Port richard (13 risultati)

Paperback. Condizione: Very Good. 128 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. NOTE: Inscribed by author to previous owner. Inscribed by Author(s).

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Cloth & Pap.bds. Condizione: Good to Very Good. No Jacket. unpaginated.l 150 letters. Typography by Bruce Rogers, printed by William Rudge on rag paper. Frontis. Port. (illustratore).

Condizione: New. 2011. Paperback. . . . . .

Condizione: New. 2011. Paperback. . . . . . Books ship from the US and Ireland.

12" Vinyl Record. Condizione: Very Good. Condizione sovraccoperta: Outer Sleeve Very Good. Very clean 12" vinyl record in a very clean outer sleeve. Clean plain inner sleeve. Very clean record. Yellow background cover with black letttering and illustration. Code on record is JDT 9.

Paperback. Condizione: Brand New. 128 pages. 9.00x6.50x0.25 inches. In Stock.

Soft cover. Condizione: Very Good. 4th Edition. Both of these bright white card cover books are clean & unmarked with tight bindings. Both volumes have a red school stamp on the front covers & on the first page.

Stapled wraps. First Edition; Third Printing. Very Good+ in stapled wraps.

Softcover. First Edition; First Printing. Very Good+ in wraps.

Correspondence Archive. Condizione: Near Fine. 17 items total: 13 TLS, 2 ALS, and 2 APCS. Items listed individually below. This collection documents the administrative and social structure of the Port Townsend, Washington literary scene during its foundational years. The correspondence centers on Cheryl Van Dyke in her role as manager of The Imprint, a bookstore that functioned as a primary hub during Centrum Foundation's annual Writers' Conference at Fort Worden State Park. The letters are often in response to Van Dyke's inquiries regarding bookshop stock to support conference lectures and workshops; they frequently evolve into warm, personal exchanges that reveal the close-knit nature of this regional symposium. This material originates from the personal papers of Cheryl Van Dyke, a poet and artist whose early collection, Cheat Grass, was a cornerstone of the emerging Copper Canyon Press catalog. As an essential figure in the region's fine press circles, Van Dyke's stewardship of The Imprint made the shop a vital setting where established writers and burgeoning Pacific Northwest voices intersected. Condition is uniformly Very Good to Near Fine, showing only occasional light edgewear or minor corner creasing consistent with professional handling. 17 pieces of correspondence. No envelopes present. Organized here chronologically: 1- Hugo, Richard ("Dick"). APCS to Cheryl Van Dyke. Missoula, MT. Postmarked December 17, 1975. Postcard [3.25" x 5.5"]. This warm personal note is written, addressed, and signed in black ink by Hugo. 2- Whalen, Philip. TLS to Cheryl Van Dyke. San Francisco, CA (Zen Center, 300 Page St.). Dated April 8, 1977. Two pages [11" x 8.5"] typed on rectos only. Signed by Whalen in black ink at the conclusion. A few later notations in pencil, presumably by Van Dyke. 3- Broumas, Olga. TLS to Cheryl Van Dyke. Eugene, OR. Dated May 22, 1977. One page [6" x 9"] typed on recto only, on toning pulpy paper. With one correction, and signed by Broumas in black ink at the conclusion. 4- Hamill, Sam. Typed Circular (Reproduction) sent to Cheryl Van Dyke. [An invitation and open call for poetry or prose submissions for two upcoming periodical publications.] Port Townsend, WA. Dated November 16, 1977. One page [11" x 8.5"] photomechanically reproduced on recto only. On Copperhead letterhead (Copper Canyon Press), with the names of Tree Swenson and Jo Cochran also listed at the top. Correction, small illustration, and signature of Sam Hamill in black (also reproductions, part of the general circular). 5- Snyder, Gary. TLS to Cheryl Van Dyke. n.p., n.d. [likely California, circa 1978]. This one page [11" x 8.5"] letter is on the verso side of an open letter and subscription form for the Kuksu Press and its Kyoi/Kuksu literary journal. Signed in black ink at the conclusion by Snyder. 6- Gallagher, Tess & Cheryl Van Dyke. TLS to Tess Gallagher from Cheryl Van Dyke [initial letter on the recto] and ALS to Van Dyke from Gallagher [response letter on the verso]. [Washington (state), dated April 6, 1978, with response undated.] One page [5.5" x 8.5"] TLS on The Imprint bookstore's letterhead and ALS response in black ink on verso. Signed in blue ink by Cheryl Van Dyke, and in black ink by Gallagher at their respective conclusions. 7- Stafford, William ("Bill"). TLS to Cheryl Van Dyke. Lake Oswego, OR. Dated April 7, 1978. One page [11" x 8.5"] on recto only. Additional note in Stafford's hand, and signed by him at the conclusion in black ink. 8- Wakoski, Diane. TLS to Cheryl Van Dyke. East Lansing, MI. Dated June 15, 1978. One page [11" x 8.5"] on recto only. Signed in black ink at the conclusion by Wakoski. 9- Kumin, Maxine. TLS to Cheryl Van Dyke. Princeton, NJ. Dated April 11, 1979. One page [9" x 6"] on Princeton University letterhead, on recto only. Signed in blue ink by Kumin at the conclusion, with a short note in her hand. 10- *Levertov, Denise (*typed and signed by Phyllis Leith, Secretary to D.L.). TLS to Cheryl Van Dyke. n.p. Dated April 16, 1979. One page [11" x 8.5. Signed.…

Folio. 11.5 x 17 in. [108 pp (unpaginated).]. With many colour maps, aerial birds-eye photos (2 large folding), over 200 photo illustrations, tables, diagrams. Flexible printed covers, Portland population sign as front cover & cover art, wire spiral binding as issued (minor dustsoiling, slight creasing to fore-edges), still VG bright copy, from the library of A. Rodney Eckerson (1930-2024), former purchasing agent for the Port of Portland. First edition of this surprisingly scarce, and groundbreaking visual urban renewal report designed, and written by the Portland Chapter of The American Institute of Architects as the impact of the newly constructed freeways, and other renewal projects began to take effect at the end of the 1960's. Of particular interest, are the many different photographs arranged in a Ruscha-inspired effect which the AIA felt was essential for successful development planning, and "not found in traffic, land use, or any other authorized study." Teams of architects, assistants, students, and photographers including Richard Lum, Jim Stroup, Peck Coleman and Doug Macy, spread across the City of Portland to chart the impact from the precipitous drop in businesses, and downtown population from 1940-1970 of nearly 60% from the city center. The photos capture the state of streets, businesses, advertising, public buildings and housing through the Railroad Yards, Burnside- Auto Strip, Financial District, Skid Row, Broadway Theater District, Old Town, Portland, State University, and others, integrated with maps and tables of physical descriptions, problems to be solved, and proposed solutions. See: Portland Downtown Plan, Inventory & Analysis, Portland City Planning Commission, September, 1971.…