Pierre leguillon (35 risultati)

Condizione: New. pp. 64.

Condizione: New. pp. 64.

Condizione: New. pp. 64.

Softcover. Condizione: Bon. Livre un peu vrillé. Traces de pliures sur la couverture. Salissures sur la tranche. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Book slightly twisted. Traces of creases on the cover. Stains on the edge. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Paperback. Condizione: New.

Condizione: Used - Very Good. VG paperback. 1st edition. Text in French. A bright, tidy copy.

Softcover, 256; in French; very good condition; clean and crisp except the previous owner has written the page numbers for the last 50 pages in pencil at the bottom corners; the rest of the book seems free of internal marks. Foreign shipping may be extra.

Paperback. Condizione: new. Paperback. The Barefoot Promise is a study on foot fetishism trough set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler! Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Broschur-Tb / Softcover. 1. Aufl./ 1.000 Ex. (006). Hrsg. von Nicolaus Schafhausen. - // »Neue Kunstkritik« (New Art Criticism) documents a symposium held at the Frankfurter Kunstverein in September 1999. The title postulates a change of perspective in writing about art, which reflects the altered role of art and its critics. The various participants discuss the status of the critic which, for a long time already, has not been stable. The borders between various professional fields have become fluid, and artists, curators, and dealers have long become critics of their own and others artistic products and processes. . - // Sprache : Deutsch (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Deutsch Gewicht in Gramm: 400.…

Condizione: New. 2022. paperback. . . . . .

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2001. 1 volume/1. -- Comme Neuf -- Broché cousu. Format in-8°( 28 x 22 cm )( 1295 gr ). ------- XV-256 pages . ********** Publié à l'occasion de l'exposition Raymond Hains, La Tentative présentée par le Centre Georges Pompidou du 27 juin au 3 septembre 2001. ********** "Etapes majeures du parcours de hains construites sur des glissements visuels ou sémantiques. Cet ouvrage réunit de très nombreux documents de différentes factures: fac-similés de textes ou d'interventions graphiques de Raymond Hains, photographies ou billets de trains, etc., issus des colossales archives de l'artiste." ***************** ref 379.…

Condizione: New. 2022. paperback. . . . . . Books ship from the US and Ireland.

Couverture souple. Condizione: Neuf. NA9531, 1185F4, 9782844260628.

Softcover. Condizione: Gut. 61 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L14809 9783863355357 Sprache: Französisch Gewicht in Gramm: 230.

Couverture souple. Condizione: Bon état. In-4, broché couv. illustrée, illustrations en couleurs et en n. & b. Sous blister. État neuf. Exposition présentée au Centre Georges Pompidou du 27 juin au 3 septembre 2001. in-4°.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 64 pages, illustrated throughout. - In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.…

Couverture souple. Condizione: Neuf. Pas de jaquette. Edition originale. Rennes, Association 2.0.1, 2010. Art et Bibliothèques. Jean-Philippe Antoine, Mohamed-Ali Berhouma, Paul Bernard, André Luiz de Freitas Dias, Jérôme Dupeyrat, Lilian Froger, Jovita Maria Gerheim Noronha, Bérénice Gustavino, Léo Guy-Denarcy, Florence Jaillet, Émeline Jaret, Pierre Leguillon, Aurélie Noury, Camille Pageard, Johanna Renard, Yann Sérandour, Fédérico Spada Silva, Philippe Thomas. Revue en 93 pages, en 3 volumes, agrafées, impression noir & blanc, 20 x 12,5 cm. Pour ce quatrième numéro, la revue 2.0.1 parodie la maquette des Archives du bibliophile, ou Bulletin de l amateur des livres et du libraire, Vol. 1-3, datant de 1860 et s intéresse au rapport entre l Art et la bibliothèque. ISSN. 1968-6293. C23.…

paperback. Condizione: Gut. 61 Seiten; 9783863355357.3 Gewicht in Gramm: 500.

Taschenbuch. Condizione: Neu. Neuware - The Barefoot Promise is a study on foot fetishism trough set photographs of Western films.From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers.Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema.All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels.The book comes with an intermission and a bonus by Louise Lawler.…

Paperback. Condizione: new. Paperback. The Barefoot Promise is a study on foot fetishism trough set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler! Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condizione: New. New Book, Direct from Publisher.

Paperback. Condizione: New.

Buch. Condizione: Neu. The Museum of Mistakes | Pierre Leguillon | Buch | 240 S. | Englisch | 2020 | Edition Patrick Frey | EAN 9783906803944 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Soft cover. Condizione: Very Good. Excellent used condition, Ships airmail from Berlin Bookshop bxn87.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Brossura. Condizione: come nuovo. prima edizione. "his book presents 123 calling cards of artists (painters, sculptors, photographers, architects, graphic designers, illustrators etc.) from the 18th century to the present day. The facsimiled cards are slipped like bookmarks into a book by several authors on the history of the use of calling cards, the social context in which they were produced, and related historical and fictional narratives. The often unexpected graphic qualities of these personalized objects, each designed to capture an individual identity within the narrow confines of a tiny rectangle card, implicitly recount a history of taste and typographic codes in the West. But this calling card collection also lays the foundations for a microhistory of art, inspired by the Italian microstoria, or a looser narrative that breaks free from geographic contexts and historical periods. We can imagine how social networks were formed before the advent of Facebook, and how artists defined themselves in the social sphere, whether they were students or teachers, dean of the art school or museum curator, founder of a journal, firm, restaurant or political party, and so on. Superimposed on this imaginary or idealized network formed by chance encounters is a living network of students of art or history, historians or anthropologists, librarians, archivists, gallerists, museum curators and artists themselves, the network upon which this pocket museum is constructed. The sheer variety of perspectives and stories brought together here makes this book a prodigious forum for discussion. The carded artists include: Absalon, Anni and Josef Albers, John Armleder, Iain Baxter, Larry Bell, Joseph Beuys, Joseph Binder, Max Bill, Pierrette Bloch, Rosa Bonheur, Irma Boom, Aglaüs Bouvenne, Constantin Brancusi, Marcel Broodthaers, Antonio Canova, Caran d Ache, A.M. Cassandre, Chenue malletier, Iris Clert, Claude Closky, Le Corbusier, Silvie Défraoui, Sonia Delaunay, Fortunato Depero, Marcel Duchamp, A.R. Dunton, Céline Duval, Nathalie Du Pasquier, Yan Duyvendak, Daniel Eatock, Edward Fella, Sylvie Fleury, Schwestern Flöge, Piero Fornasetti, Hans Frank, Lene Frank, Emile Gallé, General Idea, Dan Graham, Wolfgang von G the, Jean-Baptiste Greuze, Walter Gropius, Guerrilla Girls, Hector Guimard, Friedrich Haeffcke, Raymond Hains, Keith Haring, Raoul Hausmann, John Heartfield, Anton Herrgesell, Jean-Auguste-Dominique Ingres, Ray Johnson, Ana Jotta, Wassily Kandinsky, André Kertész, Martin Kippenberger, Paul Klee, Johann Adam Klein, Yves Klein, Július Koller, Joseph Kosuth, Yayoi Kusama, Carl Gotthard Langhans, Fernand Léger, Pierre Leguillon, George Maciunas, Robert Mallet-Stevens, Edouard Manet, Piero Manzoni, Christian Marclay, Filippo Tommaso Marinetti, Karel Martens, Annette Messager, Lucia Moholy, Piet Mondrian, Valérie Mréjen, Félix Nadar, Isamu Noguchi, The Offices of Jenny Holzer, Peter Nadin, Richard Prince and al., Yoko Ono, Claes Oldenburg, Nam June Paik, Francis Picabia, Adrian Piper, Emil Pirchan, Man Ray, Les ready made appartiennent à tout le monde®, Carl August Reinhardt, Gerrit Rietveld, Auguste Rodin, Edward Ruscha, Alexander Search, Willem Sandberg, Erik Satie, Gino Severini, Johan Gottfried Schadow, Egon Schiele, Oskar Schlemmer, Käthe Schmidt, Roman Signer, Alec Soth, Gertrude Stein and Alice Toklas, Jack Smith, Hélène Smith, Harald Szeemann, Sophie Taeuber, Karel Teige, Oliviero Toscani, Theo van Doesburg, Roman Vishniac, Andy Warhol, Weegee, Neill Whistler, Heimo Zobernig, Piet Zwart, Emmy Zweybrück Prochaska" Text: Leguillom Pierre, Fédier Barbara. cm 20x26,5; pp. 320; 123 COL; paperback, as new.…

Softcover. Condizione: Fine. No jacket.