Porter raymond w (24 risultati)

No Binding. Condizione: Very Good. ORIGINAL 1975 Abstracts, disbound from journal; no covers; in very good condition. Journal.

No Binding. Condizione: Very Good. ORIGINAL 1975 Articles, disbound from journal; no covers; in very good condition. Journal.

Soft cover. Condizione: Fair. 12 sermons on the second half of Pentecost, name inside front. Porter Ray (illustratore).

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. This book is in very good condition; no remainder marks. It does have some shelfwear; corner crease to top front cover. Inside pages are clean. ; 7 X 0.5 X 10 inches; 188 pages.

stiff paper. Condizione: Near Fine. 1st edition. Stiff paper covers, 164 pages, many b/w and color illustrations throughout. This book presents important original work on Bodmer's art and the Native peoples he depicted. "Bodmer's art is now considered the most vivid depiction of the 19th century American West prior to the decimation of Plains tribes by disease". Front cover and text block As New, but 31/2" crease at rear cover.6 5/8 x 9 5/8". Bodmer (illustratore).…

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. University of Illinois Press, Urbana, IL. 2002. Softcover/Trade Wraps. First Printing by Line Number. Book is tight, square, and unmarked. Book Condition: Near Fine; light rubbing to panels. No DJ. Pictorial card stock wraps. Wraps are not bent or folded; spine is not creased or split; text is secure in binding. 164 pp tall 8vo. Bodner accompanied Prince Maximillian on his 1833-34 expedition up the Missouri River. His landscapes and portraits are now considered the most vivid description of the nineteenth-century American West. This volume collects Bodmer's studio augmentations of the expeditionary sketches and brings together nearly all of Bodmer's extant works. A clean very presentable copy.…

Soft cover. Condizione: Near Fine. 1st Edition. 232 pp. Glossy fold-out between pp. 30-31: "Photostat of the frontispiece to the NEW ENGLAND PSALM-SINGER (1770) (Engraved by Paul Revere)". Following a word "TO READERS AND CORRESPONDENTS", Contents divided as follows: [1] John Coolidge, "Low-Cost Housing in New England"; [2] Raymond Morin, "A Pioneer in American Music: Charles Sanders Peirce (1839-1914): "A Pragmatic Transcendentalist" (F.I. Carpenter); "His Metaphysics of Evolution" (Charles Hartshorne); [3] Wylie Sypher, "Irving Babbitt: A Reappraisal"; MEMORANDA AND DOCUMENTS [1] K.W. Porter, "The Oxford Cap War at Harvard"; [2] H.A. Davis, "From the Diaries of a Diplomat"; [3] R.R. Moody, " A Proposed Province of Georgia in New England"; [4] W.H. Bell, "A Captain in Captivity"; [5] T. H. Johnson, "An Edward Taylor Poem that Was Printed"; [6] C.J.Weber, "Miss Owen Corrects a Sonnet of Longfellow's"; BOOK REVIEWS [pp. 145-205, including:] "Charles Noyes Greenough: An Account of His Life as Teacher, Dean, Master & Scholar" By Ruth Hornblower Greenough" and "Collected Studies by Charles Noyes Greenough" (Louis I. Bredvold). . . "An Academic Courtship: Letters of Alice Freeman Palmer and George Herbert Palmer (1886-1887)" (M.A. DeWolfe Howe). . . Cotton Mather: A Bibliography of His Works" By Thomas J. Holmes (Thomas H. Johnson). . . "The Articles of Confederation: An Interpretation of the Social-Constitutional History of the American Revolution (1774-1781)" By Merrill Jensen (Daniel Aaron). . . ; SHORT NOTICES (pp. 206-211); A BIBLIOGRAPHY OF NEW ENGLAND 1940 By Allyn B. Forbes ( pp. 212 229); Notes on Contributors, p. 230; Corrections for December, 1940 ( p. 231); Donors to New England Quarterly (p. 232). Green wrappers with full front cover with large Title lettering and Contents in smaller black letters; rough-cut lower edge. Top right cover corner and ensuing pages (diminishingly) with very small outward curls; book manufacture diagonal soft crease (from 2" down fore-edge at early pages to 1 1/4" down fore-edge at top rear (truly nugatory, but there you have it). Binding strong; Essentially NO rubbing wear, but for 1/32" thin line of rubbing across top spine; NO previous owner names. Clean text. Solid copy. The way to read a Classic Compendium of New England History/Americana more than 80 years old.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Quarto. Book.

Soft cover. Condizione: New. No Jacket. 1st Edition. New old stock/none, illustrated stiff paper wraps, 1st printing, vii-ix, 164pp. Interior clean, no marks, pages near bright, binding tight. Slightest of rubbing to wraps, no chips or tears, corners square.

Condizione: Very Good. Softcover, 165 pages. This remarkable volume collects Bodmer's studio art: a series of compositions he created in his Paris studio. These images, thirteen of them previously unpublished, are augmentations of the artist's expeditionary sketches and watercolors. 12 color plates, 32 b/w plates, 16 B/W in-text figures. Record # 361106. …

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover, in dust jacket. Condizione: Near Fine. dj. First edition, first printing. Moderate shelf wear, still near fine, in near fine dust jacket, in mylar cover. Black and white reproductions. (illustratore).

95pp stapled paperback in colourful thin card covers. Staples rusted. Used - Good. Good stapled paperback.

Softcover. Condizione: Very Good. First edition. Text in Polish. Wrappers age-toned, spine ends nicked with spine slightly cocked, very good. Contributions by Robinson Jeffers, Lionel Trilling, Irving Singer, Robert Lowell, Katherine Anne Porter, John Berryman, Dave Brubeck, Daniel G. Hoffman, Henry A. Murray, Paul J. Tillich, Jose Ortega y Gasset, George F. Kennan, Meyer Schapiro, F.W. Dupee, and Raymond Williams.…

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Broschiert. Gr.-Oktav. IX, 164 S. Broschur. Sprache: Englisch, Mit schw.-w. Abb. gutes Exemplar.

hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condizione: New.

Hardcover. Condizione: New. To document the natural history and inhabitants of the American West, Prince Maximilian of Wied-Neuwied selected the Swiss artist Karl Bodmer to accompany him on his 1833-34 expedition up the Missouri River. Beginning in St Louis, they journeyed as far as inland waterways could take them, through present-day Nebraska, South Dakota, North Dakota, and into Montana. During the expedition, twenty-three-year-old Bodmer sketched and painted a wealth of landscapes and Native American portraits that would be immortalized as aquatints and woodcuts in Maximilian's published journals and accompanying atlas. Now considered the most vivid and instructive depiction of the nineteenth-century American West and its people prior to the decimation of many Plains tribes by disease, Bodmer's artwork continues to intrigue historians, scholars, and collectors. This remarkable volume collects Bodmer's studio art: a series of compositions he created in his Paris studio. These images, thirteen of them previously unpublished, are augmentations of the artist's expeditionary sketches and watercolors rendered in the complicated process of completing the aquatints. The publication of the "Newberry Library Bodmer Collection", together with five sketches from the Baltimore Museum of Art, brings together all of Bodmer's extant works not previously collected in book form. "Karl Bodmer's Studio Art" also includes sketches that Bodmer did not use for later paintings or engravings.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

Da p. 9 a p. 112, 25 cm, bross. editoriale. Evidenti segni d'uso alla bross. che presenta rinforzi alle cerniere interne e piccoli ma diffusi difetti. Evidenti segni d'uso alla bross. che presenta rinforzi alle cerniere interne e piccoli ma diffusi difetti.