pitoeff sacha (9 risultati)

Paperback. Condizione: Very Good. Condizione sovraccoperta: No Dust jacket. Vintage film magazine. Contents Include: Sacha Pitoeff in Peter Ustinov's 'Lady L'; Success begins at forty by Paul Newman; Life's a drag, isn't it? (cross-dressing in film); Previews - Lady L; plus articles/profiles and attractive period ads. This is likely the first/only appearance of many of these pieces. / Light/moderate age and reading-wear. Text unmarked. Binding is tight, covers and spine fully intact. Slight shelf-wear and bumping to corners. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Film & Media::Film Magazines; Inventory No: 018641.

Seghers, 1956. In-8 carré relié toile éditeur contenant un disque et l'ouvrage "poètes d'aujourd'hui" de 203 pages. Bon état.

Condizione: Sehr gut. Standard Version. Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. Altersfreigabe FSK ab 16 Jahre - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Französisch Gewicht in Gramm: 140 DVD, Maße: 14 cm x 1.6 cm x 19.4 cm.

Six vintage French lobby cards from the 1961 film, "Cocinor" stamp on versos. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Nominated for an Academy Award for Best Original Screenplay. 8 x 10 inches. One with pinholes at corner, else Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso, along with manuscript ink and pencil annotations. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches, with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. A divisive film, viewed by critics as either an ambiguous, surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Collection of six vintage reference photographs from the 1961 film, two borderless, two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic, dreamlike film, about a man and a woman who meet at a party, where he insists they have met before, and she that they haven't. Viewed as either ambiguous, surreal masterpiece or an incomprehensible indulgence, with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus, with light edgewear, one with creasing at left corners. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Two vintage borderless reference photographs from the 1961 French film, one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi, the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine, with faint toning on the edges. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.

Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso, along with two "Photofest" stamps. alexander An enigmatic, dreamlike film, about an unnamed man and woman who meet at a party, where he insists they have met before, and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches, with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 25. Vogel, Film as Subversive Art.