Quigley jane (36 risultati)

Condizione: New. Dixon-Smith, Jane (illustratore).

Newspaper. Condizione: Near Fine. 1st Edition. Offered is the March-April 1992 (Vol. LIX No. 2) issue of "The Catholic Worker: Organ of the Catholic Worker Movement " founded by Dorothy Day and Peter Maurin, with Jo Roberts as Managing Editor, and Editors Frank Donovan, Meg Hyre, Kate Quigley, Jane Sammon, and Katharine Temple. A mid-folded newspaper, when unfolded measures 11-3/8" by 14-7/8" and contains eight pages including front and rear covers. With illustrations throughout, articles and other highlights of this issue include: Guatemala: They Will Not Kill Our Roots by Jo Roberts and Annie Boagni; The Peace House On The Road by Karl Meyer; Maryhouse by Brian Hynes; Modern War And The Christian Conscience (featuring an article by Katharine Temple and the text of the 'Civilta Cattolica' Editorial); poem "News Report, September 1991 - U.S. BURIED IRAQI SOLDIERS ALIVE IN GULF WAR" by Denise Levertov; A US Political Prisoner by Paul Magno (on Mumia Abu-Jamal); East Timor - Another Occupied Country by Michael Rothberg. Light remnant of mailing label to front cover; narrow clear tape along right edge of rear cover; a few pieces of narrow clear tape found on page six.…

Newspaper. Condizione: Near Fine. 1st Edition. Offered is the January-February 1992 (Vol. LIX No. 1) issue of "The Catholic Worker: Organ of the Catholic Worker Movement " founded by Dorothy Day and Peter Maurin, with Jo Roberts as Managing Editor, and Editors Frank Donovan, Meg Hyre, Kate Quigley, Jane Sammon, and Katharine Temple. A mid-folded newspaper, when unfolded measures 11-3/8" by 14-7/8" and contains eight pages including front and rear covers. With illustrations throughout, articles and other highlights of this issue include: Eviction And Arrest For Tax Resisters (on Randy Kehler and Betsy Corner); Remember The Evil We Wish To Deny: One Year After The Persian Gulf War by Eileen Egan; Wolves And Villagers by Jennifer Belisle (on St. Francis of Assisi); Usury, Freedom From Debt And Jubilee by Barry Peters; short letter The Tears Of Haiti from Community workers in Haiti; The US Army School Of The Americas; memorial tribute Lucky Clarke by Michael Boover; poem "Ambassadors Of God" by Peter Maurin; Older People In The Big Apple's Bite by Jane Sammon; short A Cure For The Recession by Peter Maurin (a Radio talk, reprinted from the March 1943 issue of Catholic Worker). Light remnant of mailing label to front cover; short closed edge tear to front cover. …

Newspaper. Condizione: Fine. 1st Edition. Offered is the September 1991 (Vol. LVIII No. 6) issue of "The Catholic Worker: Organ of the Catholic Worker Movement " founded by Dorothy Day and Peter Maurin, with Jo Roberts as Managing Editor, and Editors Frank Donovan, Meg Hyre, Kate Quigley, Jane Sammon, and Katharine Temple. A mid-folded newspaper, when unfolded measures 11-3/8" by 14-7/8" and contains eight pages including front and rear covers. With illustrations throughout, articles and other highlights of this issue include: Hospitality Is Mutual Trust & Respect by Michael Kirwan; I Recognize God In You by Martin Rodgers (which begins, "I am a twenty four year old African-American Catholic man. In the Catholic tradition, we are all brothers and sisters in Christ. In the African-American tradition, we are all brothers and sisters in shared experiences and shared history"); "Pacifist" And Proud: An Open Letter to Ron Musto by Gordon Zahn; The Quality Of The Day by Felton Davis (which begins, "This is an article about the closing of Tompkins Square Park; but, first it is necessary to make some general observations"); two poems by Denise Levertov ("Suspended" and "Witnessing From Afar The New Escalation Of Savage Power"); The Children Of Iraq by Bill Griffin; Letter From Suquamish [Washington] from Linda Greenwald of the Suquamish Catholic Worker on behalf of the Double Rainbow Project; Intellectuals And Real Life In The City by Jane Sammon; poem "Easy Essay" by Peter Maurin. Mailing label to upper right corner of front cover.…

Condizione: Good. 1926. First Published. 157 pages. No dust jacket. This is an ex-Library book. Brown cloth. Book has been rebound by library, with expected inserts, stamps and inscriptions. Black and white photographic plates. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.…

Hardcover. Condizione: Good Plus. Cloth. Good Plus/No Jacket. First U.S. Edition. 12mo - over 6¾" - 7¾" tall. Illustrated. British Artists Series. Interior very slightly browning, old newspaper clippings pasted to endpapers, bookplate,Covers sunned and a bit rubbed in places at margins.157 pages.

Condizione: New. In. Dixon-Smith, Jane (illustratore).

Paperback. Condizione: Brand New. 414 pages. 9.00x6.00x0.94 inches. In Stock. Dixon-Smith, Jane (illustratore).

Condizione: new.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condizione: Good+ endpaper. No Dust Jacket. Shelfwear, binding a bit loose, ink name front; 1964 yearbook for Midland Senior High School. ; 8vo; 256 pages.

Taschenbuch. Condizione: Neu. Neuware - There is no good in goodbye! Erin Coyle's life takes a dramatic twist when her brother William invites her to join him in New York to make a better life for herself. Erin, who is secretly in love with her childhood friend Patrick, feels torn on whether to stay or go. But it seems Patrick doesn't feel the same way, or at least he has a hard time showing it. In the end, she decides to leave the poverty-stricken streets of the Bogside leaving behind Patrick, who after hiding his feelings for her for so long and finally plucking up the courage to propose, misses the opportunity to do so. Once in New York, Erin cannot get Patrick out of her mind, that is until the drop-dead-gorgeous Theo captures her heart and sparks begin to fly. Will life in New York bring Erin the fairy-tale ending, or will she have more ups and downs to face than ever before One thing is certain, this will be a trip Erin will certainly never forget. Dixon-Smith, Jane (illustratore).…

Hardback. Condizione: New. In 1932 nineteen-year-old John H. Howe arrived at Taliesin as a charter member of Frank Lloyd Wright's Taliesin Fellowship. There he would remain for the next thirty-two years, earning a reputation as "the pencil in Wright's hand" before establishing his own architectural practice in Minnesota. This is the first book to tell Howe's story and also the first full account of his place in the history of modern architecture-as chief draftsman and valued interpreter of Wright's designs and as a prolific architect in his own right. Illustrated throughout with Howe's sublime drawings, this biography is a testament to the underappreciated architect's extraordinary design and rendering skills.Influenced by Wright's principles of organic architecture, Howe operated under the conviction that "the land is the beginning of architecture." Architectural historians Jane King Hession and Tim Quigley show how this belief worked especially well for Howe in Minnesota, where his buildings appear to have grown naturally and organically from the landscape. Also remarkable are the visionary architectural schemes Howe created while serving time in prison during World War II as a conscientious objector-futuristic visions that anticipated Eero Saarinen's later designs for airports and Victor Gruen's for America's first indoor shopping mall. An enlightening look at an exemplary life in architecture, this book finally brings the accomplishment-and significance-of John H. Howe to the fore and at the same time illuminates a fascinating chapter in American architectural history.…

Condizione: New. In English.

Condizione: New. Dixon-Smith, Jane (illustratore).

hardcover. Condizione: Good. Ex-library book, usual marking. Clean copy in good condition. Red copy with library call number printed on spine. Quick dispatch from UK seller.

Hardcover. Condizione: Brand New. 248 pages. 12.00x12.00x1.00 inches. In Stock.

hardcover. Condizione: Good. 1926 first pocket edition on red cloth.

SOFTCOVER. Condizione: Fine. 1st Edition. 8vo in stiff card covers, 32pp, plates in colour and b/w, adverts at rear . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers very slightly tanned). An excellent copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Dixon-Smith, Jane (illustratore).

Gebunden. Condizione: New. InhaltsverzeichnisContentsForewordBruce Brooks PfeifferIntroduction: The Land is the Beginning1. The Taliesin Fellowship2. A Sandstone Exile3. Return to Taliesin4. After Wright5. The Freedom of .

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Dixon-Smith, Jane (illustratore).

Hardback. Condizione: New. In 1932 nineteen-year-old John H. Howe arrived at Taliesin as a charter member of Frank Lloyd Wright's Taliesin Fellowship. There he would remain for the next thirty-two years, earning a reputation as "the pencil in Wright's hand" before establishing his own architectural practice in Minnesota. This is the first book to tell Howe's story and also the first full account of his place in the history of modern architecture-as chief draftsman and valued interpreter of Wright's designs and as a prolific architect in his own right. Illustrated throughout with Howe's sublime drawings, this biography is a testament to the underappreciated architect's extraordinary design and rendering skills.Influenced by Wright's principles of organic architecture, Howe operated under the conviction that "the land is the beginning of architecture." Architectural historians Jane King Hession and Tim Quigley show how this belief worked especially well for Howe in Minnesota, where his buildings appear to have grown naturally and organically from the landscape. Also remarkable are the visionary architectural schemes Howe created while serving time in prison during World War II as a conscientious objector-futuristic visions that anticipated Eero Saarinen's later designs for airports and Victor Gruen's for America's first indoor shopping mall. An enlightening look at an exemplary life in architecture, this book finally brings the accomplishment-and significance-of John H. Howe to the fore and at the same time illuminates a fascinating chapter in American architectural history.…

Condizione: New. Print on Demand pp. 414. Dixon-Smith, Jane (illustratore).

Hardcover. Condizione: New.

Condizione: New. Print on Demand pp. 414. Dixon-Smith, Jane (illustratore).

Condizione: New. PRINT ON DEMAND pp. 414. Dixon-Smith, Jane (illustratore).

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. First Editions / First Prints. 1922-1926. 11 Hardback copies in red cloth boards with gold gilt lettering and decoration to spines, gold gilt lettering and pattern to front boards, no dustjackets. B/w frontispieces, b/w plates throughout. Untrimmed page edges. Not library copy, no inscriptions, fading to some boards, foxing to page blocks. (29/1). …