Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: NGW-Stud Hist Art, 2001
ISBN 10: 0300090420ISBN 13: 9780300090420
Da: HPB-Red, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!.
Ulteriori offerte da altri venditori AbeBooks
Nuovo - A partire da EUR 17,23
Usato - A partire da EUR 9,33
Scopri anche Rilegato
Editore: Art Gallery of Greater Victoria, Victoria, 1993
ISBN 10: 088885160XISBN 13: 9780888851604
Da: Attic Books (ABAC, ILAB), London, ON, Canada
Libro
Softcover. Condizione: Very good. B/w Illustrations (illustratore). 74 p. 28 cm. 47 b&w illustrations. Softcover with a little soiling on rear. Only marking is an ink stamp on Contents page. Catalogue of an exhibition held at the Art Gallery of Greater Victoria April - June 1993. Essays by various authors on such topics as print culture in the early 16th century, personal religion and devotion to the Virgin on the eve of the Reformation, the printed Bible and popular piety, Dürer and nature and architecture, etc.
Editore: Garland Publishing, 1976
ISBN 10: 0824020022ISBN 13: 9780824020026
Libro
Hardcover. Condizione: Good. Former library copy in blue cloth, light scuffing to the edges, binding tight, pages are clean.
Ulteriori offerte da altri venditori AbeBooks
Usato - A partire da EUR 33,69
Editore: UBC Fine Arts Gallery, Vancouver, 1986
ISBN 10: 0888653484ISBN 13: 9780888653482
Da: Purpora Books, Comox, BC, Canada
Libro Prima edizione
Wraps. Condizione: Near Fine Plus. First Edition. Thin oblong, 11" x 8 1/2", 40 pages. Colour and B&W reproduction of Lodge's abstract paintings. Exhibition Catalogue.
Editore: Garland, New York, NY, 1976
Da: Motte & Bailey, Booksellers, Ann Arbor, MI, U.S.A.
Membro dell'associazione: IOBA
Hardcover. Condizione: Very good. Thick octavo (standard siz). Slight wear to edges and corners of boards. First two pages creased lengthwise. 574 p. w/ 184 b&w plates, footnotes, bibliography, appendices - including a fold out appendix on attributions of sculptures. A study of the Arco Foscari, a triumphal arch for the ceremonial entrance in the courtyard of the Doge's Palazzo Ducale in Venice, facing the Scala dei Giganti courtyard.
Editore: Viella, Roma, 2016
ISBN 10: 8867285599ISBN 13: 9788867285594
Da: Libreria già Nardecchia s.r.l., Rome, RM, Italia
Libro
Condizione: NEW. Roma: Viella, 2016 9788867285594 Venetiana 18 809 590 p., lxxx p. of plates : ill. col. b/n, fotografie, indice, bibliografia ; 21 cm. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge s relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. The splendor of the tombs of the doges has always amazed visitors of Venice. Already in 1484, the German pilgrim Felix Faber noted: "Never have I seen more costly and extravagant tombs. Even the graves of the popes in Rome cannot compare with these." Indeed, designed by the greatest artists of the Serenissima, these often gigantic monuments belong to the most impressive and beautiful in the entire history of art. This is all the more surprising as the Venetian Republic was opposed to the cult of personality and the doge officially was only the primus inter pares, deprived of many privileges usually reserved for leaders of State. The tombs pursued multiple purposes, however. They not only commemorated the deceased ruler and facilitated the salvation of his soul. But they also served the doge s relatives who hoped to profit from his reputation and, moreover, they propagated the political system of the Serenissima. The tombs of the doges, thus, were always also monuments to the State and had to negotiate the tension between private and public concerns. It is the complex interaction between these conflicting interests that accounts for the tombs central role in the political system of the Serenissima and explains why the monuments are of greatest importance not only for art historians but also for students of Venetian history and society in general. This interdisciplinary collection of essays penned by an international group of historians and art historians for the first. Paul,Benjamin.
Ulteriori offerte da altri venditori AbeBooks
Nuovo - A partire da EUR 40,00
Usato - A partire da EUR 60,77
Scopri anche Brossura
Editore: Washington: National Gallery of Art, [2001]., 2001
Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
4to. pp. 280. numerous illus. (some colour). cloth. dw.
Editore: New York and London: Garland,, 1976
Da: Thomas Heneage Art Books, London, Regno Unito
574 pages. Hardback 21 x 16cms.
Editore: Yale Univ Pr, 2009
ISBN 10: 0300156677ISBN 13: 9780300156676
Da: Revaluation Books, Exeter, Regno Unito
Libro
Hardcover. Condizione: Brand New. 160 pages. 12.75x8.75x1.25 inches. In Stock.
Editore: Cambridge University Press, 1999
ISBN 10: 0521593549ISBN 13: 9780521593540
Da: Save With Sam, North Miami, FL, U.S.A.
Libro
Hardcover. Condizione: New. Brand New!.
Ulteriori offerte da altri venditori AbeBooks
Nuovo - A partire da EUR 230,81
Usato - A partire da EUR 264,67
Scopri anche Rilegato Prima edizione Copia autografata
Editore: Garland Publishing, New York, 1976
Da: Luigi De Bei, PREGANZIOL, TV, Italia
Libro Prima edizione
Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. Edition originale. THE ARCO FOSCARI : The Building of a Triumphal Gateway in Fifteenth Century Venice,by Debra Pincus.New York 1977 Garland Publishing pp.495 ills.184 in b/n fuori testo Ottavo Cloth - Language : english text.
Editore: Cambridge University Press, Cambridge, 2000
ISBN 10: 0521593549ISBN 13: 9780521593540
Da: curtis paul books, inc., Northridge, CA, U.S.A.
Libro Prima edizione Copia autografata
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. First Edition. Back of dust cover shows some wear. ; Inscribed by author. ; 4to 11" - 13" tall; Signed by Author.