pon lisa (35 risultati)

paperback. Condizione: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear and a scratch on the back cover.

Condizione: New.

Paperback. Condizione: New. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New.

paperback, dust jacket. 6.75 x 9.5 inches. paperback, dust jacket. 632 pages. The Books of Venice (Il libro veneziano) contains a series of essays (in English and Italian) exploring Venetian book history from the Quattrocento through current production, books printed "in the shadow of Aldus Manutius." Venice's books, like her art and architecture, have long been considered one of her greatest glories. Some of the earliest printers in Italy were Venetian, and Venice remained one of the world's premier book producers through the sixteenth century. Great printers like the Remondini and Ongania continued to work there in later centuries, and as this volume shows, Venice continues to support an active printing tradition, both commercially and privately. The volume takes its title from the name of an international conference that was held in Venice on this subject in March 2007. Most of the papers from this conference are included here, in suitably expanded form, providing a survey of the high points of Venetian printing from the fifteenth century through the twenty-first. Case studies focus on outstanding individuals like Aldus Manutius, Erhard Ratdolt, Peter Ugelheimer, Antonio Moretto, Francesco Sansovino, Claudio Merulo, and Apostolo Zeno. Other essays discuss the role of anonymous buyers, readers, and performers, and analyses of archival documents and marks in the books themselves are complemented by studies of how Venetian books arrived in collections throughout Europe. An essay on Venetian libraries by Marino Zorzi serves as an introduction to the volume, and a consideration of the shadowy lacunae in Venetian publishing by Neil Harris concludes the main section. In the fall of 2006, Venice was host to the American master printer Peter Koch, who set to work on a deluxe edition of Joseph Brodsky's poetic ruminations on Venice, "Watermark." At the conclusion of the conference, Koch's book was formally presented at Venice's Ateneo Veneto di Scienze, Lettere ed Arti, where Brodsky's book had first been presented eighteen years before. The Books of Venice contains an essay on "Watermark" by Koch from this presentation, along with other essays that set Koch's book into the tradition of fine press printing in Italy. Lisa Pon is Assistant Professor of Art History at Southern Methodist University and exhibition reviews editor of SHARP News. She has published essays in Word & Image, Papers of the Bibliographical Society of America, Print Quarterly, and Art History, and is author of Raphael, Dürer and Marcantonio Raimondi: Copying and the Italian Renaissance Print (Yale University Press, 2004). Her next book concerns an early-fifteenth-century woodcut that becomes a miraculous icon in the Northern Italian city of Forlì. Craig Kallendorf is Professor of English and Classics and Cornerstone Faculty Fellow at Texas A&M University. He is the author of several books in book history, including two with a specifically Venetian focus: A Bibliography of Venetian Editions of Virgil, 1470-1599 (Olschki, 1991) and Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance (Oxford, 1999). His catalogue of the Junius Spencer Morgan Virgil collection at Princeton University will be published later this year by Oak Knoll Press Co-published with Biblioteca Nazionale Marciana and La Musa Talia; available in Italy from La Musa Talia (www.lamusatalia.it).

Paperback. Condizione: New. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.

Condizione: New. In.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.

Condizione: New. Map.

Condizione: New. Lisa Pon examines the cultural biography of the city of Forli's miraculous woodcut, the Madonna of the Fire. Num Pages: 301 pages, 99 b/w illus. 4 colour illus. 1 map. BIC Classification: ACND; AFKC; AGR. Category: (U) Tertiary Education (US: College). Dimension: 264 x 186 x 24. Weight in Grams: 852. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: New. Condizione sovraccoperta: Fine. 1st Edition. Reframes the analysis of both the production of prints and the relation between printmaker and artist in early sixteenth century Italy. Contains ninety-three illustrations with a number in color plus color frontispiece. Notes. Selected Bibliography. Index. 216 pp. Fine Hardcover w/ Fine dj. Size: 4to.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.

Condizione: New. Lisa Pon examines the cultural biography of the city of Forli's miraculous woodcut, the Madonna of the Fire. Num Pages: 301 pages, 99 b/w illus. 4 colour illus. 1 map. BIC Classification: ACND; AFKC; AGR. Category: (U) Tertiary Education (US: College). Dimension: 264 x 186 x 24. Weight in Grams: 852. . 2015. Hardcover. . . . .

First Edition. Miscellania Marciana Vol. XX(2005-2007). [Text in English & Italian]. Pp. xii+620(last colophon), 16 plates (15 coloured in whole or part), black & white text illustrations (some full page), index; thick med. 8vo; printed stiff cream paper wrappers; dust wrapper; book label of David Levine, Sydney, on verso of upper wrapper; edges of leaves a trifle foxed; Biblioteca Nazionale Marciana, La Musa Talia/Oak Knoll Press, New Castle, DE., 2008. First edition. *A collection of scholarly essays exploring Venetian book history, based on papers presented at an international conference held in Venice in March 2007.

Paperback. Condizione: new. Paperback. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forli, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forli carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forli's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. In this book, Lisa Pon considers a cascade of moments in the cultural biography of the town of Forli's miraculous woodcut, the Madonna of the Fire. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 308 pages. 9.92x6.97x0.98 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Paperback. Condizione: new. Paperback. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forli, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forli carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forli's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. In this book, Lisa Pon considers a cascade of moments in the cultural biography of the town of Forli's miraculous woodcut, the Madonna of the Fire. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorLisa Pon is an associate professor in the Department of Art History at Southern Methodist University s Meadows School of the Arts, where she teaches the history of early modern European art, architecture, and visual cu.

Paperback. Condizione: new. Paperback. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forli, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forli carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forli's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. In this book, Lisa Pon considers a cascade of moments in the cultural biography of the town of Forli's miraculous woodcut, the Madonna of the Fire. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: Brand New. 272 pages. 9.00x6.00x1.00 inches. In Stock. This item is printed on demand.

Hardcover. Condizione: new. Hardcover. In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forli, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forli carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forli's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. In this book, Lisa Pon considers a cascade of moments in the cultural biography of the town of Forli's miraculous woodcut, the Madonna of the Fire. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.