Philippe d'arcy (12 risultati)

Rústica Ilustrada. Condizione: Aceptable. Edita: EDAF. Presses Universitaires de France. nº 11.Ligeras manchas en cubiertas, interior bien. El valor del dinero se confunde con su poder.

In-4 ( 230 X 230 mm ) de 95 pages, jaquette et cartonnage illustrés en couleurs. Illustrations en couleurs et en noir dans et hors-texte. Très bel exemplaire en superbe état. Beaux-Arts.

Condizione: very good. Broché bon état .Contenu propre . Traces humidité dernières pages et 4ème plat . 2008. 304 pages . PHOTOS SUR DEMANDE.

Broché. Condizione: Bon. In-12 carré de 189 pages, paru dans la collection "Philosophes de tous les temps". Étude sur Wronski suivie d'un chois de textes. Pli sur le deuxième plat de couverture, sinon en bon état. Nous diminuerons les frais de port indiqués.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 4° - unpag. - Color & B/w Plates. Auction Catalogue: Zanino di Pietro, Giovanni Busi deto Cariani, Seguace di Andrea Solario, Atelier di Luca Cranach il Vecchio, Anonimo Lécurieux, Lo Scarsellino, Jacopo Chimenti da Empoli, Vincent Adriaensz, Henri & Charles Beaubrun, Daniele Crespi, Luciano Borzone, Francesco Zuccarelli, Angelika Kauffmann, Pitro Magni, Guido Reni, Filippo Tarchini. Text in Italian language. Original binding and dust-jacket. Very good condition.…

Couverture souple. Condizione: bon. R100050413: 1976. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 161 pages. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES.

Couverture souple. Condizione: bon. R260265418: 1972. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 112 pages. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES.

Condizione: Used: Acceptable. Occasion - Etat Correct - Annotations intérieures, passages soulignés/surlig - L'argent et le pouvoir (1976) - Poche.

1977, Madrid, Editorial edaf, 18x11, 214 paginas, cubierta rustica ilustrada, 250 gramos, buen estado.

Couverture souple. Condizione: Bon. Collection "Philosophes de tous les temps". 189 pages; 16 x 13,5 x 1 cm; 150 gr.

Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with annotations in manuscript ink, also on the verso, several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" (Sunday, August 18, 1963, No. 709), featuring cover and editorial on Belmondo and the film, an original Somarco accordion folder (dated 1963), and original mailing envelope addressed to Maryse Martres, Ariane Films (Champs-Élysées), from Télé-photo (Paris). Martres (Martin) was a prolific French actress who was later involved in press relations at Cinedis, a notable film agency in operation since the Silent Film era. Airman Adrien Dufourquet (Belmondo) is in Paris on shore leave, eager to see his Agnes (Dorléac). When he finally sees her, only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof, in the wake of Belmondo's swashbuckling success, "Cartouche" (1962, opposite Claudia Cardinale), with puzzle solving, murder in Brasilia, art thieves, and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing, Story and Screenplay: Written Directly for the Screen (1965), and winner of a New York Film Critics Circle Award for Best Foreign Language Film (1964). Members of the cast and crew are featured throughout the collection, including director de Brocca (who earlier worked under directors Claude Chabrol and François Truffaut), Belmondo, cameramen, and an extensive look at the scenery of Brazil and Paris. Boats racing, Belmondo dangling from a speeding car, and languid down times as cast and crew break for naps in the shade, photographer Trigo's often provocative angles capture the director in dimly lit, noirish scenarios, and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally, photographer Voinquel's direct approach shows stills from a more casual standpoint, not without generous documentation of the crew behind the camera. Photographs 7 x 9.25 inches, and 3.5 x 5 inches, some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall, moderate curling, several with bruises or insect wear at the edges, several with moderate dampstains. Envelope and folder Good, with short tears and similar dampstains. Magazine Very Good, wavy, brief toning. …

Vintage borderless reference photograph of Philippe de Broca on the set of the 1964 film. Dufourquet (Jean-Paul Belmondo) is in Paris on shore leave, eager to see his Agnes (Francoise Dorléac). When he finally briefly sees her, she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof, in the wake of Belmondo's swashbuckling success, "Cartouche" (1962, opposite Claudia Cardinale), with puzzle solving, murder in Brasilia, art thieves, and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Screenplay. Shot on location in Rio de Janeiro, Brazil and Paris 8 x 10 inches. Near Fine. …