preimesberger (44 risultati)

Hardcover. Condizione: Good. 7th. 1994 hardcover. Withdrawn library book with usual stickers and markings. Binding is tight. Text is clean.

Hardcover. Condizione: New. In shrink wrap.

Condizione: New. Brand New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: as new. Wie neu/Like new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. This title provides an intelligent and illuminating exploration of the rivalry that existed between the artists of the Renaissance and Baroque eras. The paragon - the notion of competition and rivalry among the arts - has been a topic of debate for centuries. It erupted with great force in the Renaissance: sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta in St. Peter's Basilica.

Condizione: New. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Num Pages: 200 pages, 25 colour & 24 b&w illustrations. BIC Classification: ACND; ACQB. Category: (G) General (US: Trade). Dimension: 270 x 199 x 17. Weight in Grams: 768. . 2011. 1st Edition. Hardcover. . . . .

Condizione: New. pp. xi + 144 45 Illus. (25 Col.).

Condizione: new.

Softcover. Condizione: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Hardcover. Condizione: As New. Originalverpackt. Kein Reisemarkt wachst so schnell wie die Hochsee-Kreuzfahrt. Unter denschwimmenden Hochhausern gibt es welche, die 5.000 Passagiere und mehr uberdie Meere der Welt befordern. Alle Gaste mussen sich wohlfuhlen und bestensbetreut werden. Dafur sind die Crew und das Dienstleistungspersonal zustandig- auch Arzte. Die medizinische Verantwortung fur die Passagiere tragt derdiensthabende Schiffsarzt allein, er ist rund um die Uhr fur die Gesundheitaller Menschen an Bord zustandig. Der Osterreicher Jurgen Preimesberger warsechs Jahre einer von ihnen. In seinem Buch erzahlt er vom vollig anderenLeben am Schiff. Der Leser erfahrt von den herrlichen Seiten der Kreuzfahrten,vom Publikum, das Abenteuer erleben und unvergessliche Eindrucke gewinnenwill. Preimesberger schildert aber auch, welche grossen medizinischenHerausforderungen der Schiffsarzt allein bewaltigen muss. Notfalle stehen ander Tagesordnung: Herzinfarkte, Lungenentzundungen und Lungenodeme sowieKnochenfrakturen waren fur Preimesberger medizinischer Alltag. Er wurde auchmit keinesfalls alltaglichen Situationen konfrontiert: So war eine Passagierinwegen eines Elefantenbisses zu behandeln, ein Angestellter wegenLeprakrankheit und 160 Passagiere auf einmal, weil der Noro-Virus ausgebrochenwar.

Condizione: New. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Num Pages: 200 pages, 25 colour & 24 b&w illustrations. BIC Classification: ACND; ACQB. Category: (G) General (US: Trade). Dimension: 270 x 199 x 17. Weight in Grams: 768. . 2011. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. The paragonethe notion of competition and rivalry among the artshas been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eycks Ghent Altarpiece and Michelangelos Pieta in St. Peters Basilica. The authors incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. 1st edition. 200 pages. 10.80x7.80x0.70 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. 01. 263 S. : zahlr. Ill. ; 28 cm Hardcover-Ausgabe! Ungelesenes Buch. Sehr guter Zustand. Leseseiten sind sauber und ohne Markierungen. Buch weist leichte Lagerspuren auf. Eine Ecke minimal bestossen. Sonst sehr gutes Exemplar. 9783775714808 Sprache: Deutsch Gewicht in Gramm: 1501.

Condizione: Good. Subsequent. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Subsequent. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Gr.-8°, gebundene Ausgabe. Band 15;. 272 Seiten. SU etwas berieben und an SU-Rändern minimal geknickt; 9783786123934 Sprache: Französisch Gewicht in Gramm: 927.

Hardcover. Condizione: new. Hardcover. The paragonethe notion of competition and rivalry among the artshas been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eycks Ghent Altarpiece and Michelangelos Pieta in St. Peters Basilica. The authors incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. This title provides an intelligent and illuminating exploration of the rivalry that existed between the artists of the Renaissance and Baroque eras. The paragon - the notion of competition and rivalry among the arts - has been a topic of debate for centuries. It erupted with great force in the Renaissance: sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta in St. Peter's Basilica.

Paperback. Condizione: Brand New. German language. 8.07x5.75x0.94 inches. In Stock.

Gewebe. 272 S. : Ill. ; 25 cm Schutzumschlag mit leichten Lagerspuren, sonst sehr gut erhalten. Sprache: Französisch Gewicht in Gramm: 783.

Taschenbuch. Condizione: Neu. Neuware -Das Bildnis ist eine der ältesten Möglichkeiten gestalterischen Tuns des Menschen überhaupt. Seine Spuren reichen weit vor die Hochkulturen, weit vor deren Schriftlichkeit und weit vor die Geschichte des repräsentational kompetenten Bildes zurück. Aus der Fülle des vorliegenden Materials haben die Autoren für die zu Studienzwecken verfaßte Quellenanthologie beispielhaft erscheinende Texte ausgewählt, die in Original und Übersetzung vorgestellt und in einem ausführlichen Kommentar erläutert und eingeordnet werden. 487 pp. Deutsch.

Taschenbuch. Condizione: Neu. Neuware -Das Bildnis ist eine der ältesten Möglichkeiten gestalterischen Tuns des Menschen überhaupt. Seine Spuren reichen weit vor die Hochkulturen, weit vor deren Schriftlichkeit und weit vor die Geschichte des repräsentational kompetenten Bildes zurück. Aus der Fülle des vorliegenden Materials haben die Autoren für die zu Studienzwecken verfaßte Quellenanthologie beispielhaft erscheinende Texte ausgewählt, die in Original und Übersetzung vorgestellt und in einem ausführlichen Kommentar erläutert und eingeordnet werden. 487 pp. Deutsch.

Condizione: Neu. Gebundene Ausgabe 316 S. Neu OVP. Folienschutzverschweisst. Buch ist in der Original-Folienschutzverpackung verschweisst Zustand: 11, Neu, Gebundene Ausgabe Berenkamp. OVP. Folienschutzverschweisst , oJ 316 S. , CODE ALPHA. Coole Drinks und bittere Pillen. Ein Schiffsarzt auf Kreuzfahrten. OVP. Folienschutzverschweisst. Buch ist in der Original-Folienschutzverpackung verschweisst, Jürgen Preimesberger. OVP. Folienschutzverschweisst, 3850933598, BU389973.

Condizione: New. KlappentextDas Bildnis ist eine der &aumlltesten M&oumlglichkeiten gestalterischen Tuns des Menschen &uumlberhaupt. Seine Spuren reichen weit vor die Hochkulturen, weit vor deren Schriftlichkeit und weit vor die Geschichte des repr&au.

Taschenbuch. Condizione: Neu. Neuware -Das Bildnis ist eine der ältesten Möglichkeiten gestalterischen Tuns des Menschen überhaupt. Seine Spuren reichen weit vor die Hochkulturen, weit vor deren Schriftlichkeit und weit vor die Geschichte des repräsentational kompetenten Bildes zurück. Aus der Fülle des vorliegenden Materials haben die Autoren für die zu Studienzwecken verfaßte Quellenanthologie beispielhaft erscheinende Texte ausgewählt, die in Original und Übersetzung vorgestellt und in einem ausführlichen Kommentar erläutert und eingeordnet werden.Reimer Verlag GmbH, Berliner Straße 53, 10713 Berlin Deutsch.