Pinotti andrea (174 risultati)

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Hardback. Condizione: Good. An exploration of the impact of immersive experiences on visual practices from cave painting to virtual reality In this groundbreaking book, philosopher Andrea Pinotti explores the impacts of a desire that has motivated human beings since prehistory: the desire to enter an image. He proposes that over the centuries, every culture has tried to realize this wish with whatever visual resources were available at the time, and today's virtual reality technologies seem close to fulfilling it. The image in VR becomes an immersive 360-degree environment and the frame that used to confine it to a world apart disappears. Even the physical medium in which the image materializes appears to be transparent. However, Pinotti insists that once the border between the real world and the iconic world becomes permeable, we are faced with a troubling two-way passage: we penetrate the world of the image, but the image floods into our world. The desire for being encompassed by the image, he shows, is accompanied by fear of this overflowing. In its analysis of this desire/fear, At the Threshold of the Image takes the reader on an extraordinary journey from the myths of Narcissus and Pygmalion to contemporary VR headsets, passing through the pictorial traditions of trompe l'oeil and living sculptures, the mirrors in Alice in Wonderland, illusionistic architecture, panoramas and phantasmagorias, and 3D cinema.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.…

Paperback. Condizione: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectators gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique. The latest issue of CINEMA&CIE, International Film Studies Journal. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Hardback or Cased Book. Condizione: New. At the Threshold of the Image: From Narcissus to Virtual Reality. Book.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. An exploration of the impact of immersive experiences on visual practices from cave painting to virtual realityIn this groundbreaking book, philosopher Andrea Pinotti explores the impacts of a desire that has motivated human beings since prehistory: the desire to enter an image. He proposes that over the centuries, every culture has tried to realize this wish with whatever visual resources were available at the time, and today's virtual reality technologies seem close to fulfilling it. The image in VR becomes an immersive 360-degree environment and the frame that used to confine it to a world apart disappears. Even the physical medium in which the image materializes appears to be transparent. However, Pinotti insists that once the border between the real world and the iconic world becomes permeable, we are faced with a troubling two-way passage: we penetrate the world of the image, but the image floods into our world. The desire for being encompassed by the image, he shows, is accompanied by fear of this overflowing. In its analysis of this desire/fear, At the Threshold of the Image takes the reader on an extraordinary journey from the myths of Narcissus and Pygmalion to contemporary VR headsets, passing through the pictorial traditions of trompe l'oeil and living sculptures, the mirrors in Alice in Wonderland, illusionistic architecture, panoramas and phantasmagorias, and 3D cinema. "This book invites us to linger on the threshold that both separates and joins the real and the iconic world"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Brand New. 172 pages. 9.50x6.70x0.55 inches. In Stock.

Condizione: New. 2021. Paperback. . . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In English.

Paperback. Condizione: New.

Condizione: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Buone. inglese Condizioni dell'esterno: Buone Condizioni dell'interno: Ottime.

1st edn. 8vo. Original gilt lettered black cloth (Fine), dustwrapper (Fine). Pp. 280, illus with b&w photos in text (no inscriptions).

Condizione: New.

Condizione: New.

paperback. Condizione: New.