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Lingua: Inglese
Editore: Manchester University Press, Manchester, 2013
ISBN 10: 0719084970 ISBN 13: 9780719084973
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Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
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Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
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Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 174 pages. 9.00x6.00x0.50 inches. In Stock.
Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 90,02
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Lingua: Inglese
Editore: Manchester University Press, GB, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
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Aggiungi al carrelloHardback. Condizione: New. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.
Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Editore: Manchester University Press, Manchester, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history. -- . Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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ISBN 10: 0719084970 ISBN 13: 9780719084973
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Lingua: Inglese
Editore: Manchester University Press 2014-02-01, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
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EUR 93,75
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Aggiungi al carrelloHardcover. Condizione: New.
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Aggiungi al carrelloCondizione: New. Chloe Porter is Lecturer in English Literature in the School of English, and a member of the Centre for Early Modern and Medieval Studies at the University of Sussex, UK.Katie L. Walter is Lecturer in Medieval English Literature i.
Da: Revaluation Books, Exeter, Regno Unito
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Aggiungi al carrelloHardcover. Condizione: Brand New. 208 pages. 9.50x6.50x1.00 inches. In Stock.
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Aggiungi al carrelloCondizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | High school is like a game of chess. You have to gamble the moves you make and risk the chance of checkmate. In Harrington, that isn't the case. No matter what moves someone could make - unless you were one of the Elites - you'll always face checkmate, just for pure pleasure and entertainment, because that's all they'll ever be; another pawn in their game. But that was before Candace. After her best friend was ripped away from Harrington due to her obsession with climbing the hierarchy, Candace knows that she has to do the same to them. One by one. And once she does, she'll finally rest.
Lingua: Inglese
Editore: Taylor & Francis Ltd Dez 2019, 2019
ISBN 10: 0367890976 ISBN 13: 9780367890971
Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloCondizione: Brand New. Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly.
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EUR 100,07
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Aggiungi al carrelloGebunden. Condizione: New. Explores the significance of visual things that are under construction in works by playwrights including Shakespeare, Robert Greene and John Lyly -- .Über den AutorrnrnChloe Porter is Lecturer in English Literature 1500-1700 at the Un.
Lingua: Inglese
Editore: Manchester University Press, GB, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: Rarewaves.com UK, London, Regno Unito
EUR 98,75
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Aggiungi al carrelloHardback. Condizione: New. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.
Lingua: Inglese
Editore: Manchester University Press, 2014
ISBN 10: 0719084970 ISBN 13: 9780719084973
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly Num Pages: 208 pages, 28 black & white illustrations. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 163 x 236 x 23. Weight in Grams: 512. . 2014. Hardcover. . . . . Books ship from the US and Ireland.