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Robert Bresson: A Passion for Film
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
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EUR 10,65
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Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
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PERSISTANCE OF VISION,Journal of Film Faculty of the CITY OF UNIVERSITY OF NEW YORK. 1985, FALL, NUMBER 2.NEW GERMAN CINEMA
Editore: CITY UNIVERSITY OF NEW YORK 1985,FALL, NY,NY, 1985
Da: WONDERFUL BOOKS BY MAIL, CHICO-CA, CA, U.S.A.
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Paperback. Condizione: Very Good. Original ed. VERY GOOD CONDITION, CLEAN, SOLID, BRIGHT; WHITE titles on GLOSSY BLACK paper paper covers.Showing man & 2 women at large control panel.viewing action. ; 91pg pages; discuss the production features of video, color, editiong, scriptiing &production planning. and broadcasting, video aesthetics, art and entertainment,.Offers step-by-step guidelines for setting up, operating, maintaining, and troubleshooting video equipment and details every procedure involved in the creation of a TV production.
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paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Robert Bresson: A Passion for Film
Da: Bay State Book Company, North Smithfield, RI, U.S.A.
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Condizione: very_good.
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Melancholy Lens : Loss and Mourning in American Avant-garde Cinema
Da: GreatBookPrices, Columbia, MD, U.S.A.
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THE MELANCHOLY LENS Loss and Mourning in American Avant-Garde Cinema
Lingua: Inglese
Editore: Oxford University Press, Oxford, 2021
ISBN 10: 0197551173 ISBN 13: 9780197551172
Da: Old Hall Bookshop, ABA ILAB PBFA BA, Brackley, Regno Unito
Membro dell'associazione: ABA ILAB PBFA
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Prima edizione
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Aggiungi al carrelloLaminated Soft Card Covers. Condizione: As New. First Edition. x, 200pp, illustrated with black & white photos in text, pages clean and crisp. laminated soft card covers. AS NEW. Size: 8vo. Film.
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Melancholy Lens : Loss and Mourning in American Avant-garde Cinema
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Robert Bresson : A Passion for Film
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Robert Bresson : A Passion for Film
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Robert Bresson: A Passion for Film
Lingua: Inglese
Editore: Oxford University Press, USA, 2010
ISBN 10: 0195319796 ISBN 13: 9780195319798
Condizione: new.
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Melancholy Lens P
Da: PBShop.store US, Wood Dale, IL, U.S.A.
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Robert Bresson
Lingua: Inglese
Editore: Oxford University Press Inc, US, 2010
ISBN 10: 0195319796 ISBN 13: 9780195319798
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the ¨fallen¨ nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker.
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Literature Across Cultures
Da: Shadow Books, Norwich, Regno Unito
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EUR 35,36
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Aggiungi al carrelloSoft cover. Condizione: Fine.
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Melancholy Lens P
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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EUR 41,70
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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The Melancholy Lens: Loss and Mourning in American Avant-Garde Cinema (eng)
Da: Brook Bookstore On Demand, Napoli, NA, Italia
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EUR 43,27
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Robert Bresson: A Passion for Film
Lingua: Inglese
Editore: Oxford University Press 2010-01, 2010
ISBN 10: 0195319796 ISBN 13: 9780195319798
Da: Chiron Media, Wallingford, Regno Unito
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EUR 34,97
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Millenium Film Journal. Nos. 23/24, Wintere 1990/91.
Editore: (NY Millenium Film Workshop, 1991)., 1991
Da: Thomas Dorn, ABAA, Canton, GA, U.S.A.
Membro dell'associazione: ABAA ILAB
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Rivista / Giornale Prima edizione
Soft cover. Condizione: Fine. 1st Edition. First printing. 8vo. 153 pp. Profusely illustrated in B & W Original photographic white wrappers. This is tight, fine.
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Robert Bresson: A Passion for Film
Da: Ria Christie Collections, Uxbridge, Regno Unito
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EUR 37,86
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The Melancholy Lens: Loss and Mourning in American Avant-Garde Cinema
Da: Ria Christie Collections, Uxbridge, Regno Unito
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EUR 39,91
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Robert Bresson : A Passion for Film
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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EUR 37,85
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The Melancholy Lens: Loss and Mourning in American Avant-garde Cinema
Da: Revaluation Books, Exeter, Regno Unito
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EUR 44,56
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Aggiungi al carrelloPaperback. Condizione: Brand New. 208 pages. 9.00x6.00x0.50 inches. In Stock.
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October, No. 21 (Summer 1982) Rainer Werner Fassbinder : A Special Issue
Editore: MIT Press for the Institute for Architecture and Urban Studies Cambridge, MA, 1982
Da: Specific Object / David Platzker, New York, NY, U.S.A.
Valutazione del venditore 5 su 5 stelle
152 pp.; 22.8 x 17.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 special issue of October on Rainer Werner Fassbinder. Edited by Rosalind Krauss and Annette Michelson. Contents include: "In a Year of Thirteen Moons," by Rainer Werner Fassbinder; "Narrative and Sexual Excess," by Robert Burgoyne; "Fassbinder, Franz, Fox, Elvira, Erwin, Armin, and All the Others," by Douglas Crimp; "Bewitched by the Holy Whore," by Tony Pipolo; "Lili Marleen: Fascism and the Film Industry," by Thomas Elsaesser and "Rainer Werner Fassbinder: A Complete Filmography." Very good. Light yellowing of covers with light dust soiling. Contents clean and unmarked.
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Melancholy Lens : Loss and Mourning in American Avant-garde Cinema
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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EUR 39,90
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Robert Bresson: A Passion for Film
Lingua: Inglese
Editore: Oxford University Press, U.S.A., 2010
ISBN 10: 0195319796 ISBN 13: 9780195319798
EUR 41,57
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Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780195319798.
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Robert Bresson : A Passion for Film
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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EUR 42,08
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The Melancholy Lens (Paperback)
Lingua: Inglese
Editore: Oxford University Press Inc, New York, 2021
ISBN 10: 0197551173 ISBN 13: 9780197551172
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: new. Paperback. The impact of significant loss has exerted a powerful influence on several American avant-garde filmmakers . The Melancholy Lens offers a detailed look at biographical and psychological factors discernible in the art of Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, and Ernie Gehr with an aim toward a greater understanding of their work. In The Melancholy Lens, author Tony Pipolo offers new insight into the psychological motivations of avant-garde filmmakers Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, focusing on aspects of their lives that impacted their art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Robert Bresson: A Passion for Film
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
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Melancholy Lens : Loss and Mourning in American Avant-garde Cinema
Da: GreatBookPricesUK, Woodford Green, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 44,39
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
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Robert Bresson (Paperback)
Lingua: Inglese
Editore: Oxford University Press Inc, New York, 2010
ISBN 10: 0195319796 ISBN 13: 9780195319798
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: new. Paperback. The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein.In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the fallen nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker. The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the "fallen.nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
-
The Melancholy Lens: Loss and Mourning in American Avant-Garde Cinema
Da: Russell Books, Victoria, BC, Canada
Valutazione del venditore 4 su 5 stelle
EUR 60,67
Spedizione EUR 16,87
Spedito da Canada a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Special order direct from the distributor.
