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Classical Music in the German Democratic Republic: Production and Reception
Da: The Enigmatic Reader, Los Angeles, CA, U.S.A.
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Hardcover. Condizione: Very Good. Ex-library.
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The Technological Unconscious in German Modernist Literature: Nature in Rilke, Benn, Brecht, and DÃ blin (Studies in German Literature Linguistics and Culture, 20)
Da: Books From California, Simi Valley, CA, U.S.A.
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hardcover. Condizione: Fine. Sealed in plastic.
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hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Classical Music in the German Democratic Republic Production and Reception
Lingua: Inglese
Editore: Camden House, Rochester, NY, 2015
ISBN 10: 1571139168 ISBN 13: 9781571139160
Da: True Oak Books, Highland, NY, U.S.A.
Membro dell'associazione: IOBA
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Studies In German Literature, Linguistics And Culture, 163; 6.25 X 1 X 9.25 inches; 264 pages; very minor surface rubbing on the back cover. Very minor, faint, barely visible smudge on the top exterior edge of textblock. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. Stated First Edition; No Printing Stated.
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hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Classical Music in the German Democratic Republic : Production and Reception
Da: GreatBookPrices, Columbia, MD, U.S.A.
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Classical Music in the German Democratic Republic
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2015
ISBN 10: 1571139168 ISBN 13: 9781571139160
EUR 138,01
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Aggiungi al carrelloHardback. Condizione: New. Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called "bourgeois humanist inheritance." The largenumbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state. This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability. Contributors: Tatjana Böhme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances Yunker Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Larson Powell is Professor of German at the University of Missouri-Kansas City.
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The Films of Konrad Wolf: Archive of the Revolution
Libro 21 di 24: Screen Cultures: German Film and the VisualDa: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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The Differentiation of Modernism: Postwar German Media Arts (Studies in German Literature Linguistics and Culture, 140)
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The Films of Konrad Wolf: Archive of the Revolution (Screen Cultures: German Film and the Visual, 22)
Libro 21 di 24: Screen Cultures: German Film and the VisualDa: Ria Christie Collections, Uxbridge, Regno Unito
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Classical Music in the German Democratic Republic: Production and Reception (Studies in German Literature Linguistics and Culture, 163)
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Classical Music in the German Democratic Republic : Production and Reception
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Classical Music in the German Democratic Republic : Production and Reception
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The Films of Konrad Wolf: Archive of the Revolution
Libro 21 di 24: Screen Cultures: German Film and the VisualDa: Kennys Bookstore, Olney, MD, U.S.A.
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Classical Music in the German Democratic Republic : Production and Reception
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Classical Music in the German Democratic Republic: Production and Reception (Studies in German Literature Linguistics and Culture)
Da: Chiron Media, Wallingford, Regno Unito
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Classical Music in the German Democratic Republic
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2015
ISBN 10: 1571139168 ISBN 13: 9781571139160
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
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Aggiungi al carrelloHardback. Condizione: New. Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called "bourgeois humanist inheritance." The largenumbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state. This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability. Contributors: Tatjana Böhme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances Yunker Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Larson Powell is Professor of German at the University of Missouri-Kansas City.
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Classical Music in the German Democratic Republic: Production and Reception
Da: Revaluation Books, Exeter, Regno Unito
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Classical Music in the German Democratic Republic: Production and Reception (Studies in German Literature Linguistics and Culture)
Da: Majestic Books, Hounslow, Regno Unito
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The Films of Konrad Wolf ? Archive of the Revolution (Screen Cultures: German Film and the Visual)
Libro 21 di 24: Screen Cultures: German Film and the VisualDa: Majestic Books, Hounslow, Regno Unito
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Classical Music in the German Democratic Republic: Production and Reception (Studies in German Literature Linguistics and Culture)
Da: Books Puddle, New York, NY, U.S.A.
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The Films of Konrad Wolf ? Archive of the Revolution (Screen Cultures: German Film and the Visual)
Libro 21 di 24: Screen Cultures: German Film and the VisualDa: Books Puddle, New York, NY, U.S.A.
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Classical Music in the German Democratic Republic: Production and Reception (Studies in German Literature Linguistics and Culture)
Da: Biblios, Frankfurt am main, HESSE, Germania
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The Films of Konrad Wolf ? Archive of the Revolution (Screen Cultures: German Film and the Visual)
Libro 21 di 24: Screen Cultures: German Film and the VisualDa: Biblios, Frankfurt am main, HESSE, Germania
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Classical Music in the German Democratic Republic
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Classical Music in the German Democratic Republic
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.InhaltsverzeichnisIntroductio.
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Classical Music in the German Democratic Republi - Production and Reception
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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Aggiungi al carrelloBuch. Condizione: Neu. Classical Music in the German Democratic Republic | Production and Reception | Kyle Frackman (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2015 | Camden House | EAN 9781571139160 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called 'bourgeois humanist inheritance.' The large numbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state.This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability.CONTRIBUTORS: Tatjana Böhme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances YunkerKYLE FRACKMAN is Assistant Professor of Germanic Studies at the University of British Columbia. LARSON POWELL is Professor of German at the University of Missouri-Kansas City.
