Proehl s (33 risultati)

Hardback. Condizione: Fair.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condizione: Fair.

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condizione: As New. There is a name written on the first page. There are some highlighted passages in the beginning of the book.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 8vo, cloth-gilt, dustwrapper, 221pp. First edition. A Near Fine book in a Near Fine dustwrapper.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Good. Good Plus. NOT A FORMER LIBRARY BOOK.

Softbound. Condizione: New. Color Photos By Proehl (illustratore).

Hardcover. Condizione: Almost Like New. Condizione sovraccoperta: Almost Like New. First Priinting. Book is a clean tight unmarked copy.

Paperback. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condizione: New. Satisfaction Guaranteed or your money back.

Soft cover. Condizione: New. Harcourt Brace Colege Publishers, 1997. XVII+590 pages. New Soft cover. 9.0"x6.0"x0.9". be32.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: Brand New. 1st edition. 608 pages. 9.25x6.25x1.00 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Toward a Dramaturgical Sensibility begins with a moment in Shakespeare's Antony and Cleopatra in which Cleopatra says to Antony, "Not know me yet?" With these four words Cleopatra poses a simple but fundamental human problem: What can we know? She and Antony have known each other for years, at times gloriously-emotionally, mentally, and in the archaic sense of the word, physically-but still the challenge of knowing hangs in the air. Cleopatra's question reminds us that knowledge is not simple: that it is as likely to create yearning as satisfaction; that it is not confined to any one part of the self; that it is far from intellect alone. It reminds us-as do most great plays-that life is part wonder, part terror.What can we know? This study-aimed at students, teachers, and theater artists-suggests that the attempt to know the dramaturgy of a play is little different from the attempt to know another person for whom we care.Toward a Dramaturgical Sensibility explores the interplay between the known and the unknown from two perspectives-landscape and journey. Part I (Landscape) is divided into three chapters. Chapter 1 surveys this landscape using conversation to better understand the role of conversation in our work with a play and with our collaborators. Chapter 2 explores ways in which pleasure guides and informs knowledge by focusing first on the landscape of time, particularly how time makes all pleasure (and pain) temporary; then considers the landscape of research, particularly the ambivalence among dramaturges about this word. Chapter 3 looks at the pattern that is a play's landscape-surveying methods of dramaturgical analysis and the role of methodology itself.Part II (Journey) moves to rehearsal for Antony and Cleopatra at the Guthrie Theater in the fall of 2001 and winter of 2002-a production directed by Mark Lamos with Laila Robins as Cleopatra, Robert Cuccioli as Antony, and Stephen Yoakum as Enobarbus. This case study follows that journey from first contact with script and production team to final preview, as explored by artists willing to accept the challenges created by any serious encounter with a play. Part II allows the Landscapes of Part I to resonate inside a more or less chronological account of one particular journey-as we engage, explore, and respond to a play's dramaturgy.…

Hardback. Condizione: New. Toward a Dramaturgical Sensibility begins with a moment in Shakespeare's Antony and Cleopatra in which Cleopatra says to Antony, "Not know me yet?" With these four words Cleopatra poses a simple but fundamental human problem: What can we know? She and Antony have known each other for years, at times gloriously-emotionally, mentally, and in the archaic sense of the word, physically-but still the challenge of knowing hangs in the air. Cleopatra's question reminds us that knowledge is not simple: that it is as likely to create yearning as satisfaction; that it is not confined to any one part of the self; that it is far from intellect alone. It reminds us-as do most great plays-that life is part wonder, part terror.What can we know? This study-aimed at students, teachers, and theater artists-suggests that the attempt to know the dramaturgy of a play is little different from the attempt to know another person for whom we care.Toward a Dramaturgical Sensibility explores the interplay between the known and the unknown from two perspectives-landscape and journey. Part I (Landscape) is divided into three chapters. Chapter 1 surveys this landscape using conversation to better understand the role of conversation in our work with a play and with our collaborators. Chapter 2 explores ways in which pleasure guides and informs knowledge by focusing first on the landscape of time, particularly how time makes all pleasure (and pain) temporary; then considers the landscape of research, particularly the ambivalence among dramaturges about this word. Chapter 3 looks at the pattern that is a play's landscape-surveying methods of dramaturgical analysis and the role of methodology itself.Part II (Journey) moves to rehearsal for Antony and Cleopatra at the Guthrie Theater in the fall of 2001 and winter of 2002-a production directed by Mark Lamos with Laila Robins as Cleopatra, Robert Cuccioli as Antony, and Stephen Yoakum as Enobarbus. This case study follows that journey from first contact with script and production team to final preview, as explored by artists willing to accept the challenges created by any serious encounter with a play. Part II allows the Landscapes of Part I to resonate inside a more or less chronological account of one particular journey-as we engage, explore, and respond to a play's dramaturgy.…

Hardcover. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.