav. 263 Seiten. Leinen. mit 1500 farbigen Illustrationen auf 205 Tafeln. gut erhalten.

267 S., 8°, Oppbd, ohne Os, Einband leicht unsauber, 11. Auflg., 471 . - 500 . Tsd, mit 150 farbige Illustrationen auf 205 Tafeln, gut.

Leinen. Condizione: Gut. 7. Auflage. Groß-Oktav. 263 Seiten. Leinen. mit 1500 farbigen Illustrationen auf 205 Tafeln. Papier gering nachgedunkelt, gut erhalten.

224 S. OPappband farbig illustriert, sehr guter Zustand ca. 22 x 27 cm Sprache: Deutsch Gewicht in Gramm: 0.

Hardcover. Condizione: Befriedigend. Leinen 263 S. mit 1500 farbigen Illustrationen auf 205 Tafeln. Einband fleckig, Ecke bestoßen.

Paperback. Condizione: Brand New. German language. 8.90x5.60x0.50 inches. In Stock.

Paperback. Condizione: Brand New. German language. 9.49x6.57x0.59 inches. In Stock.

Paperback. Condizione: New. New.

Condizione: New.

Soft cover. Condizione: Very Good. 2011 Rodopi paperback edition. Light reading wear else very good condition. From the cover: The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on 'Surveying the Field' of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the 'musicalization of fiction'. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. Contents: Performativity in Literature and Music Performativity and the Musical Work of Art by Tobias Janz Text vs. Act: The Bearbeitungsfrage and the 'Romantic Baroque' by David Francis Urrows The Act of Performance as Mahlerian Topic by Robert Samuels Politics, Music and Irony in Alejo Carpentier's Novel La consagracion de la primavera (The Rite of Spring) by Katia Chornik Musical Performativity in the Fiction of Katherine Mansfield by Delia da Sousa Correa Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse by Walter Bernhart 'Music will keep out temporary ideas': W. B. Yeats's Radio Performances by Adrian Paterson 'The Invisible' / 'The Inaudible': Aspects of Performativity in Celan and Leibowitz by Axel Englund Romantic Opera and the Virtuoso by Simon Williams Sexing Song: Brigitte Fassbaender's Winterreise by Lawrence Kramer Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass's Adaptation of J. M. Coetzee's Novel by Michael Halliwell Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality by Bernhard Kuhn Jazz Novels and the Textualization of Musical Performance by Emily Petermann Charles Mingus and Performative Composing by Mario Dunkel Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy by Katrin Eggers Surveying the Field Seeing Words and Music as a Painter Might: The Interart Aesthetic by Peter Dayan Milan Kundera's Polyphonic Novels and the Poetics of Divestment by David Mosley.…

Condizione: New.

alle Hefte 8°, Obrosch, Einbände mit Gebrauchsspuren, Band 119 - Alarm auf Station Einstein Teil 1 + Band 309 - Havarie + Band 323 - Der geheimnisvolle Meteorit + Band 350 - Raumschiff " Neptun" kehrt um + Band 354 - Der unsterbliche Mr. Cooper + Band 361 - Der Marssturm + Band 397 - SOS von BioSat + Band 430 - Das Geheimnis der Mascons + Band 411 - Die Methode der Dr. Quin + Band 445 - Der Tote in der Arktis + Band 457 Das Risiko + Band 489 - Nach der Havarie + Band 504 - Perfekte Kontrolle + Band 512 - Menschen ohne Vergangenheit, jedes Heft mit s/w Illustrationen, guter gebrauchter Zustand.…

1. Auflage. Vorwort: Martin Fontius - - internlp101-3709 Deutsch - 891 Seiten S. 22 x 15 x 5 cm - Oktav 1000g. mit deutlichen Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, leicht nachgedunkelt, Schnitte fleckig, mit Namenseintragung eines Vorbesitzers, - mit deutlichen Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, leicht nachgedunkelt, Schnitte fleckig, mit Namenseintragung eines Vorbesitzers, - Leinen (Hardcover) mit Schutzumschlag -.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Saarbrücken, 1986. 372 pp. B./w. ills. Soft cover. (Aus Natur und Landschaft in Saarland, 4).

HC. Condizione: Gut. Oln, Originalgetreuer Umschlag (Faks.), , gr 8?, 263s., in gutem Zustand, [OSA21,3a] Deu 700g.

Condizione: New.

Hardcover. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Herausgegeben und kommentiert von Renate Petermann und Peter-Volker Springborn. Einleitung von Martin Fontius. Leinen mit Schutzumschlag, Fadenheftung, 891 Seiten. Schutzumschlag mit kleinen Randläsuren, Kopfschnitt fleckig, sonst gutes Exemplar. Gewicht: 1126.…

Juventa-Verlag 2007, 136 Seiten, graph. Darst. ; 23 cm, kart. ; aussen gut, innen sehr gut, keine Einträge.