poulet anne (80 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Paperback. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Paperback. Condizione: Very Good. New edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Trade Paperback. Condizione: Used - Acceptable.

Trade Paperback. Condizione: Used - Acceptable. Some underlining of text inside book. Shelf wear.

paperback. Condizione: Good. New edition. Corners are slightly bent Used - Good.

Oversize Softcover. Condizione: Very Good.

Paperback. Condizione: Very Good +. No Jacket. 1979 Edition.

Soft. Condizione: Used: Very Good. First Edition. Very Good Plus. First Edition. 148 pages, some light edgewear on cover, interior fine, nice color reproductions, intro. by Alexandra R. Murphy.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condizione: Fine. First Edition. First edition 1992. Published by Museum Of Fine Art, Boston, Large softcover in stiff wrappers without DJ as issued. Condition near fine, sewn binding, slightly cocked, no edgewear, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 358 pages, fully illustrated. Heavy book will require additional postage for international orders.

Hardcover. Condizione: Very Good. No Jacket. 148 page hardcover exhibition catalog, w/many illustrations in color and b/w. Green cloth exterior with title in gold on front and spine. Spine is very slightly sunfaded. Interior is unmarked, tight and clean.

Softcover. Condizione: VG+. Black illustrated thick card covers.; 384 pp.; Profusely illustrated with color and bw plates and figures. Published in conjunction with an exhibition that appeared at the National Gallery of Art in Washington, D.C., The J. Paul Getty Museum in Los Angeles, and the Musee et Domaine National Chateau de Versailles.French artist Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. Contents as follows: Directors' Foreword / Earl A. Powell III, Deborah Gribbon and Pierre Arizzoli-Clementel -- Lenders to the Exhibition -- Preface and Acknowledgments / Anne L. Poulet -- Houdon, "Above All Modern Artists" / Guilhem Scherf -- Etat des Choses: A Recently Discovered Document by Houdon / Anne L. Poulet, Ulrike D. Mathies and Christoph Frank -- Houdon and the German Courts: Serving the Francophile Princes / Ulrike D. Mathies -- "A Man More Jealous of Glory than of Wealth": Houdon's Dealings with Russia / Christoph Frank -- Early Works -- Figures in the Arts -- Family and Friends -- Enlightenment Figures -- Decorative Sculpture -- American Patriots -- The Courts of Europe -- Late Works -- Boilly's Paintings -- Abbreviated Chronology of Houdon's Life and Work / Monique Barbier -- App. Etat des choses renfermees dans les caisses envoyees a son Altesse Monseigneur le Duc de Saxe Gotha.

Paperback. Condizione: Fine. 4to 11" - 13" tall.

Hardback. Condizione: Very Good. First. A sumptuously illustrated catalogue of a touring exhibit of 19th- and early 20th-century French paintings owned by Boston's Museum of Fine Arts, starting with Jean-Baptiste Corot's Neo-Classical landscapes and going through the Cubist works Georges Braque produced after World War I. Dozens of full-color, often full-page, illustrations of paintings by artists such as Delacroix, Millet, Pissaro, Cezanne, and Van Gogh--each with its own explication--are preceded by an essay by Alexandra R. Murphy on Boston art collectors in the 19th century, and how the Museum of Fine Arts managed to accumulate such riches. This hardback copy is in excellent condition, with only some slight cosmetic wear on the edges of the cover and a small mark of an old label on the front end paper. The text block is still tight and unblemished.

Softcover, 384b pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition, First Printing. Crisp, unmarked copy. The binding is tight, corners sharp. A bit of white soiling to bottom edge of rear panel, otherwise like new. The dust jacket shows light shelf rubbing and mild sunning to left side of front panel, in a mylar cover. 4to. 284pp.

Hardcover. Condizione: Used-Very Good. 1st Edition. Cloth, no dj. Minor shelf wear; light scuffing to boards. Else a bright, clean copy.

Hardcover. Condizione: Used-Very Good. 1st Edition. Cloth, no dj. Minor sunning and scuffing to cloth. Else clean copy, plates pristine.

Soft cover. Condizione: New. No Jacket. 1st Edition. First edition 1979, first printing, matching dates on title and copyright pages. . Published in conjunction on traveling exhibition by Museum of Fine Arts, Boston Softcover in pictorial wraps without DJ as issued. Condition new, square tight and clean book, spine not creased, no edgewear, corners not bumped, no names, no bent page corners, no underlinings, no highlights, not a reminder. Small 4to, 148 pages, illustrated throughout.

Paperback. Condizione: Good +/NO DUSTJACKET. Black & White/Color Illus. & Photos (illustratore). 2nd Edition. Washington, DC: National Gallery of Art. Good +/NO DUSTJACKET. 2003. 2nd Edition. Paperback. Sm 4to., 384 pp., cover light shelf wear, very light shelf wear to edges and corners, otherwise very good; some light underlining scattered throughout text block, address label on front free-endpaper, otherwise pages clean and unmarked. .

hardcover. Condizione: Very Good. VG+/VG+. Minimal wear. Dust jacket is in a brand new Brodart clear protective sleeve. Interior is clean. No writing or markings of any kind. Ships wrapped in bubble wrap and packed with care in a box.

Hardcover. First/First. Black cloth over boards; Black pictorial dj.; 384 pp.; Profusely illustrated with color and bw plates and figures. Slightly heavy at 5 pounds and may require extra postage. Published in conjunction with an exhibition that appeared at the National Gallery of Art in Washington, D.C., The J. Paul Getty Museum in Los Angeles, and the Musee et Domaine National Chateau de Versailles.French artist Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. Contents as follows: Directors' Foreword / Earl A. Powell III, Deborah Gribbon and Pierre Arizzoli-Clementel -- Lenders to the Exhibition -- Preface and Acknowledgments / Anne L. Poulet -- Houdon, "Above All Modern Artists" / Guilhem Scherf -- Etat des Choses: A Recently Discovered Document by Houdon / Anne L. Poulet, Ulrike D. Mathies and Christoph Frank -- Houdon and the German Courts: Serving the Francophile Princes / Ulrike D. Mathies -- "A Man More Jealous of Glory than of Wealth": Houdon's Dealings with Russia / Christoph Frank -- Early Works -- Figures in the Arts -- Family and Friends -- Enlightenment Figures -- Decorative Sculpture -- American Patriots -- The Courts of Europe -- Late Works -- Boilly's Paintings -- Abbreviated Chronology of Houdon's Life and Work / Monique Barbier -- App. Etat des choses renfermees dans les caisses envoyees a son Altesse Monseigneur le Duc de Saxe Gotha. VG/VG: Exlibrary book. Sticker on dust jacket at the base of the spine. Stamp on half-title page. Stamp on last page. Sticker on back pasted end paper.

Hardcover. Signed and inscribed by author. Black cloth over boards; Black pictorial dj.; 384 pp.; Profusely illustrated with color and bw plates and figures. Slightly heavy at 5 pounds and may require extra postage. Published in conjunction with an exhibition that appeared at the National Gallery of Art in Washington, D.C., The J. Paul Getty Museum in Los Angeles, and the Musee et Domaine National Chateau de Versailles.French artist Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. Contents as follows: Directors' Foreword / Earl A. Powell III, Deborah Gribbon and Pierre Arizzoli-Clementel -- Lenders to the Exhibition -- Preface and Acknowledgments / Anne L. Poulet -- Houdon, "Above All Modern Artists" / Guilhem Scherf -- Etat des Choses: A Recently Discovered Document by Houdon / Anne L. Poulet, Ulrike D. Mathies and Christoph Frank -- Houdon and the German Courts: Serving the Francophile Princes / Ulrike D. Mathies -- "A Man More Jealous of Glory than of Wealth": Houdon's Dealings with Russia / Christoph Frank -- Early Works -- Figures in the Arts -- Family and Friends -- Enlightenment Figures -- Decorative Sculpture -- American Patriots -- The Courts of Europe -- Late Works -- Boilly's Paintings -- Abbreviated Chronology of Houdon's Life and Work / Monique Barbier -- App. Etat des choses renfermees dans les caisses envoyees a son Altesse Monseigneur le Duc de Saxe Gotha. VG- (DJ shows shelf/edgewear and foxing; boards are lightly shelf/edgeworn; name of previous owner is written in marker on the half-title; interior has very light age toning around the edges; textblock shows very mild cockling at the top, but no dampstaining.).

Hardcover. Condizione: VG/VG. Black cloth over boards; Black pictorial dj.; 384 pp.; Profusely illustrated with color and bw plates and figures. Published in conjunction with an exhibition that appeared at the National Gallery of Art in Washington, D.C., The J. Paul Getty Museum in Los Angeles, and the Musee et Domaine National Chateau de Versailles.French artist Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia. Contents as follows: Directors' Foreword / Earl A. Powell III, Deborah Gribbon and Pierre Arizzoli-Clementel -- Lenders to the Exhibition -- Preface and Acknowledgments / Anne L. Poulet -- Houdon, "Above All Modern Artists" / Guilhem Scherf -- Etat des Choses: A Recently Discovered Document by Houdon / Anne L. Poulet, Ulrike D. Mathies and Christoph Frank -- Houdon and the German Courts: Serving the Francophile Princes / Ulrike D. Mathies -- "A Man More Jealous of Glory than of Wealth": Houdon's Dealings with Russia / Christoph Frank -- Early Works -- Figures in the Arts -- Family and Friends -- Enlightenment Figures -- Decorative Sculpture -- American Patriots -- The Courts of Europe -- Late Works -- Boilly's Paintings -- Abbreviated Chronology of Houdon's Life and Work / Monique Barbier -- App. Etat des choses renfermees dans les caisses envoyees a son Altesse Monseigneur le Duc de Saxe Gotha.