phillips natalie (80 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. A nice, bright copy. ; 4to ; 64 pages.

Soft Cover. Condizione: Like New. Barbara Hooper Sonberg, Nina Phillips, Bob and Claudia Schwebel (Front Cover Photo); Keith and Natalie Goldbaum (Back Cover Photo); M.J. DiMassi (Book Design) (illustratore). 242 pp. Flawless copy save a stain on top corner of last three pages.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Very Good. A nice copy. Clean text, solid binding.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 29 pages. Subjects; Inner Eye. Adler, Gabriel [artist]. Casimir, Ann [artist]. d'Arbeloff, Natalie [artist]. Gaputyte, Elena [artist]. Gray, Barbara [artist]. Green, Bernard [artist]. Norman, Derek [artist]. Phillips, Maurice [artist]. Rowdon, Annette [artist]. Campardi, Casa [artist]. Sidaway, Sid [artist]. 1 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 29 pages. Subjects; Inner Eye. Adler, Gabriel [artist]. Casimir, Ann [artist]. d'Arbeloff, Natalie [artist]. Gaputyte, Elena [artist]. Gray, Barbara [artist]. Green, Bernard [artist]. Norman, Derek [artist]. Phillips, Maurice [artist]. Rowdon, Annette [artist]. Campardi, Casa [artist]. Sidaway, Sid [artist]. 1 Kg.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. Early novel reading typically conjures images of rapt readers in quiet rooms, but commentators at the time described reading as a fraught activity, one occurring amidst a distracting cacophony that included sloshing chamber pots and wailing street vendors. Auditory distractions were compounded by literary ones as falling paper costs led to an explosion of print material, forcing prose fiction to compete with a dizzying array of essays, poems, sermons, and histories. In Distraction, Natalie M. Phillips argues that prominent Enlightenment authors-from Jane Austen and William Godwin to Eliza Haywood and Samuel Johnson-were deeply engaged with debates about the wandering mind, even if they were not equally concerned about the problem of distractibility. Phillips explains that some novelists in the 1700s-viewing distraction as a dangerous wandering from singular attention that could lead to sin or even madness-attempted to reform diverted readers.Johnson and Haywood, for example, worried that contemporary readers would only focus long enough to "look into the first pages" of essays and novels; Austen offered wry commentary on the issue through the creation of the daft Lydia Bennet, a character with an attention span so short she could listen only "half-a-minute." Other authors radically redefined distraction as an excellent quality of mind, aligning the multiplicity of divided focus with the spontaneous creation of new thought. Laurence Sterne's Tristram Shandy, for example, won audiences with its comically distracted narrator and uniquely digressive form. Using cognitive science as a framework to explore the intertwined history of mental states, philosophy, science, and literary forms, Phillips explains how arguments about the diverted mind made their way into the century's most celebrated literature. She also draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus.

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. 8vo. Stapled Wraps, Oblong, 18 pp., Color Plates, Very Good.Provenance: Herb Yellin (1935-2014) was the highly respected publisher and founder of Lord John Press.

Hardcover. Condizione: new. Hardcover. Early novel reading typically conjures images of rapt readers in quiet rooms, but commentators at the time described reading as a fraught activity, one occurring amidst a distracting cacophony that included sloshing chamber pots and wailing street vendors. Auditory distractions were compounded by literary ones as falling paper costs led to an explosion of print material, forcing prose fiction to compete with a dizzying array of essays, poems, sermons, and histories. In Distraction, Natalie M. Phillips argues that prominent Enlightenment authors-from Jane Austen and William Godwin to Eliza Haywood and Samuel Johnson-were deeply engaged with debates about the wandering mind, even if they were not equally concerned about the problem of distractibility. Phillips explains that some novelists in the 1700s-viewing distraction as a dangerous wandering from singular attention that could lead to sin or even madness-attempted to reform diverted readers.Johnson and Haywood, for example, worried that contemporary readers would only focus long enough to "look into the first pages" of essays and novels; Austen offered wry commentary on the issue through the creation of the daft Lydia Bennet, a character with an attention span so short she could listen only "half-a-minute." Other authors radically redefined distraction as an excellent quality of mind, aligning the multiplicity of divided focus with the spontaneous creation of new thought. Laurence Sterne's Tristram Shandy, for example, won audiences with its comically distracted narrator and uniquely digressive form. Using cognitive science as a framework to explore the intertwined history of mental states, philosophy, science, and literary forms, Phillips explains how arguments about the diverted mind made their way into the century's most celebrated literature. She also draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus. She draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. She draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus. Num Pages: 304 pages, 19, 2 colour illustrations, 17 black & white halftones. BIC Classification: 2AB; DSBD. Category: (P) Professional & Vocational. Dimension: 162 x 259 x 25. Weight in Grams: 554. . 2016. Hardcover. . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Phillips, Natalie (illustratore). Paperback. Fairy Della and the Enchanted Garden: A Magical Tale for Little Dreamers (Ages 2-8)Deep in a hidden forest, where fairy dust shimmers and flowers sing, lives a world of wonder waiting to be discovered.Join Fern and Atlas, a joyful fairy couple, as they dream of a baby girl and watch that dream come true with the arrival of Baby Della! From magical beginnings to blooming adventures, Della and the Enchanted Garden is a heartwarming story of love, curiosity, and the power of believing in your own magic.When Della discovers a glowing star in a meadow far away, she sets off a chain of events that awakens an enchanted garden, bringing life and color to a forgotten world. With the help of fairy friends, magical gifts, and a heart full of wonder, Della becomes the Garden's new Fairy Queen watching over all things that grow. Perfect for bedtime, storytime, or quiet cuddles, this beautifully illustrated book is filled with gentle rhymes, whimsical characters, and a message of kindness, growth, and inner light.Ideal for ages 2-8, Fairy Della and the Enchanted Garden encourages imagination, connection to nature, and the belief that even the smallest fairy can make a big difference. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: As New. Condizione sovraccoperta: Like New. Dust jacket, black cloth boards and book's interior in fine condition. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Condizione: New. pp. 304.

Hardcover. Condizione: New.

Condizione: New. She draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus. Num Pages: 304 pages, 19, 2 colour illustrations, 17 black & white halftones. BIC Classification: 2AB; DSBD. Category: (P) Professional & Vocational. Dimension: 162 x 259 x 25. Weight in Grams: 554. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Brand New. 304 pages. 9.00x6.00x0.99 inches. In Stock.

PAP. Condizione: New. Phillips, Natalie (illustratore). New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.