Picasso pablo frank peter (3 risultati)

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  • Editore: Titus Fine Art, 2004

    • Brossura

    Da: Arundel Books, Seattle, WA, U.S.A.Arundel Books

    Venditore con 5 stelle
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    Membro dell’associazione: CBA

    Condizione: Usato - Quasi ottimo

    EUR 6,43

    EUR 5,13 spedizione 
    Spedito in U.S.A.

    Quantità: 7 disponibili

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    Wraps. Condizione: Near Fine. Single semi-glossy cardstock sheet measuring 25.5 x 11 in. and folded into thirds to 8.5 x 11 in. creating 6 panels (2 panels text; 4 panels with color reproductions) Brochure for the firm's exhibition (not dated specifically anywhere), featuring lithographs from the artist books 'Veinte Poemas de Gongora' and 'Carmen'. Main essay by Peter Frank; a few bibliographical references. Light wear, else Near Fine.…

  • Editore: Titus Fine Art, Beverly Hills, CA, 2004

    • Brossura
    • Prima edizione

    Da: Vashon Island Books, Vashon, WA, U.S.A.Vashon Island Books

    Venditore con 5 stelle
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    Condizione: Usato - Quasi ottimo

    EUR 13,73

    EUR 4,91 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Paperback. Condizione: Near Fine. First Edition. Slight rubbing to wrappers (chiefly to extremities); else a nice, clean copy. [6] pages (including wrappers; unpaginated). Upper wrapper title. Brochure for the firm's exhibition (not dated specifically anywhere), featuring lithographs from the artist books "Veinte Poemas de Gongora" and "Carmen". Main essay by Frank; few bibliographical references. Size: 4to - over 9¾" - 12" tall. 23 b/w & Duotone Illustrations (including wrappers) (illustratore). Book.…

  • Condizione: Usato

    EUR 229,65

    EUR 7,58 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…