purbrick louise (127 risultati)

Paperback. Condizione: Very Good. The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature. -- . The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Soft cover. Condizione: Near Fine. This is a Very Solid and Very Clean Soft cover British History Book, published in Great Britain. It is in Near Fine condition. c2001. 1st Paperback Printing 2013. This Attractive book is in Very Nice condition both inside and out. It looks Very, very lightly read. It has a very bright & very clean cover with very nice edges. Very nice spine ends. Very Tight & unmarked pages. NO names. (NO Remainder marks). Illustrations. 217 Pages. All books are securely packaged and Promptly Mailed. #23483-925.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings.This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed.The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. This collection of essays exposes how meaning has been produced around the Great Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Editor(s): Purbrick, Louise. Series Editor(s): Wallace, Jeff; Whale, John. Series: Texts in Culture. Num Pages: 232 pages, Illustrations, black & white. BIC Classification: 1DBK; 3JH; HBT; KJP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 143 x 19. Weight in Grams: 324. . 2001. paperback. . . . . Books ship from the US and Ireland.

Condizione: New. This collection of essays exposes how meaning has been produced around the Great Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Editor(s): Purbrick, Louise. Series Editor(s): Wallace, Jeff; Whale, John. Series: Texts in Culture. Num Pages: 232 pages, Illustrations, black & white. BIC Classification: 1DBK; 3JH; HBT; KJP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 143 x 19. Weight in Grams: 324. . 2001. paperback. . . . .

Paperback. Condizione: New. The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings.This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed.The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature.

Paperback. 320p., wraps, as new.

Paperback. Condizione: New.

Condizione: New.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover with dustjacket and plastic overwrap, 112 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condizione: Fine. Large hardback w/ jacket; unmarked; no bent/torn pp.; jacket fine.

Softcover. Condizione: Good. No Jacket. x, 217 p.

Paperback. Condizione: New. The culmination of over a decade of collaborative research exploring the global impact of extractivism, tied to the Traces of Nitrate project. Earth Matter delves into the history of extractivism in Chile, beginning with the nitrate mines in the Atacama Desert in the nineteenth century and extending to the ongoing extraction of copper, lithium, and water. Through photography, video, archival research, and personal interviews, artist-researchers Xavier Ribas, Ignacio Acosta, and activist-writer Louise Purbrick examine the interconnected forces that bind Chile's natural resources to global capital, particularly in the financial district of London. This publication offers a critical analysis of how extractivist practices have shaped both historical and contemporary life, while anticipating future forms of exploitation. An index of terms explores past and present facts, documents, sites, projects, politicians, activists, NGOs, and critical writings, forming a Benjaminian constellation that readers can connect and decipher at their own pace. The book includes essays by scientist Cristina Dorador on life in extreme climates, politician and environmentalist Sara Larraín on the legal protection of glaciers, political theory professor Robert Nichols on the history of land expropriation related to extractivism, and art curator Carles Guerra. Earth Matter provides a comprehensive map of the forces driving the increasingly hegemonic system of resource extraction. It reflects not only on past struggles but also on the ongoing fight for justice in the face of an unrelenting global economy. Traces of Nitrate is an arts research collective led by Ignacio Acosta, Louise Purbrick, and Xavier Ribas, committed to documenting the extraction of minerals from Chile and their transformation in global capitalist systems. Through writing, photography, video, and sound, they seek to reveal the ecological and colonial legacies of mining and advocate for environmental justice.

Soft cover. Condizione: Good. neat ink inscription at front.

Condizione: New.

Paperback. Condizione: New. The culmination of over a decade of collaborative research exploring the global impact of extractivism, tied to the Traces of Nitrate project. Earth Matter delves into the history of extractivism in Chile, beginning with the nitrate mines in the Atacama Desert in the nineteenth century and extending to the ongoing extraction of copper, lithium, and water. Through photography, video, archival research, and personal interviews, artist-researchers Xavier Ribas, Ignacio Acosta, and activist-writer Louise Purbrick examine the interconnected forces that bind Chile's natural resources to global capital, particularly in the financial district of London. This publication offers a critical analysis of how extractivist practices have shaped both historical and contemporary life, while anticipating future forms of exploitation. An index of terms explores past and present facts, documents, sites, projects, politicians, activists, NGOs, and critical writings, forming a Benjaminian constellation that readers can connect and decipher at their own pace. The book includes essays by scientist Cristina Dorador on life in extreme climates, politician and environmentalist Sara Larraín on the legal protection of glaciers, political theory professor Robert Nichols on the history of land expropriation related to extractivism, and art curator Carles Guerra. Earth Matter provides a comprehensive map of the forces driving the increasingly hegemonic system of resource extraction. It reflects not only on past struggles but also on the ongoing fight for justice in the face of an unrelenting global economy. Traces of Nitrate is an arts research collective led by Ignacio Acosta, Louise Purbrick, and Xavier Ribas, committed to documenting the extraction of minerals from Chile and their transformation in global capitalist systems. Through writing, photography, video, and sound, they seek to reveal the ecological and colonial legacies of mining and advocate for environmental justice.