peter schuyff (24 risultati)

Exhibition invite that unfolds, 5 x 7 inches; very good condition; an unmailed copy.

Stapled wraps. Condizione: Near Fine. First Edition. Near Fine red-brown stapled wraps about 6½x9½ inches. 95 pages, unmarked. Isabelle Pauwels, Rachelle Sawatsky, Peter Schuyff, Valentina Liernur, Tiziana La Melia, Neil Campbell, Kate Craig, Molly Sigalet, Eileen Myles, Michael Turrner, Michele Di Menna, Judith Hopf, Ruairiadh O; Connell, Trevor Mahovsky, Jess Wiesner; OVR21 EBD; 95 pages.

Softcover, staple-bound with dustjacket, 24 pages, very good condition; except moderate rubbing to covers with small abrasion from removed price sticker; no internal marks.

No Binding. Condizione: Very Good. 5 different exhibition announcement for: Jacob Hashimoto "The First Known Map of the Moon" 2016 unfolded size: 16 x 8 in/ Peter Schuyff "Untitled" 2015 unfolded size: 16 x 8 in / Jose Parla "Tiempo" 2015 unfolded size 16 x 8in / 2 of the same invites by Kathe Burkhart "Fuck Off" 2018 size: 8 x 8 in / Inka Essenhigh "Untitled" 2001 unfolded size: 14 x 7 inches; edition size is unknown, none are signed; all in VER GOOD COND.

No Binding. Condizione: Very Good. 5 different exhibition announcement for: Jacob Hashimoto "The First Known Map of the Moon" 2016 unfolded size: 16 x 8 in/ Peter Schuyff "Untitled" 2015 unfolded size: 16 x 8 in / Jose Parla "Tiempo" 2015 unfolded size 16 x 8in / 2 of the same invites by Kathe Burkhart "Fuck Off" 2018 size: 8 x 8 in / Inka Essenhigh "Untitled" 2001 unfolded size: 14 x 7 inches; edition size is unknown, none are signed; all in VER GOOD COND.

Soft cover. Condizione: Very Good. 1st Edition. Softcover, 11,3 x 32 cm, 72 pages (color ill.). Fine. Text in English and French.

Hardcover. Condizione: Fine. 1st Edition. Book is a hardcover in fine condition, with original lithographs, 9" X 11 1/2 plus, 18 full p. lithos. Limited to 200 copies but none are numbered or signed.

Encuadernación de tapa dura. Condizione: Bien.

Soft cover. Condizione: Near Fine Slight Soiling. 1st Edition. Exhibition catalog with color images. Text in English and German. Book.

Exhibition invite as unpeeled sticker , 6 x 8 inches; very good condition; missing the green envelope it was originally mailed in.

Hardcover. Condizione: Very Good. Very Good. This edition is unnumbered and unsigned. Copy is numbered at 200. Gently used with NO markings in text; binding is tight. Pasadena's finest independent new and used bookstore.

8° (22x17), [64] S., mit 40 WerkAbb. (Gouache auf antiken Kupferstich-Porträts), ill OPbd, nahezu ungelesen, schönes gepflegtes Exemplar, Parallelausgabe deutsch-englisch.- * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.

Soft cover. Condizione: Very Good. 1st Edition. First edition, first printing. Cloth-backed paper boards, issued without dust jacket. About Very Good+, a bit of very light edgewear, and a small stain on the front cover label. Bibliographic data states edition of 200 signed & numbered copies; this copy is unnumbered and unsigned.

Paperback. Condizione: Near Fine. First Edition. 4to. [152] pp. Near Fine. Slightest rubbing to rear wrap.

Oblong, half-cloth binding. Full-page ills. -(Cloth slightly smudged, otherwise in excellent condition.).

Condizione: Usato. cm 48,5x34, pag (8) a fogli piegati senza legatura, con 7 tavv a col.

No 123 of 200 copies. Signed by the artist. Oblong, half-cloth binding. Full-page ills. -(Minor wear to the corners of the cover, otherwise in excellent condition.).

59 p., 21 cm, bross.

Condizione: Good. 4to. 73 pp. Soft Cover. Very Good. Written in German with English translation. Normal shelf-wear. Mostly Color Plates. Extremely Scarce.Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

Rome; Gian Enzo Sperone, 1992. 30,5x24,5 cm. (14, 14 blanks) pp. + 102 plates. Original boards with printed dustjacket. The jacket is slightly chipped at head of spine. Foot of spine and corners are a little bumped. Contents are fine. Issued in 1500 copies at the occasion of Schuyff's exhibition at Sperone Westwater Gallery in New York. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Hardcover. Cover Title. oblong 4to. pp. [18 leaves-versos blank]. illus. throughout. quartercloth. Limited Edition of 200 signed & numbered copies. Signed by Author(s).

Couverture rigide. Condizione: Comme neuf. Amsterdam, 36 p., relié. Ed de 200 numéroté et signé 22,5 x 29,5 cm.

Albumblatt (1 S. Leinen 4°, Wasserzeichen) übertitelt ABENDESSEN FÜR CHRISTOPH VITALI, 9. XII.93, mit darunter 9 eigenhändigen Unterschriften, teils etwas blass, signiert von den teilnehmenden Persönlichkeiten : PETER SCHUYFF (s.o., von ihm kleine Visitenkarte dabei), CHRISTOPH VITALI (1940-2019, schweizerischer Ausstellungskurator, Museumsdirektor und Kunstautor), CHRISTIAN KÄMMERLING (*1953, deutscher Journalist. Zusammen mit Andreas Lebert gilt er als Erfinder des SZ-Magazins), LISA FELDMANN (*1958, Schweizer Kolumnistin. Sie schreibt seit 2020 jeden zweiten Samstag für die Boulevardzeitung «Blick». Zuvor war sie Chefredakteurin der «Annabelle», aktuell ist sie Chefredakteurin des Magazins «L'Officiel») .u.v.m.