Pierre jose ed (31 risultati)

Softcover, 216 pages, very good condition, light rubbing to covers; no internal marks.

Paperback. Condizione: Very Good +. Tight, unmarked with next to no wear.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780860916031. …

First English Edition. Fine copy bound in quarter sand grained leather, decorated in gilt, over colour printed boards. Remains well preserved overall; tight, bright, clean and sharp-cornered. Physical description; 207 pages. Subjects; Cubism. Art. 1 Kg.

Super octavo hardcover (VG+) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

First English Edition. Fine copy bound in quarter sand grained leather, decorated in gilt, over colour printed boards. Remains well preserved overall; tight, bright, clean and sharp-cornered. Physical description; 207 pages. Subjects; Cubism. Art. 1 Kg.

Original-Leinwand, mit Schutzumschlag, 8°, 184 Seiten. Priv. Namensstempel auf leerem Vorsatz, sonst schönes, sauberes Exemplar. Buch.

Condizione: As New. Unread book in perfect condition.

Hardcover. Maroon leather with color illustration and gilt borders and lettering. 207 pp. Filled with color plates. English edition. Chapters include Surrealism; Evidence and Documents; Principal Pictorial Movements; Chronology; Museums; Principal Exhibitions. VG. Light bumping to bottom corner of cover. Clean and tight contents.…

Encuadernación de tapa blanda. Condizione: Bien. Idioma español. Buen estado. Dimensiones: 18x12 - 495 pp.

Condizione: New.

Condizione: New.

Softcover. Condizione: Gut bis sehr gut. 1. Auflage. Z : 280 pages, nombreuses illustrations en couleurs et en noir et blanc dans et hors texte.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New. Editor(s): Castillo, Juan Jose; Stewart, Paul; Durand, Jean-Pierre. Num Pages: 454 pages, biography. BIC Classification: KJM; KJMV2; KN. Category: (G) General (US: Trade). Dimension: 216 x 140 x 27. Weight in Grams: 596. . 1999. Paperback. . . . .

Condizione: New. Editor(s): Castillo, Juan Jose; Stewart, Paul; Durand, Jean-Pierre. Num Pages: 454 pages, biography. BIC Classification: KJM; KJMV2; KN. Category: (G) General (US: Trade). Dimension: 216 x 140 x 27. Weight in Grams: 596. . 1999. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

R. Perrette PARIS, Collection Bayard / Bonne Presse [5, rue Bayard / Imp. Maison de la Bonne Presse] - 1928 à 1936 - Br.17x10 cm - ENSEMBLE DE 82 LIVRAISONS - Couvertures blanches au premier plat illustré en 2 couleurs par R. Perrette pour la plupart, C. Miklemann (N° 201), J. Leconnet (?) (N° 204), dos carrés muets; 96 pages; 4 hors-texte illustrés en 2 couleurs par R.P., R. Perrette, jusqu'au N° 163. . (Collection Bayard - 50 c pour le N° 1, puis 75 c). L'ENSEMBLE DES 82 LIVRAISONS en bon état général: agrafes rouillées; manque le 2e plat de couverture au N° 3; annotations au titre aux N° 22. Cette collection aura 226 (?) titres (1928-1936). N° 1 - L'OMBRE QUI TUE [G. Thierry - 5 Mai 1928]. *****___***** N° 2 - LE GÉNIE AUX CHEVEUX DE FEU [Vergès - 20 Mai 1928]. *****___***** N° 3 - FILLE DE BANQUIER [L. S. Meunier - 5 Juin 1928]. *****___***** N° 4 - L'ANNEAU DE VERMEIL [R. Gallois - 20 Juin 1928]. *****___***** N° 5 - LES ÉTOILES MORTES [H. Allorge - 5 Juillet 1928]. *****___***** N° 6 - AZOR ET COMPAGNIE [F. Léony - 20 Juillet 1928]. *****___***** N° 8 - LES LETTRES ANONYMES [C. Dodeman - 20 Août 1928]. *****___***** N° 9 - LE RÊVE DE PASCAL MORNAY [J. de Vidouze - 5 Septembre 1928]. *****___***** N° 12 - LES ÉCLAIREURS [R. d'Hine - 20 Octobre 1928]. *****___***** N° 16 - LE ROMAN DE L'AGENT DE CHANGE [Y. Grimont - 20 Décembre 1928]. *****___***** N° 17 - VOIX DE CRISTAL [J. Vézère - 5 Janvier 1929]. *****___***** N° 18 - LE RUBIS QUI TUE [G. d'Aveline - 20 Janvier 1929]. *****___***** N° 19 - LES LANDES FLEURIES [Berthem-Bontoux, J. de Nantel - 5 Février 1929]. *****___***** N° 20 - LA FIANCÉE INSAISISSABLE [J. Vézère - 20 Février 1929]. *****___***** N° 21 - LE FEU SACRÉ [A. Flory - 5 Mars 1929]. *****___***** N° 22 - ÉDITH AUX CHEVEUX D'OR [H. Loussanne - 20 Mars 1929]. *****___***** N° 23 - LA VENGEANCE DE VINCENT [A. Dreyer - 1929]. *****___***** N° 26 - FLEUR D'OR [A. Mignac - 1929]. *****___***** N° 29 - BRIGANDE D'ARMOR [E. Vesco de Kéréven - 1929]. *****___***** N° 31 - CAMILLE CHEZ SES TANTES [H. Franz - 1929]. *****___***** N° 32 - LA FLEUR DE CÉSARÉE [M.-M. d'Armagnac - 1929]. *****___***** N° 33 - LE VOYAGE À VENISE [M. Fiel - 1929]. *****___***** N° 34 - BEN? [H.-A. Dourliac - 1929]. *****___***** N° 39 - LA PRINCESSE NATHALIE [P. Gourlez - 1929]. *****___***** N° 40 - L'HÉRITAGE [J. de Vidouze - 1929]. *****___***** N° 41 - LE CLOCHER EN FLAMMES [P. d'Aquila - 1929]. *****___***** N° 42 - LA BAGUE DE FER [G. Thierry - 1929]. *****___***** N° 44 - AUTOUR D'UN CANDIDAT [M. Fiel - 1929]. *****___***** N° 46 - LINOTTE [A. Dreyer - 1930]. *****___***** N° 47 - LA DOT DE LUCETTE [Nalim - 1930]. *****___***** N° 49 - UN MYSTÈRE [V. Féli - 1930]. *****___***** N° 50 - LA PETITE FRUITIÈRE [A. Meunier - 1930]. *****___***** N° 51 - LA FUGITIVE [J. Mauclère - 1930]. *****___***** N° 52 - DESTINÉES [L. Mehr - 1930]. *****___***** N° 53 - LE NEVEU DE JEAN SIZUN [H.-A. Dourliac - 1930]. *****___***** N° 54 - SOLANGE [J. Édo - 1930]. *****___***** N° 56 - L'ERREUR DE FRANÇOIS KERLOU [M.-T. Bouillet - 1930]. *****___***** N° 57 - LE NOËL DE L'ABBÉ FÉROU [Y. Grimont - 1930]. *****___***** N° 58 - LA MÉSANGEAIS [I. François - 1930]. *****___***** N° 60 - LA FRONTIÈRE DORÉE [J. Chataignier - 1930]. *****___***** N° 64 - L'INCONNU [M. Vallotte - 1930]. *****___***** N° 65 - LES LEÇONS D'UNE BERGÈRE [T. Esnée - 1930]. *****___***** N° 66 - LES DEMOISELLES DES TROIS-ROSES [F. O'Noll - 1930]. *****___***** N° 67 - L'HEUREUX ACCIDENT [V. Féli - 1930]. *****___***** N° 68 - LA PETITE FILLE DE TANTE VICTOIRE [P. Cabane - 1931]. *****___***** N° 72 - LA FIANCÉE D'ALI-HAMMOUR-EDDIN [M. M. d'Armagnac - 1931]. *****___***** N° 75 - LE PLANTEUR DE GÉORGIE [P. Gourliez - 1931]. *****___***** N° 76 - LA CLAIRIÈRE AUX OURS [I. de Mons - 1931]. *****___***** N° 78 - NOTRE / MON AMI PIERROT [G. Aunis - 1931]. *****___***** N° 79 - ROCOCO [J. Norland - 1931]. *****___***** N° 80 - LA RICHE IDÉE DE TANTE LINE [Nalim - 1931]. *****___***** N° 81. …

Paperback. Condizione: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).…

Hardcover. Condizione: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st ed., 1st printing ; 398 pages : illustrations (some color) ; 24 x 28 cm ISBN 9788570417992, 9788531412530, 9788570608734, 8570417993, 8531412536, 857060873X OCLC 814693314 ; white boards in photographic dustjacket ; Revision of the author's thesis (doctoral)--USP, 2000 ; Artists photographers include: Jean Manzon -- José Medeiros -- Flávio Damm -- Luciano Carneiro -- Luís Carlos Barreto -- Gheorghe Torok -- João Martins -- Henri Ballot -- Pierre Verger -- Hildegard Rosenthal -- Marcel Gautherot -- Thomaz Farkas -- David Zingg -- George Love -- Luigi Mamprin -- Maureen Bisilliat -- Claudia Andujar -- Ed Keffel -- Luiz Carlos Barreto -- Nair Benedicto -- Sebastião Salgado -- Luiz Braga -- Walter Firmo -- Pedro Martinelli -- Miguel Rio Branco -- Rosa Gauditano -- Araquém Alcântara -- Claudia Jaguaribe -- Evandro Teixeira -- Carlos Moreira -- Milton Guran -- João Urban -- Orlando Brito -- Mario Cravo Neto -- Chico Albuquerque -- German Lorca -- Boris Kossoy -- Juca Martins -- Luis Humberto -- Tiago Santana -- Celso Oliveira -- Elza Lima -- Luiz Carlos Felizardo -- Carlos Fadon Vicente -- Antonio Saggese -- Arnaldo Pappalardo -- Marcos Santilli -- Otto Stupakoff -- Bob Wolfenson -- Geraldo de Barros -- Valdir Cruz -- Pedro Vasquez -- Ed Viggiani -- José Albano -- Aristides Alves -- Anna Mariani -- Kenji Ota -- Paulo Vainer -- David Drew Zingg -- Flávio Damm -- Carlos Fadon Vicente -- Cláudio Feijó -- Romulo Fialdini -- Emidio Luisi -- Márcia Ramalho -- Miguel Rio Branco -- Lily Sverner ; A panoramic view of the photojournalism in Brazil in the second half of the 20th century based on works that discuss various aspects of Brazilian society in the city or in the countryside. Author Maria Beatriz Ramos de Vasconcellos Coelho, a researcher of the Nu?cleo de Estudos em Cultura Contempora?nea and of the Grupo de Estudos da Imagem of the UFMG (Federal University of Minas Gerais) analyzed the work of some of the major Brazilian photojournalists active between the decades of 1940 and 1990 and discovered how a particular image of the nation was built. Coelho also highlights the life stories of those professionals in their search for a graphic identity of Brazil. The book contains numerous images of selected photographers like Pierre Verger, Sebastiao Salgado, Luiz Bara e Nair Benedicto, amongst others ; Contents: Agradecimentos -- Negativos do pai?s / Heloisa Pontes -- Introduc?a~o -- Fotografi?a e verdade -- Fotodocumentac?a~o -- A fotografi?a como linguagem -- Imagen da Nac?a~o -- O mercado editorial da fotografi?a -- Imagens do Brasil em meados do se?culo XX -- Estado e fotografi?a -- Identidade da Nac?a~o -- A Bahia Negra de Pierre Verger -- Um fotodocumentarista Brasileiro -- Uma nova capital para o Brasil -- Do golpe militar ao Instituto Nacional de Fotografi?a -- Fotografia -- Cores -- Universita?rios -- Integrac?a~o Nacional em "Ritmo de Brasil Grande " -- Trabalhadores rurais -- Age^ncias e a construc?a~o de uma rede de foto?grafos no pai?s -- Instituic?o~es que promoveram a fotografia no final do se?culo XX -- Mudanc?as no campo da fotografi?a brasileira no final do se?culo XX -- A Amazo^nia: migrantes e populac?o~es tradicionais -- Trabalhadores e direitos humanos -- Diversidade -- Metro?pole: Carnaval, viole^ncia e solida~o -- Considerac?o~es finais -- Lista de abreviaturas e siglas; FINE/FINE. Book. …