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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. Contemporary Action Cinema This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780748646890.

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: New. In state and public discussion about war and conflict, figures of transgression such as deserters, pacifist and emigrants are often marginalised, but they also play a key role in rethinking cultural and national identity in the wake of military violence. Raising questions of agency, responsibility and culpability in relation to the 'other', their cultural representation can enable reflection on and renegotiation of values and collective norms after the destabilisation of war.Through an interdisciplinary lens, this collection analyses the depiction of these transgressive figures in a variety of visual media, as well as the narrative, socio-cultural, political and historical contexts in which they emerge.

Paperback. Condizione: new. Paperback. In state and public discussion about war and conflict, figures of transgression such as deserters, pacifist and emigrants are often marginalised, but they also play a key role in rethinking cultural and national identity in the wake of military violence. Raising questions of agency, responsibility and culpability in relation to the 'other', their cultural representation can enable reflection on and renegotiation of values and collective norms after the destabilisation of war.Through an interdisciplinary lens, this collection analyses the depiction of these transgressive figures in a variety of visual media, as well as the narrative, socio-cultural, political and historical contexts in which they emerge. Through an interdisciplinary lens, this collection analyses the depiction offigures of transgression (e.g. traitors, deserters, refugees) in a variety of visual media, as well as the narrative, socio-cultural, political and historical contexts in which they emerge. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. The battles fought in the name of the 'war on terror' have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses 'what's missing' in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations.

Condizione: New.

Paperback. Condizione: New. Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action.

Paperback. Condizione: new. Paperback. Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed in different scenarios, and a language is developed to describe digital elements accurately. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis.Key Features: * The first book exploring how the presence of digital imaging in film affectsthe production of meaning.* Locates contemporary digital effects practice in relation to historical traditions offilmmaking and special effects practice.* Proposes a fresh, flexible approach to the close textual analysis of film that can takeaccount of the digital* Uses case studies from the Lord of the Rings trilogy and Avatar to Alice in Wonderland and King Kong to demonstrate this approach in action. Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analysis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In state and public discussion about war and conflict, figures of transgression such as deserters, pacifist and emigrants are often marginalised, but they also play a key role in rethinking cultural and national identity in the wake of military violence. Raising questions of agency, responsibility and culpability in relation to the 'other', their cultural representation can enable reflection on and renegotiation of values and collective norms after the destabilisation of war.Through an interdisciplinary lens, this collection analyses the depiction of these transgressive figures in a variety of visual media, as well as the narrative, socio-cultural, political and historical contexts in which they emerge.

Condizione: New.

Paperback. Condizione: new. Paperback. The battles fought in the name of the 'war on terror' have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses 'what's missing' in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars,this book examines the practices of erasure in the cinematic representation of recent military interventions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Action Cinema Since 2000 addresses an increasingly lively and evolving field of scholarship, probing the definition and testing the potential of action cinema to reframe the mode for the 21st century.Contributors examine a broad range of content, from blockbusters to smaller independent films, originating from China, Korea, India, France, the USA, and Mexico. Ranging from JSA: Joint Security Area (Gondonggeonygbi guyeok) (2000) to Polite Society (2023), they consider the changing modes of action cinema, with streaming assuming global importance and an ever-increasing number of generic blends. They consider under-explored areas of action film, particularly how race, ethnicity, gender, and age figure in narratives and through image and soundtracks. Overall, the book demonstrates how 21st century action cinema engages with and reflects geopolitical, creative, and industrial developments. Contributors argue that it continues to offer fantasies of empowerment and mobility that say much about how power is understood in diverse contexts today.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 208 15 Illus.

Condizione: New. pp. 216.

Paperback. Condizione: New. The battles fought in the name of the 'war on terror' have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses 'what's missing' in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations.