Editore: University of Notre Dame, Notre Dame, IN, 1974
Da: Lowry's Books, Three Rivers, MI, U.S.A.
Paperback. Condizione: Good. No Jacket. Various (Photographs) (illustratore). Cover is in good condition, save for minimal corner bumping and rubbing/yellowing with age. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: 4to - over 9¾" - 12" tall.
Editore: United States Geological Survey/USGS/Government Printing Office/GPO, Washington, DC, 1965
Da: Robert Gavora, Fine & Rare Books, ABAA, Talent, OR, U.S.A.
Soft cover. Condizione: Near Fine. 28 pages with map, graphs, tables, and references, plus the large folded map plate present in the rear pocket. Bound in original gray stiff paper covers printed in black. A near fine copy. Book.
Paperback. Condizione: Good. Corners bumped, small piece of back corner torn off, o/w good. Staplebnd 4to. Geological Survey Professional Paper 403-H. Includes information on the island's geology and natural history. 28pp. References. Graphs. > Language: English | > Size: 4to | > Media/Binding: Staple Bound |.
Editore: Exit Art New York, NY, 1993
Da: Specific Object / David Platzker, New York, NY, U.S.A.
12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.
ISBN 10: 7121157284 ISBN 13: 9787121157288
Da: liu xing, Nanjing, JS, Cina
EUR 94,69
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: New. Paperback Language: Chinese. French style embodies the elegant and there is no lack of wisdom. is a unique combination of classical and modern. which is the Dampier sense of design. She shows us her home in Connecticut. USA. a warm and comfortable housing interior decoration. and provide recommendations to achieve different results. Show her charming French decoration history of various architectural elements such as windows. fireplaces. doors. and some basic design principles to reflect the .
Editore: Doctor Generosity Press, New York, 1970
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Unbound. Condizione: Near Fine. A collection of 15 broadsides of poetry published by the Doctor Generosity Press, run out of a tavern in New York City at 73rd and 2nd on the East Side. The endeavor was headed by waiter Ray Freed, who edited a number of books and broadsides published by the press from 1969 through 1972. Folio sheets of one to four pages, printed versos only. Overall very good or better with light edge wear, staple holes and horizontal creases to all, likely as issued; one broadside is trimmed at the bottom affecting the poem. Each broadside was limited to 500 unnumbered copies "distributed for free on the streets of New York." Contributors include Paul Blackburn, A.E. Wyatt, George Ayla, Dunbar Grady, Peter Hammer, George Kimball, Robert Kinzie, Dan Maurice, James McMann, S. Pavlo, Judy Porter, Elma Seto, Aymon de Roussy de Sales, Christopher Smargie, and Alan Young. Uncommon. *OCLC* locates under 10 copies of all but two of the broadsides.