petitjean georges (104 risultati)

paperback. Condizione: Very Good. Hedendaagse Aboriginal kunst: de AAMU collectie en Nederlandse verzamelingen This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: New. **HARDBACK**.

8vo, 96pp. Black & white illustrations. A very good paperback copy.

hardcover. Condizione: New. **HARDBACK**.

Condizione: New. In.

Softcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: As New. French édition - Expédition soignée sous blister dans une enveloppe a bulles. 25x24x1cm. 2010. Broché. 95 pages. Ils s'étaient connus en 1944 à leur sortie de l'ombre. L'un paysan communiste autodidacte d'esprit missionnaire s'engageait dans le militantisme syndical et politique l'autre étudiant frustré de sa course aux diplômes s'élançait dans le journalisme de témoignage comme correspondant de guerre. Durant 40 ans ils se retrouvèrent ainsi aux quatre coins du monde le premier à la pointe des hautes affaires de l'agro-alimentaire le second à l'avant-scène du grand reportage. Et fidèles à leurs origines ils revenaient se replonger ensemble avec délices dans la fraîcheur intacte de leur première rencontre. Mais brutalement à la sortie d'un hiver -cinq autres déjà- sonna l'heure de la dernière. Et le paysan dit à l'étudiant : Si les médecins ne se sont pas trompés qui m'accordent de six mois à un an de vie je viendrai chez toi dans les Pyrénées en mai et nous finirons de parler tous les deux sur ta terrasse face aux sommets. Neuf jours après hélas il s'en allait. Alors surmontant sa peine et ses scrupules et avec l'appui de témoins de tous bords humbles ou grands l'étudiant s'est décidé à combler ce mou de conversation. Car il connaissait le désir profond du Gavroche de Noé qui avait relevé l'extravagant défi de jouer au milliardaire rouge : Je compte sur toi pour que l'on sache un jour qui j'étais vraiment. La révélation dans toute la rigueur de l'amitié est bouleversante. As New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Following on from the success of the exhibition Before Time Began, Fondation Opale is taking on a new challenge with a show that juxtaposes contemporary Aboriginal art with prominent examples of contemporary art created in a Western and Asian tradition. This beautifully illustrated catalogue includes more than eighty works by over 54 artists from two separate collections, both of which are outstanding in their own right: the collection of Aboriginal art belonging to Bérengère Primat and the contemporary art collection amassed by Garance Primat. The works play off each other with powerful effect. Insightful pairings suggest an underlying unity, a merging of mankind, heaven, earth, and the whole cosmos.The Aboriginal artists represented include: Rover Thomas, Gulumbu Yunupingu, Clifford Possum Tjapaltjarri, Judy Watson, Sally Gabori, Emily Kame Kngwarrey, Paddy Bedford, Nonggirrnga Marawili, Ronnie Tjampitjinpa, and John Mawurndjul. The artists working in the Western and Oriental traditions include: Jean Dubuffet, Kiki Smith, Anselm Kiefer, Sol Lewitt, Yayoi Kusama, Giuseppe Penone, and Anish Kapoor.Published to accompany an exhibition at Fondation Opale, Lens - Crans Montana, 14 June 2020 - 4 April 4 2021.

Condizione: New.

Condizione: New.

Condizione: New.

paperback. Condizione: New. **PAPERBACK**.

Condizione: Fine. french édition - L'article peut présenter de légères marques de stockage mais aucune marque de lecture et du reste en très bon état. Expédition soignée sous blister dans une enveloppe à bulles depuis la France. 25x24x1cm. 2010. Broché. 95 pages. Fine.

Hardcover. Condizione: new. Hardcover. This second book in the Aboriginal Arts and Knowledge series documents a body of work created cooperatively by 4 artists: Ted Egan Tjangala, Dinny Nolan Tjampitjinpa, Johnny Possum Tjapaltjarri and Albie Morris Tjampitjinpa. Wamulu, a yellow flower, has traditionally been used during ritual ceremonies in the western desert of Australia. The wamulu flower is gathered, dried, cut up, and mixed with ochre and binders before being applied to the ground. This catalogue for an exhibition at the Fondation Opale showcases an exceptional project that took place near Alice Springs between 2002 and 2005, where this collective of artists used paint made from the wamulu flower, which is most often associated with impermanence, to create contemporary and permanent works of art. At the same time, they honoured the traditional Aboriginal process of communal performance, participation, and song that emphasises the link between the present and the past. Includes an interview with the noted Aboriginal art expert Arnaud Serval, who facilitated the work of the collective. Text in English and French. AUTHORS: Georges Petitjean is an art historian, writer, and curator at the Fondation Opale, in Lens (Switzerland). Arnaud Serval is a gallerist who specialises in Aboriginal art, and has immersed himself in Aboriginal culture for the past two decades. SELLING POINTS: . The second book in the Gay'wu Aboriginal Arts and Knowledge series, following on from the success of Anangu Collective, ISBN 9788874399611 . Published to accompany an exhibition at the Fondation Opale in Lens, Crans Montana (Switzerland), from June 12 to November 6th 60 colour illustrations In this second book in the Aboriginal Arts and Knowledge series, the cooperative art process called Wamulu is explored through the work of 4 artists: Ted Egan Tjangala, Dinny Nolan Tjampitjinpa, Johnny Possum Tjapaltjarri and Albie Morris Tjampitjinpa. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Light grey illustrated boards with light brown and black lettering; 127 pp.; richly illustrated. Text in English and French. Created on the occasion of an exhibition held at the Fondation Opale, Lens, Switzerland in 2022. VG (Light shelfwear to boards; interior is in excellent condition.).

Condizione: Fine. french edition - L'ouvrage qui n'a jamais été lu peut présenter des traces de stockage sur couverture et/ou les pourtours- Idéal pour offrir car Remis Sous blister -envoi rapide et soigné depuis la France dans un emballage adapté. 25x24x1cm. 2010. Broché. 95 pages. Fine.

Condizione: New.

Hardback. Georges Petitjean, Five Continents Editions. Why are these specific artworks the subject of this first monograph? Produced in 2018, the sumptuous paintings, aa is the Kulata Tjuta Kupi Kupi installation, are collaborative artworks. They are reminiscent of the collaborative production process of art in Aboriginal Australia. These major works, in which a variety of Dreaming stories that define the region converge, form cornerstones of the collection that lies at the heart of the Fondation Opale. The Fondation Opale, and its founder and driving force Berengere Primat, has a particularly strong and active relationship with the art centres and the artists of that region of Australia. Several journeys were made to the APY lands in Central Australia. Both paintings, to which respectively several senior women and men collaborated, were commissioned by Berengere Primat and the painting process abundantly documented. These magisterial paintings are testimony to the continuum of culture and intimate knowledge of the land through art. Kupi Kupi, an iteration of the ongoing Kulata Tjuta (many spears in the Pitjantjatjara language) initiated in 2010, is a contemporary and monumental art installation consisting of 1500 spears. It is a metaphor for contemporary Anangu society and the unpredictable direction in which it is moving. All these artworks are testimony to the renewal and relevancy of Aboriginal art in contemporary times. Text in English and French. AUTHORS: Georges Petitjean is an art historian whose PhD thesis concerned the art found in the deserts of western Australia. His main research interest lies in tracing the path Aboriginal art has taken from its origins right up to the world of international contemporary art. He was the curator of the Museum of Contemporary Aboriginal Art in Utrecht from 2005 to 2017. Since 2017 he has been the curator of the Collection Berengere Primat, one of the foremost collections of Aboriginal art in the world. Lisa Slade is assistant director for art programs at the Art Gallery of South Australia. Her recent curatorial projects include Kulata Tjuta at the Musee des Beaux-Arts in Rennes, France; Quilty, a travelling exhibition of the work of Australian artist Ben Quilty; John Mawurndjul: I am the old and the new, as well as curator in 2016 in Adelaide of the Australian Art Biennale. 45 colour illustrations. Hardback.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. Why are these specific artworks the subject of this first monograph? Produced in 2018, the sumptuous paintings, aa is the Kulata Tjuta Kupi Kupi installation, are collaborative artworks. They are reminiscent of the collaborative production process of art in Aboriginal Australia. These major works, in which a variety of Dreaming stories that define the region converge, form cornerstones of the collection that lies at the heart of the Fondation Opale. The Fondation Opale, and its founder and driving force Berengere Primat, has a particularly strong and active relationship with the art centres and the artists of that region of Australia. Several journeys were made to the APY lands in Central Australia. Both paintings, to which respectively several senior women and men collaborated, were commissioned by Berengere Primat and the painting process abundantly documented. These magisterial paintings are testimony to the continuum of culture and intimate knowledge of the land through art. Kupi Kupi, an iteration of the ongoing Kulata Tjuta (many spears in the Pitjantjatjara language) initiated in 2010, is a contemporary and monumental art installation consisting of 1500 spears. It is a metaphor for contemporary Anangu society and the unpredictable direction in which it is moving. All these artworks are testimony to the renewal and relevancy of Aboriginal art in contemporary times. Text in English and French. AUTHORS: Georges Petitjean is an art historian whose PhD thesis concerned the art found in the deserts of western Australia. His main research interest lies in tracing the path Aboriginal art has taken from its origins right up to the world of international contemporary art. He was the curator of the Museum of Contemporary Aboriginal Art in Utrecht from 2005 to 2017. Since 2017 he has been the curator of the Collection Berengere Primat, one of the foremost collections of Aboriginal art in the world. Lisa Slade is assistant director for art programs at the Art Gallery of South Australia. Her recent curatorial projects include Kulata Tjuta at the Musee des Beaux-Arts in Rennes, France; Quilty, a travelling exhibition of the work of Australian artist Ben Quilty; John Mawurndjul: I am the old and the new, as well as curator in 2016 in Adelaide of the Australian Art Biennale. 45 colour illustrations The book is dedicated to two major large collaborative canvases by male and female artists of the APY (Anangu Pitjantjatjara Yankunytjatjara) Lands and the Kulata Tjuta installation by artists of that same region. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New.

Condizione: New. In.

Rilegato. Condizione: new. English and French Text.Milano, 2025; bound, pp. 128, col. ill., cm 22x28. He art of Jackie Giles is a bridge between Aboriginal cosmology and the modern world. His paintings reveal the profundity of Dreamtime and the wisdom possessed by traditional healers. Text in English and French.For a large part of his life, Jackie Kurltjunyintja Giles Tjapaltjarri (ca 1935-2010) led a nomadic existence, traveling across large tracts of and later spending time in small communities in Australia's vast Western Desert region.Jackie Giles was renowned as a man of great erudition and a powerful healer, Maparnjarra in his native Ngaanyatjarra language. The powers of these traditional healers include the gift of seeing into the bodies and even the spirits of others. In the 1990s, Jackie Giles started painting with acrylic on canvas. Mr Giles, as he was often called, combined an intimate knowledge of his land with his own oneiric visions to build what became a significant personal oeuvre. These paintings celebrate the Tjukurpa (Dreaming), which pervades the land and is a cornerstone of its identity.Built around labyrinthine patterns and monumental shapes, these dynamic, rhythmical compositions allude to the esoteric, sacred subject matter of the Dreaming. The intense, striking works that make up this awe-inspiring oeuvre manage to link two dimensions: Ngaanyatjarra cosmology and the rapidly changing modern world. Libro.

Rilegato. Condizione: fine. Milano, 2022; ril., pp. 128, ill., cm 12x24. Il volume è il secondo della collana Gay'wu. Aboriginal Arts and Knowledge che ha l'obiettivo di presentare progetti monografici legati ad artisti aborigeni contemporanei. Wamulu - titolo che richiama un fiore giallo del deserto che cresce abbondantemente nella zona di Alice Springs ed è usato come materiale di base per dipinti o realizzazioni artistiche sul terreno - raccoglie l'opera di arte collaborativa del collettivo formato da Ted Egan Tjangala, Dinny Nolan Tjampitjinpa, Johnny Possum Tjapaltjarri e Albie Morris Tjampitjinpa. Si tratta di un progetto artistico eccezionale che ha preso forma nel deserto dell'Australia centrale tra il 2002 e il 2005. Il progetto aveva l'obiettivo di rendere permanenti i dipinti sul terreno che sono per loro stessa natura effimeri. Si tratta di un'antica forma d'arte, molto probabilmente risalente a migliaia di anni fa, creata originariamente per scopi cerimoniali e distrutta una volta che il rituale o la cerimonia era terminata. Mai prima d'ora sono state create opere d'arte durature attraverso l'utilizzo degli stessi materiali e delle stesse tecniche dei tradizionali dipinti sul terreno. I motivi di queste opere corrispondono alle principali visioni delle regioni desertiche: il Fuoco, l'Acqua e l'Emù. Il processo di realizzazione richiede un'interazione coordinata tra il proprietario (kirda) della storia legata alla Visione e il "poliziotto" o manager (kurdungurlu) che lo assiste. Questi dipinti contemporanei sono il risultato di una performance, di un evento comunitario. Il canto è una parte fondamentale e integrante del processo, che si svolge nell'oggi. Il canto accompagna la realizzazione materica dei dipinti, così da sottolineare la continuità del legame con la creazione ancestrale. Libro.