Editore: American Musiological Society, Philadelphia, 2011
Da: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Condizione: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: Warfield, The march as musical drama and the spectacle of John Philip Sousa. Proksch, "Forward to haydn!": Schenker's politics and the German revival of Haydn. Shelemay, Musical communities: rethinking the collective in music. Allen, et al., Colloquy: ecomusicology. ; 9.25" tall; 207 pages.
Softcover. Condizione: Very Good+. Very Good + tan paperback with slight cover wear. 254 pages, unmarked. Jamie Savan, Stuart Cheney, Sabine K. Klaus, Bryan Proksch, Eugenia Mittroulia, Arnold Myers, Bruce Raeburn, Joanna Ross Hersey, Richard Schwartz, Iris Schwartz, David Lasocki. [dp50 1115]. ; DPEC B9B; 8vo 8" - 9" tall; 254 pages.
Lingua: Inglese
Editore: University of Rochester Press, Rochester, NY, 2015
Da: Juniper Books, Petersfield, Regno Unito
Prima edizione
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Aggiungi al carrelloHardcover. Condizione: Near Fine. 1st Edition. Small price sticker residue to rear. A near fine copy.
Lingua: Inglese
Editore: University of Rochester Press, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
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Lingua: Inglese
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Lingua: Inglese
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Lingua: Inglese
Editore: University of Rochester Press, 2024
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Lingua: Inglese
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Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
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Aggiungi al carrelloHardback. Condizione: New. Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale.By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.
Lingua: Inglese
Editore: University of Rochester Press, 2024
ISBN 10: 1648250823 ISBN 13: 9781648250828
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Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2015
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Aggiungi al carrelloHardback. Condizione: New. Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale.By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.
Lingua: Inglese
Editore: University of Rochester Press, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 126,17
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Aggiungi al carrelloCondizione: New. Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. Series: Eastman Studies in Music. Num Pages: 300 pages, 13 black & white illustrations, 32 black & white line drawings. BIC Classification: AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 243 x 164 x 19. Weight in Grams: 544. . 2015. Hardcover. . . . .
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Lingua: Inglese
Editore: University of Rochester Press, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
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EUR 135,02
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Editore: University of Rochester Press, 2024
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Lingua: Inglese
Editore: University of Rochester Press, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 155,51
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Aggiungi al carrelloCondizione: New. Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. Series: Eastman Studies in Music. Num Pages: 300 pages, 13 black & white illustrations, 32 black & white line drawings. BIC Classification: AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 243 x 164 x 19. Weight in Grams: 544. . 2015. Hardcover. . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: Ria Christie Collections, Uxbridge, Regno Unito
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Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2024
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Aggiungi al carrelloHardback. Condizione: New. Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences.The essays in this volume, written by leading scholars in the field of American band history, examine a broad spectrum of issues, including biography, performance, repertoire, and marketing. Detailed studies of key turning points in the evolution of bands examine P. S. Gilmore's 1864 New Orleans concerts, the Kaiser-Cornet-Quartett's 1872 tour, the 1892 transition from Gilmore's Band to Sousa's Band, C. G. Conn's lavish artist-endorsement posters, and the demise of the Sousa Band in the late 1920s. Additional essays seek to rectify oversights and add insights to the lives of key figures in band history. African American keyed bugler Frank Johnson's earliest works receive close scrutiny, as does the life of neglected cornet superstar Alice Raymond. A complete reevaluation of Francesco Fanciulli, the US Marine Band leader whose reputation suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. An essay on the repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim A. Davis, Dave Detwiler, Michael B. O'Connor, Eric Roefs, and Colin Roust.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
EUR 140,95
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Aggiungi al carrelloHardback. Condizione: New. Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale.By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.
Lingua: Inglese
Editore: University of Rochester Press, 2024
ISBN 10: 1648250823 ISBN 13: 9781648250828
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 191,95
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, US, 2015
ISBN 10: 1580465129 ISBN 13: 9781580465120
Da: Rarewaves.com UK, London, Regno Unito
EUR 127,55
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale.By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.