potemont (51 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Letter on the Elements of Etching German: Brief über die Elemente des Ätzens French: Lettre sur les éléments de la gravure Spanish: Carta sobre los elementos del grabado High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Old Oaks at Bas Bréau German: Alte Eichen in Bas Bréau French: Vieux chênes au Bas Bréau Spanish: Viejos robles en Bas Bréau High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (c. 1865). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Display of Cadart & Luquet publishers in Paris German: Anzeige von Cadart & Luquet Verlagen in Paris French: Affichage des éditeurs Cadart & Luquet à Paris Spanish: Exposición de los editores de Cadart & Luquet en París High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Letter on etching techniques with examples of landscapes German: Brief über Radierungstechniken mit Beispielen von Landschaften French: Lettre sur les techniques de gravure avec des exemples de paysages Spanish: Carta sobre técnicas de grabado con ejemplos de paisajes High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Letter on etching techniques with illustrations of different tools German: Brief über Ätztechniken mit Illustrationen verschiedener Werkzeuge French: Lettre sur les techniques de gravure avec des illustrations de différents outils Spanish: Carta sobre técnicas de grabado con ilustraciones de diferentes herramientas High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Title print with letter with an envelope on it German: Titeldruck mit Brief mit einem Umschlag darauf French: Tirage de titre avec lettre avec enveloppe dessus Spanish: Título impreso con letra con un sobre High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Letter on etching techniques with illustration of an etching bath German: Brief über Ätztechniken mit Illustration eines Ätzbades French: Lettre sur les techniques de gravure avec illustration d'un bain de gravure Spanish: Carta sobre técnicas de grabado con ilustración de un baño de grabado High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Letter on etching techniques with illustration of heating of the etching plate German: Brief über Ätztechniken mit Illustration der Erwärmung der Ätzplatte French: Lettre sur les techniques de gravure avec illustration du chauffage de la plaque de gravure Spanish: Carta sobre técnicas de grabado con ilustración de calentamiento de la placa de grabado High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1864). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

seltene original Radierung von Adolphe Martial Potemont (1827-1883) von ca. 1870 - in der Platte signiert - Blatt-Format: ca. 48 x 31 cm - Platten-Format: ca. 26 x 20 cm - gut erhalten. | eau forte originale vers 1870 - signée dans la planche. | original etching from circa 1870 - signed in plate. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

Très belle épreuve. 15 x 19,7 cm. Marges 20,6 x 27,6 cm.

Très belle épreuve. 19,5 x 13,4 cm au trait carré. Marges 30 x 24 cm.

Condizione: Good. Etching. 39 x 27.5 cm. (sheet). Very Good, minor surface wear.

Hardcover. First edition. Folio, 48 x 34 cm, Inscribed and signed by Martial on the etched title page. 48 etched india proof plates with descriptive text mounted to stiff paper. Each plate about 6 1/2 x 5 inches. This exposition, larger in scale than any previous covered some 66 acres. More than 13 million people paid to attend, making it a great financial success. The French exhibit filled one half of the entire space, the United Kingdom occupied one third. Alexander Graham Bell's telephone was on display, as was Thomas Edison's megaphone and phonograph. On June 30, 1878 the completed head of the Statue of Liberty was showcased in the garden of the Trocadero Palace. There are two separate images of the latter herein. Another advance consisted of low cost temporary building materials for statues and exhibit structures invented two years earlier in Paris -- consisting of jute fiber, plaster of paris and cement. Interior contents clean and fresh, gilt front cover lettering. Both a fine etcher and painter, Martial studied under Cogniet and Felix Brissot. He was a regularly invited exhibitor at the prestigious Paris Salon from 1846 to 1882. By 1865 etching dominated almost all his creative output [see: (Potemont) BRYAN Vol. IV, p.148]. OCLC lists one entry: Bibliotheque Nationale De France. Interior contents clean and fresh, gilt front cover lettering, marbled endpapers. Three quarter red morocco, original red aubergine cloth recased with original leather spine label laid-down. Teg. Near fine.

Lotto di 29 tavv. in rame con tocchi all'acquatinta incise da Potemont Adolphe Martial da disegni di Fragonnard, mm. 190x135 circa relativi alla parte incisa, ampi marg. bianchi: Le Faucon; Le cocu battu et content; Les cordeliers de Catalogne; L'ermite; Le patè d'anguille; Belphegor; Le cas de conscience; Le magnifique; Les lunettes; Les berceau; L'Abesse malada; Le cuvier; Le psautier; Le tableau; La chose impossible; La gageure des trois commères; La matrone d'Ephese; Le Gascon puni; Le paysan; Le muletier; La clochette; La courtisane amoureuse; Le rossignol; Les quiproquos; Les rémois; Les calendrier des vieillards; Les aveux indiscrets; La servante justifiée; La coupe enchantée. Ben conservate.

Lotto di 29 tavv. in rame con tocchi all'acquatinta incise da Potemont Adolphe Martial da disegni di Fragonnard, mm. 190x135 circa relativi alla parte incisa, ampi marg. bianchi: Le Faucon; Le cocu battu et content; Les cordeliers de Catalogne; L'ermite; Le patè d'anguille; Belphegor; Le cas de conscience; Le magnifique; Les lunettes; Les berceau; L'Abesse malada; Le cuvier; Le psautier; Le tableau; La chose impossible; La gageure des trois commères; La matrone d'Ephese; Le Gascon puni; Le paysan; Le muletier; La clochette; La courtisane amoureuse; Le rossignol; Les quiproquos; Les rémois; Les calendrier des vieillards; Les aveux indiscrets; La servante justifiée; La coupe enchantée. Ben conservate.

Dimensions (à vue) : 157 x 122 mm. Circa 1860. Délicate eau-forte monogrammée dans la plaque APM [Adolphe Potémont dit A.-P. Martial]. Elle figure la façade du Café de Paris sis Boulevard des Italiens et est animée de nombreux personnages. ''Adolphe Potémont eut pour maîtres Léon Cogniet et Félix Brissot de Warwille. Il obtint une médaille de deuxième classe en 1876 et figura au Salon de 1846 à 1882. Il a gravé d'une pointe spirituelle des vues du vieux Paris''. (in Bénézit). Bénézit VIII, Dictionnaire des peintres, p. 446. Rares et discrètes piqûres affectant les marges. Du reste, très belle condition.

Condizione: Near Fine. Etching, "Rue Grenier Sur L'eau prise de la rue du pont Louis Philippe." Signed and dated on the plate. Numbered 180 at top right. Print hinged to archival acid-free mat with foam core backing. Print: 10.25 x 4.75 in; sheet: 12.75 x 9.5 in; mat: 17.75 x 11.25 in. Near fine example.

Condizione: Good. Etching on rag paper. 49 x 32.5 cm. Marginal tears.Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, no.

Condizione: Good. Etching on rag paper. 46 x 29.5 cm. .Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, no.

8. Paris, A. Cadart, 1873, in-8°, xxiii + 59 pp + (4) nn pp (avec une ill. d'une presse des aqua-fortistes). Exemplaire broché, avec la couverture souple d'origine. Bel exemplaire. Avec une introduction de W. Bürger et de Th. Gautier.

Condizione: Good. Etching on rag paper and chine collé,.Mostly in the range of 39.2 x 29 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.

Condizione: Good. Etchings. 46 x x 29 cm. to 49 c 32 cm. Reference: Beraldi, II, no. 3, -11.

Condizione: Good. Etching on rag paper. 39 x 27 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, no. 23.

Condizione: Good. Etching on chine. 30 x 23 cm. Matted. After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, no. 23.

Condizione: Good. Etching on rag paper. 33.5 x 28 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.

Condizione: Good. Etching on rag paper and chine collé. Pieece missingt in lower right margin. 49 x 33 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.

Condizione: Good. Etching on rag paper. 47.5 x 31 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, no. 23.

Condizione: Good. Etching on rag paper. Piece missing in lower right margin. 49 x 32 cm.After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.

Condizione: Good. Etching on rag paper. 49.5 x 31.5 cm. .After drawings from the 1830s and 1840s by Pierre Toussaint Bonnaire (1813-1882); Louis Lemet, (1779 - 1832); Paul Delaroche(1797-1856); Horace Vernet, (1789-1863); Adolphe Varin (1821-1897).Adolphe Martial Potémont aka A.-P. Martial, (Paris, 10 February 1828 - Paris, 14 October 1883) was a pupil of the painters Leon Coignet and Felix Brissot de Warville, followed a general training in landscape painting, but also studied historical painting and portraits. He exhibited his work at the Paris Salon in 1846 and 1882. He Is mainly known for his etchings, notably his views of Paris and its inhabitants before the city was transformed by Haussmann during the 1860s. Reference: Beraldi, II, nos. 1 & 2.

Condizione: Good. Etching. 41 x 27.8 cm. sheet size. Annotated in pencil: d'après mon dessin ad vivum 1839. Likely apocryphal since he would only have been 11 at the time.Before the printed text beneath the image. Old houses in the Rue Mondétour - Adolphe Martial PotémontAn etcher and painter, Adolphe Théodore Jules Martial Potémont, who used the pseudonym Martial, is known for his etched views of Paris and its people. He studied under Léon Cogniet (1794-1880) and Félix Saturnin Brissot de Warville (1818-1892). Martial prepared suites of etchings and provided etched illustrations to journals and exhibited paintings. He exhibited at the Salons from 1846 until 1882. Martial's large ?uvre included 300 etched views of old Paris (published 1862-1866) before its reconstruction under Emperor Napoleon III (1803-1873).