Phillips john c john charles ed (7 risultati)

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.…

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.…

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.…

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.…

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Ronny Cohen on Janis Provisor Ronny Cohen on Richard Stankiewicz Glenn O Brien on Jan Müller Glenn O Brien on Daryl Trivieri Jeanne Silverthorne on Louise Lawler Jeanne Silverthorne on Agnes Martin Ed Hill and Suzanne Bloom on The Nicaragua Media Project Donald Kuspit on Gene Davis Donald Kuspit on Walt Kuhn Donald Kuspit on The Success of Failure Thomas McEvilley on Carolee Schneemann Thomas McEvilley on Pat Steir John Howell on Arnold Mesches John Howell on Time and Space Limited Barbara Kruger on Difference: On Representation and Sexuality Patricia C. Phillips on Susan Smith Patricia C. Phillips on Donna Byars Patricia C. Phillips on Susana Torre, Allan Wexler Charles Hagan on Chuck Close Charles Hagan on Paper Tiger Television.…

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1930. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 286, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 286 286.…