Philippe davet (20 risultati)

Paperback. Condizione: New. New copy.

Condizione: New. Editor(s): Blondeau, Marc; Bovier, Lionel; Davet, Philippe. Num Pages: 96 pages, 96 b&w illustrations. BIC Classification: ACXJ; AFF; AGB. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly. Dimension: 400 x 300 x 13. Weight in Grams: 1188. . 2007. paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. Editor(s): Blondeau, Marc; Bovier, Lionel; Davet, Philippe. Num Pages: 96 pages, 96 b&w illustrations. BIC Classification: ACXJ; AFF; AGB. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly. Dimension: 400 x 300 x 13. Weight in Grams: 1188. . 2007. paperback. . . . . …

Soft cover. Condizione: Very Good. Paperback.

Softcover, 96 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Soft cover. Condizione: New. 1st Edition. New and sealed.

Paperback. First edition, 2007, first printing. Near Fine paperback with French flaps with a touch of shelf wear. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Louise Lawler focuses her camera on high art and its spaces. Part institutional critique, part social commentary and part wandering gaze, Lawler's photographs redirect the viewer's attention from the artworks to their environs, exposing a set of supple relationships surrounding the presentation and marketing of art and its role in conferring and reflecting power. In 1984, Lawler was granted access to the homes of visionary collectors Burton and Emily Tremaine, and she has since tracked the works she photographed there as they have wended their way through museums and auction houses. This publication gathers almost all the Tremaine Pictures produced between 1984 and 2007." The catalogue for an exhibition held at BFAS Blondeau Fine Art Services, Geneva, September 13 - October 20, 2007. Photographs by Louise Lawler; essays by Andrea Miller-Keller and Stephen Melville; introduction by Marc Blondeau and Philippe Davet. 108 pages; color and b&w plates and text illustrations throughout; 9.5 x 9.5 inches. Illustrated and annotated exhibition checklist for 30 works. Text in English.…

Trade Paperback. Condizione: Used - Very Good. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization.' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras.…

Condizione: Very Good. Well kept copy, solid and unmarked, light wear. Fast Shipping - Safe and Secure Bubble Mailer.

Condizione: Very Good. : En este libro, el reconocido chef Philippe Etchebest comparte su filosofía de vida y los pilares que le han llevado al éxito: el placer, el compromiso y el intercambio. Con un estilo directo y sincero, el autor reflexiona sobre su trayectoria profesional y personal, ofreciendo consejos inspiradores para quienes buscan superarse y alcanzar sus metas con determinación.Esta obra, escrita en colaboración con Stéphane Davet, es una invitación a la perseverancia y a la excelencia. A través de sus páginas, Etchebest nos muestra que, más allá de las estrellas Michelin, lo fundamental es la pasión y la honestidad con la que uno realiza su trabajo diario. EAN: 9791022404570 Tipo: Libros Categoría: Literatura y Ficción Título: Je ne lâche rien Autor: Philippe Etchebest| Stéphane Davet Editorial: Michel Lafon Poche Idioma: fr-FR Páginas: 201 Formato: libro de bolsillo. …

Condizione: Good. Good condition. In polypropylene bag. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: Fine. 1st. [94] pages, chiefly illustrations (some colour); 40 cm. Published on the occasion of the exhibition 'Distorted Faces & Portraits, 1978-2007' at BFAS Blondeau Fine Art Services, Geneva, from May 24 to July 14, 2007. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. *** "Dedicated to different types of portraits realized by the American artist between the end of the 1970s and today, this publication is presented as a large-format album, with a dust jacket-cum-poster. The format, layout, and mode of printing underlines the graphic talent of the artist, while the gathering of the works juxtaposes the famous "Distorted Faces" series with the hyperreal portraits, symbolic depictions, such as that of Ronald Reagan whose face is literally haunted by figures from the American culture of violence (Charles Manson, Rambo, etc.), and Hollywood subjects." - Publisher. *** CONTENTS: Distorted faces series: paintings (1986-2007); Noir portraits series (1978); Distorted faces series: works on paper (1978-1985); Sketches for giant face paintings (1992); Other portraits & faces (1993-2006). Size: Folio. Collectible. …

Soft cover. Condizione: Very Good. Book is in very good condition with b/w illustrations. Large impressive volume.

Paperback. Condizione: New in shrinkwrap. Gold wraps with color illustration and bright blue lettering; French flaps; 93 pp. with sections of color and bw photographs. Photographs of the Burt and Emily Tremaine collection in both color and black and white, with extensive comments and quotes and a catalogue of the works.…

Trade Paperback. Condizione: Used - Like New. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization.' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras.…

Trade Paperback. Condizione: New. Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white oil painting of Ronald Reagan's distorted face (layered with smaller, ghostlike figures of American violence like Charles Manson and Rambo), this darkly riveting limited-edition artist's book contains works from five series of portraits made over the course of the artist's four-decade-long career: the 'Distorted Faces' drawings (1978-85) and paintings (1986-2007); the 'Noir' portraits of 1978; the sketches for Shaw's 'Giant Face' paintings (1992) and other assorted faces from 1993-2006. The format and print quality of this one-of-a-kind publication truly allow Shaw's legendary graphic abilities to shine--particularly in the hyperreal 'Distorted Faces' series. According to Alison M. Gingeras' catalogue essay, 'The jingle-like language of Pop has been transformed into rambling, run-on sentences that describe fragmented ideas, associative thoughts and schizophrenic images. Too strange, too perverse, too lurid, too precise: Shaw is an elusive character that defies categorization.' Edited by Marc Blondeau, Lionel Bovier, Philippe Davet. Text by Alison M. Gingeras. Still shrink wrapped.…

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 108 pages, 40 colour & 20 b/w illustrations - This book gathers almost all the Tremaine Pictures produced between 1984 and 2007 representing works in the collection of Mr. and Mrs. Burton Tremaine. The work of Louise Lawler (born 1947 in Bronxville, lives and works in New York) has focused on the presentation and marketing of artwork. Much of this work consists of photographs of other peoples' artwork and the context in which it is viewed. Examples of Lawler's photographs include images of paintings hanging on the walls of a museum, paintings on the walls of an art collector's opulent home, artwork in the process of being installed in a gallery, and sculpture in a gallery being viewed by spectators. Along with photography, she has created conceptual and installation art. Some of her works, such as the "Book of Matches", are ephemeral and explore the passing of time, while others, such as "Helms Amendment (963)", are expressly political. …

Couverture souple. Condizione: Très bon.

Paperback. Condizione: New. Louise Lawler focuses her camera on high art and its spaces, from the rarefied white cube to the windowless storeroom, from the collector's luxurious bedroom to the featureless boardroom. Part institutional critique, part social commentary and part wandering gaze, Lawler's glossy photographs redirect the viewer's attention from the artworks to their environs, exposing a set of supple relationships surrounding the presentation and marketing of art and its role in conferring and reflecting power. Lawler's emphasis on context as a defining factor in the assignment of an object's value throws her own sumptuous photographs into a state of eloquent suspension. In 1984, Lawler was granted access to the homes of visionary collectors Burton and Emily Tremaine, and she has since tracked the works she photographed there as they have wended their way through museums and auction houses. With texts by Stephen Melville and Andrea Miller-Keller, this publication gathers almost all the Tremaine Pictures produced between 1984 and 2007. …