professor kathy maxwell (6 risultati)

Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2019. Paperback. . . . . .

Hardcover. Condizione: new. Hardcover. The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author. Examines the role of the 'audience' in interpreting Luke's narrative in "Acts" with reference to ancient rhetorical, Jewish, Pagan and other early Christian writings. This book explores ancient rhetoricians' comments about 'the audience', and the kinds of audience participation they expected and the tools used to encourage such participation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author. Examines the role of the 'audience' in interpreting Luke's narrative in "Acts" with reference to ancient rhetorical, Jewish, Pagan and other early Christian writings. This book explores ancient rhetoricians' comments about 'the audience', and the kinds of audience participation they expected and the tools used to encourage such participation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.