Professor harry white (21 risultati)

Condizione: Very Good. 2012. Paperback. Good clean copy with minor shelf wear. . . . .

Condizione: Very Good. 2012. Paperback. Good clean copy with minor shelf wear. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. A very good copy in the dust wrapper.

Soft cover. Condizione: Good. Good tight copy, light wear, minor marks.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hard Back. Condizione: Good Clean Cond. Condizione sovraccoperta: A: Book Has No Dust Jacket. Some minor spost at the ends of the book when closed. Cloth embossed Hardback : hard cover edition in very good or better condition, some slight wear to edges, as normal for age of book. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Please send us a note if you have any questions. Thank you. 1. [illustrated with Black and White drawings] (illustratore). Book.…

Hardcover. Condizione: Brand New. 409 pages. 9.50x6.50x1.00 inches. In Stock.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Fine.

Hardcover. Condizione: Near Fine. 1st Edition. Two volume set in as new slipcase. Both volumes have clean red buckram boards with sharp corners and firm hinges. Internally clean, unmarked. Additional postage possible. BP/Music/Irish Cultural History.

Condizione: new.

Condizione: New. 2025. hardcover. . . . . .

Hardcover. Condizione: new. Hardcover. The Encyclopaedia of Music in Ireland (EMIR) is the first comprehensive attempt to chart Irish musical life across recorded history. It also documents Ireland's musical relations with the world at large, notably in Britain, continental Europe and North America, and it seeks to identify the agencies through which music has become an enduring expression of Irish political, social, religious and cultural life. In these respects, EMIR is the collective work of 240 contributors whose research has been marshalled by an editorial and advisory board of specialists in the following domains of Irish musical experience: secular and religious music to 1600; art music, 1600-2010; Roman catholic church music; Protestant church music; popular music; traditional music; organology and iconography; historical musicology; ethnomusicology; the history of recorded sound; music and media; music printing and publishing; and, music in Ireland as trade, industry and profession. EMIR contains some 2,000 individual entries which collectively afford an unprecedented survey of the fabric of music in Ireland.It records and evaluates the work of hundreds of individual musicians, performers, composers, teachers, collectors, scholars, ensembles, societies and institutions throughout Irish musical history, and it comprehends the relationship between music and its political, artistic, religious, educational and social contexts in Ireland from the early middle ages to the present day. In its extensive catalogues, discographies and source materials, EMIR sets in order, often for the first time, the legacy and worklists of performers and composers active in Ireland (or of Irish extraction), notably (but not exclusively) in the nineteenth and early twentieth centuries. It offers to the general reader a regiment of 'brief lives' of Irish musicians throughout history, and it affords the specialist a detailed retrieval of information on music in Ireland hitherto unavailable or difficult to access. Above all, it is (proverbially) encyclopaedic in its address on the plurality and diversity of Irish musical experience. To this end, EMIR represents the single largest research project on music in Ireland to have been undertaken to date. Intends to chart Irish musical life across recorded history. This book also documents Ireland's musical relations with the world at large, notably in Britain, continental Europe and North America, and it seeks to identify the agencies through which music has become an enduring expression of Irish political, social, religious and cultural life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condizione: new.

Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. In English.

Hardcover. Condizione: new. Hardcover. The Encyclopaedia of Music in Ireland (EMIR) is the first comprehensive attempt to chart Irish musical life across recorded history. It also documents Ireland's musical relations with the world at large, notably in Britain, continental Europe and North America, and it seeks to identify the agencies through which music has become an enduring expression of Irish political, social, religious and cultural life. In these respects, EMIR is the collective work of 240 contributors whose research has been marshalled by an editorial and advisory board of specialists in the following domains of Irish musical experience: secular and religious music to 1600; art music, 1600-2010; Roman catholic church music; Protestant church music; popular music; traditional music; organology and iconography; historical musicology; ethnomusicology; the history of recorded sound; music and media; music printing and publishing; and, music in Ireland as trade, industry and profession. EMIR contains some 2,000 individual entries which collectively afford an unprecedented survey of the fabric of music in Ireland.It records and evaluates the work of hundreds of individual musicians, performers, composers, teachers, collectors, scholars, ensembles, societies and institutions throughout Irish musical history, and it comprehends the relationship between music and its political, artistic, religious, educational and social contexts in Ireland from the early middle ages to the present day. In its extensive catalogues, discographies and source materials, EMIR sets in order, often for the first time, the legacy and worklists of performers and composers active in Ireland (or of Irish extraction), notably (but not exclusively) in the nineteenth and early twentieth centuries. It offers to the general reader a regiment of 'brief lives' of Irish musicians throughout history, and it affords the specialist a detailed retrieval of information on music in Ireland hitherto unavailable or difficult to access. Above all, it is (proverbially) encyclopaedic in its address on the plurality and diversity of Irish musical experience. To this end, EMIR represents the single largest research project on music in Ireland to have been undertaken to date. Intends to chart Irish musical life across recorded history. This book also documents Ireland's musical relations with the world at large, notably in Britain, continental Europe and North America, and it seeks to identify the agencies through which music has become an enduring expression of Irish political, social, religious and cultural life. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Johann Joseph Fux s reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian B. …