poulet anne (75 risultati)

Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Paperback. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Trade Paperback. Condizione: Used - Acceptable.

Trade Paperback. Condizione: Used - Acceptable. Some underlining of text inside book. Shelf wear.

Paperback. Condizione: Near Fine. 1st. xlviii, 148 pages, illustrations (chiefly colour); 22 x 23 cm. Exhibition held at the High Museum of Art, Atlanta, April 21 to June 17, 1979, at three Japanese museums in the latter half of 1979, and at the Denver Museum of Art, February 13 to April 20, 1980. Near fine. Firm binding, clean inside copy. Age toning. Size: Oblong.

Soft cover. Condizione: Near Fine. small crease at top corner of rear cover. The catalogue of an exhibition at the High Museum of Art, Atlanta, Georgia, April 21 - June 17, 1979, and the Denver Art Museum, Denver, Colorado, February 13 - April 20, 1980. 69 French paintings from the Museum of Fine Arts, Boston, are described and illustrated in color. 148pp 1.35lb 8.5x9.0x0.5in.

softcover. Condizione: very good. Condizione sovraccoperta: no dust jacket. 8vo, Light Edgewear, Color And B&W.

Paperback. Condizione: Very Good +. No Jacket. 1979 Edition.

Soft. Condizione: Used: Very Good. First Edition. Very Good Plus. First Edition. 148 pages, some light edgewear on cover, interior fine, nice color reproductions, intro. by Alexandra R. Murphy.

Soft cover. Condizione: Fine. First Edition. First edition 1992. Published by Museum Of Fine Art, Boston, Large softcover in stiff wrappers without DJ as issued. Condition near fine, sewn binding, slightly cocked, no edgewear, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 358 pages, fully illustrated. Heavy book will require additional postage for international orders.

Hardcover. Condizione: Very Good. No Jacket. 148 page hardcover exhibition catalog, w/many illustrations in color and b/w. Green cloth exterior with title in gold on front and spine. Spine is very slightly sunfaded. Interior is unmarked, tight and clean.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good. New edition. Corners are slightly bent Used - Good.

Softcover. Condizione: VG+. Black illustrated thick card covers.; 384 pp.; Profusely illustrated with color and bw plates and figures. Published in conjunction with an exhibition that appeared at the National Gallery of Art in Washington, D.C., The J. Paul Getty Museum in Los Angeles, and the Musee et Domaine National Chateau de Versailles.French artist Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. Contents as follows: Directors' Foreword / Earl A. Powell III, Deborah Gribbon and Pierre Arizzoli-Clementel -- Lenders to the Exhibition -- Preface and Acknowledgments / Anne L. Poulet -- Houdon, "Above All Modern Artists" / Guilhem Scherf -- Etat des Choses: A Recently Discovered Document by Houdon / Anne L. Poulet, Ulrike D. Mathies and Christoph Frank -- Houdon and the German Courts: Serving the Francophile Princes / Ulrike D. Mathies -- "A Man More Jealous of Glory than of Wealth": Houdon's Dealings with Russia / Christoph Frank -- Early Works -- Figures in the Arts -- Family and Friends -- Enlightenment Figures -- Decorative Sculpture -- American Patriots -- The Courts of Europe -- Late Works -- Boilly's Paintings -- Abbreviated Chronology of Houdon's Life and Work / Monique Barbier -- App. Etat des choses renfermees dans les caisses envoyees a son Altesse Monseigneur le Duc de Saxe Gotha.

Paperback. Condizione: Fine. 4to 11" - 13" tall.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardback. Condizione: Very Good. First. A sumptuously illustrated catalogue of a touring exhibit of 19th- and early 20th-century French paintings owned by Boston's Museum of Fine Arts, starting with Jean-Baptiste Corot's Neo-Classical landscapes and going through the Cubist works Georges Braque produced after World War I. Dozens of full-color, often full-page, illustrations of paintings by artists such as Delacroix, Millet, Pissaro, Cezanne, and Van Gogh--each with its own explication--are preceded by an essay by Alexandra R. Murphy on Boston art collectors in the 19th century, and how the Museum of Fine Arts managed to accumulate such riches. This hardback copy is in excellent condition, with only some slight cosmetic wear on the edges of the cover and a small mark of an old label on the front end paper. The text block is still tight and unblemished.

Softcover, 384b pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 1st Printing. Hardcover. Book Condition: Very Good. Jacket Condition: Very Good. University of Chicago Press, Chicago, IL 2003. First Edition. 1st Printing. 400 pages. Nice Firm Clean copy ! Size: L 4to. Art::Sculpture Biography 6079L.

Hardcover. Condizione: Used-Very Good. 1st Edition. Cloth, no dj. Minor shelf wear; light scuffing to boards. Else a bright, clean copy.

Hardcover. Condizione: Used-Very Good. 1st Edition. Cloth, no dj. Minor sunning and scuffing to cloth. Else clean copy, plates pristine.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition, First Printing. Crisp, unmarked copy. The binding is tight, corners sharp. A bit of white soiling to bottom edge of rear panel, otherwise like new. The dust jacket shows light shelf rubbing and mild sunning to left side of front panel, in a mylar cover. 4to. 284pp.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condizione: New. No Jacket. 1st Edition. First edition 1979, first printing, matching dates on title and copyright pages. . Published in conjunction on traveling exhibition by Museum of Fine Arts, Boston Softcover in pictorial wraps without DJ as issued. Condition new, square tight and clean book, spine not creased, no edgewear, corners not bumped, no names, no bent page corners, no underlinings, no highlights, not a reminder. Small 4to, 148 pages, illustrated throughout.

Paperback. Condizione: Good +/NO DUSTJACKET. Black & White/Color Illus. & Photos (illustratore). 2nd Edition. Washington, DC: National Gallery of Art. Good +/NO DUSTJACKET. 2003. 2nd Edition. Paperback. Sm 4to., 384 pp., cover light shelf wear, very light shelf wear to edges and corners, otherwise very good; some light underlining scattered throughout text block, address label on front free-endpaper, otherwise pages clean and unmarked. .

hardcover. Condizione: Very Good. VG+/VG+. Minimal wear. Dust jacket is in a brand new Brodart clear protective sleeve. Interior is clean. No writing or markings of any kind. Ships wrapped in bubble wrap and packed with care in a box.

Hardcover. First/First. Black cloth over boards; Black pictorial dj.; 384 pp.; Profusely illustrated with color and bw plates and figures. Slightly heavy at 5 pounds and may require extra postage. Published in conjunction with an exhibition that appeared at the National Gallery of Art in Washington, D.C., The J. Paul Getty Museum in Los Angeles, and the Musee et Domaine National Chateau de Versailles.French artist Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. Contents as follows: Directors' Foreword / Earl A. Powell III, Deborah Gribbon and Pierre Arizzoli-Clementel -- Lenders to the Exhibition -- Preface and Acknowledgments / Anne L. Poulet -- Houdon, "Above All Modern Artists" / Guilhem Scherf -- Etat des Choses: A Recently Discovered Document by Houdon / Anne L. Poulet, Ulrike D. Mathies and Christoph Frank -- Houdon and the German Courts: Serving the Francophile Princes / Ulrike D. Mathies -- "A Man More Jealous of Glory than of Wealth": Houdon's Dealings with Russia / Christoph Frank -- Early Works -- Figures in the Arts -- Family and Friends -- Enlightenment Figures -- Decorative Sculpture -- American Patriots -- The Courts of Europe -- Late Works -- Boilly's Paintings -- Abbreviated Chronology of Houdon's Life and Work / Monique Barbier -- App. Etat des choses renfermees dans les caisses envoyees a son Altesse Monseigneur le Duc de Saxe Gotha. VG/VG: Exlibrary book. Sticker on dust jacket at the base of the spine. Stamp on half-title page. Stamp on last page. Sticker on back pasted end paper.