Punk planet (2 risultati)

Late 1990s American punk and hardcore magazine group, 1996 to 2000, documenting the bands, records, labels, politics, and local participation that defined the scene during the period. The strongest publications are Maximumrocknroll, HeartattaCk, No Idea, and Punk Planet, each a substantial title with a long publication history and an established presence in punk archives. Maximumrocknroll had covered international punk and hardcore since the early 1980s; HeartattaCk ran for fifty issues under Kent McClard and the Ebullition Records staff; No Idea developed from a Gainesville fanzine into a record label; and Dan Sinker's Punk Planet published eighty issues between 1994 and 2007. Eleven stapled magazines and mail order publications, United States, 1996 to 2000, approximately 20 to 40 pages each. The group includes: [1] Holy Bible of Punk Rock, Maximumrocknroll no. 155, April 1996; [2] Revelation Mailorder Zine, Summer 1996; [3] HeartattaCk no. 13, November 1996, including its detailed reader poll; [4] No Idea no. 12, with coverage of Hot Water Music, Floor, Less Than Jake, Against All Authority, Braid, and other Gainesville and national acts; [5] SMASH! 1997 Mail Order Catalog; [6] Extent no. 7; [7] Victory Megazine, vol. 1, no. 2, Winter 1997-1998; [8] Peel Zine no. 5, March 1998; [9] Punk Planet no. 37, May and June 2000, devoted to crime and justice; [10] a black and white illustrated issue titled Radical Mouirer or similarly; and [11] one additional punk periodical included in the group but not separately identified in the supplied images. No inserts are present. The magazines preserve contemporary reviews and advertisements for records by Bad Brains, Warzone, Strife, Integrity, Sense Field, Texas Is the Reason, Chain of Strength, Hot Water Music, Less Than Jake, Braid, and dozens of smaller bands, alongside interviews, letters, polls, scene reports, ordering information, and contributions from readers. HeartattaCk asks about straight edge, vegetarianism, voting, censorship, affirmative action, favorite records, and editorial policy; No Idea joins interviews and reviews to Gainesville label and distribution activity; Maximumrocknroll prints international scene reports, correspondence, and extensive record coverage; and Punk Planet connects music writing with policing, prisons, youth criminalization, elections, and digital distribution. Individual issues of the major titles appear regularly on the collectors' market, with No Idea, early HeartattaCk, and specialized Maximumrocknroll issues generally carrying the strongest demand; value here rests chiefly in the breadth of the group and its concentrated coverage of late 1990s punk and hardcore culture rather than in a single exceptionally scarce issue. Numerous bent corners and creases, worn covers and pages, edge rubbing, and toning from repeated use; bindings remain intact. Overall good condition. A compact record of the music being recorded, reviewed, distributed, and debated within American punk and hardcore communities from 1996 to 2000.…

Dan Sinker's Punk Planet periodical group, 1995 to 1996, documenting the Chicago magazine's early expansion of punk from music coverage into a broader culture of independent publishing, comics, fiction, political criticism, visual art, and DIY production. Founded by Sinker in Chicago in 1994 when he was nineteen, Punk Planet ultimately published eighty issues through 2007; Sinker later characterized its subjects as independent "bands, artists, thinkers, doers," while contemporary bibliographic records classify the magazine under radicalism, punk culture, and New Left periodicals. These four issues fall within the magazine's formative second and third years, when its pages were already divided among interviews, articles, fiction, comics, DIY, record reviews, fanzine reviews, and reader correspondence. By issue 15, Sinker had begun soliciting major political features, using the 1996 presidential election and Republican National Convention to test how a punk publication could report beyond music while retaining the participatory structure of underground publishing. Sinker, Dan (ed.) Punk Planet. Chicago: Punk Planet, 1995 to 1996. Four issues, nos. 8, 12, 14, and 15, illustrated newsprint periodicals with black and white interiors and occasional color covers. [1] Punk Planet. Chicago: Punk Planet, July/August 1995. No. 8. The contents identify interviews with The Smeers, Fabric, Red Aunts, and A Gun For Rent alongside fiction, articles, comics, DIY, record reviews, and fanzine reviews. The masthead records an extensive contributor network, while the magazine provides separate addresses for submissions and letters, advertisements, reviews, and distribution, making visible the decentralized correspondence through which readers, writers, bands, and independent publishers entered its pages. University of Iowa holdings confirm no. 8 as July/August 1995. [2] Punk Planet. Chicago: Punk Planet, March/April 1996. No. 12. Black and white illustrated issue with Hopeless Records advertising on the cover and the magazine's expanding combination of music, independent cultural production, and commentary. No. 12 closes the magazine's second publication year, a period Sinker later described as one devoted to developing the publication's form after its first year had been spent learning the practical mechanics of producing a magazine. [3] Punk Planet. Chicago: Punk Planet, 1996. No. 14. Cover of battered toy cars above a contents line naming The Promise Ring, Delta 72, The Strike, Re/Search's V. Vale, Factsheet Five's R. Seth Friedman, and "120 pages of Good Lovin'." The combination connects bands with two figures closely associated with alternative publishing, V. Vale of RE/Search and R. Seth Friedman of Factsheet Five, placing punk music inside a larger network of independent periodical and zine culture. [4] Punk Planet. Chicago: Punk Planet, October/November 1996. No. 15. A red, blue, black, and white political cover announces "PATRIOT GAMES? PP COVERS THE REPUBLICAN CONVENTIONS," while also advertising Action Girl Comics, Rhythm Collision, Chamberlain, Cheesecake, columns, and reviews. Sinker later identified no. 15 as the first issue for which he solicited a cover story from writers, produced during the Clinton and Dole presidential campaign when the magazine was beginning to move decisively beyond its origins as principally a music publication. Punk Planet emerged from a 1990s punk culture in which debates over independence, commercialization, political commitment, identity, and access were occurring inside the scene as well as in mainstream coverage of punk. Sinker founded the magazine partly in response to boundaries he perceived within existing punk publishing, and its editorial range eventually encompassed feminism, labor, human rights, media criticism, politics, and visual culture alongside music. Punk Planet continued this model for eighty issues from 1994 through 2007, eventually reaching a national readership while remaining based in Chicago. Moderate, even toning to newsprint with light edge wear, occasional creasing, and minor handling wear; issues remain intact. Overall very good condition. Four early issues documenting Punk Planet as it widened the boundaries of 1990s punk publishing to encompass music, DIY production, independent media, comics, fiction, and national political reporting.…