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  • Immagine del venditore per Santos: Folk Sculpture from Guatemala venduto da Whitledge Books

    Jurmain, Suzanne (editor)

    Lingua: Inglese

    Editore: UCLA Museum of Cultural History, Los Angeles CA, 1980

    Da: Whitledge Books, Austin, TX, U.S.A.

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    EUR 13,28

    Spedizione EUR 4,94
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    Soft cover. Condizione: Near Fine. No Jacket. Einstein, Susan (photography) (illustratore). SANTOS: FOLK SCULPTURE FROM GUATEMALA (UCLA Museum of Cultural History Pamphlet Series Volume I, No. 10), edited by Suzanne Jurmain, photographs by Susan Einstein, softcover, staple-bound, 1980. ITEM CONDITION: near fine. The text block and illustrations are in fine condition with no marks, tears, or dog ears. There is no bookplate nor signature of a previous owner. Not a remainder or library book. Stapled binding. The illustrated wraps are in very good condition (a few spots on the front cover). 11 x 8 ½, 23 pages, 10 ounces. XX [From the Introduction by Luis Lujan Munoz] "In the past Guatemalan scholars have devoted little attention to the study of Guatemalan fine art dating from the colonial period, and colonial folk art has been virtually ignored. Indeed, until recently, the vast majority of museum and private collections consisted solely of outstanding examples of gilded, polychromatic, delicately carved fine art sculptures. Critics considered folk sculpture devoid of aesthetic value and justified this claim by pointing out that the works were poorly proportioned, coarsely carved, and carelessly painted. Unfortunately, these critics failed both to appreciate the expressive strength of these figures and to recognize that they constituted the only works of art possessed by people of the lowest social stratum. In the United States the folk art of Hispanic America is now being re-evaluated, and scholars have acknowledged the intrinsic aesthetic value of these figures and the importance of their role in the religious life of the family and community. This exhibition, which owes so much to the enthusiasm of Mr. James H. Kindel, is significant because it is one of the first, if not the first, to display this type of Guatemalan sculpture. It is difficult to specifically define the differences between folk sculpture and fine art sculpture in colonial Guatemala. I will, however, begin by noting that in the period immediately following the Spanish conquest the Spaniards utilized indigenous sculptors, who had been influenced by pre-Columbian art, to create the religious sculptures required for various Christian liturgical ceremonies. The native craftsmen used etchings, small paintings, and sculptures imported from Spain as models, and although they tried to imitate the originals faithfully, they were faced with the problem of reproducing objects that embodied alien aesthetic concepts. The copies differed from the originals in method of handling planes and many seem to have been made by artists more accustomed to dealing with bas-relief than with sculpture in the round.".

  • David Pottinger

    Editore: E P Dutton / Museum of Folk Art, New York, 1983

    Da: Cher Bibler, Tiffin, OH, U.S.A.

    Valutazione del venditore 5 su 5 stelle 5 stelle, Maggiori informazioni sulle valutazioni dei venditori

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    Prima edizione

    EUR 22,13

    Spedizione EUR 5,16
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    Quantità: 1 disponibili

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    Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Susan Einstein (photography) (illustratore). 1st Edition. 1st Printing. Some slight wear, very good+ in dust jacket with a little edgewear.

  • James H. Nottage; Photography by Susan Einstein

    Lingua: Inglese

    Editore: Autry Museum of Western Heritage, 1996

    ISBN 10: 0295976055 ISBN 13: 9780295976051

    Da: Peter L. Masi - books, MONTAGUE, MA, U.S.A.

    Membro dell'associazione: SNEAB

    Valutazione del venditore 4 su 5 stelle 4 stelle, Maggiori informazioni sulle valutazioni dei venditori

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    EUR 110,64

    Spedizione EUR 4,60
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    Hardcover. Condizione: Used - Acceptable. Autry Museum of Western Heritage, Los Angeles, In Association with University of Washington Press, Seattle, copyright, 1996. 223 pages. Color illustrated. 12.5 x 9", cloth, dj. Dj edge nick, book slightly warped, spine bit loose, text clean, tight, fair/good.