Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: University of Illinois Press, US, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 26,75
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Aggiungi al carrelloPaperback. Condizione: New. Acting as a corrective to the skewed avant-garde history that neglects women, Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections reflect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the filmmakers re-presentations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes. Taken together, these essays comprise a sustained analysis of the conjunction of aesthetics and politics in the work of both pioneer and contemporary experimental women filmmakers.
Lingua: Inglese
Editore: University of Chicago press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: INDOO, Avenel, NJ, U.S.A.
EUR 26,86
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Lingua: Inglese
Editore: MO - University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Brand New. 300 pages. 9.00x6.00x1.00 inches. In Stock.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: Majestic Books, Hounslow, Regno Unito
EUR 28,28
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 312.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 24,50
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 25,66
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 36,07
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Aggiungi al carrelloCondizione: New. Gathers essays, by scholars in cinema studies, dealing with women experimental filmmakers. These selections reflect the deep diversity of methodologies and research. This book provides a historical overview of how these filmmakers have helped shape moviemaking traditions, and explores the controversies that have arisen around their work. Editor(s): Petrolle, Jean; Wexman, Virginia Wright. Num Pages: 312 pages. BIC Classification: APFA. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 19. Weight in Grams: 503. . 2005. Paperback. . . . .
Lingua: Inglese
Editore: University of Illinois Press, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. Gathers essays, by scholars in cinema studies, dealing with women experimental filmmakers. These selections reflect the deep diversity of methodologies and research. This book provides a historical overview of how these filmmakers have helped shape moviemaking traditions, and explores the controversies that have arisen around their work. Editor(s): Petrolle, Jean; Wexman, Virginia Wright. Num Pages: 312 pages. BIC Classification: APFA. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 19. Weight in Grams: 503. . 2005. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: University of Illinois Press, US, 2005
ISBN 10: 0252072510 ISBN 13: 9780252072512
Da: Rarewaves.com UK, London, Regno Unito
EUR 24,51
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Acting as a corrective to the skewed avant-garde history that neglects women, Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections reflect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the filmmakers re-presentations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes. Taken together, these essays comprise a sustained analysis of the conjunction of aesthetics and politics in the work of both pioneer and contemporary experimental women filmmakers.