Rachel churner (63 risultati)

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: New. Condizione sovraccoperta: New. First Edition.

hardcover. Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good Dust Jacket. 1st Edition. 233 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. Remainder mark bottom fore-edge. First Edition / First printing. 10,9,8,7,6,5,4,3,2,1.

Trade Paperback. Condizione: New. For five decades, the artist Hans Haacke (b. 1936) has created works that explore the social, political, and economic underpinnings of the production of art. His works make plain the hidden and not-so-hidden agendas of those -- from Cartier to David Koch -- who support art in the service of industry; they expose such inconvenient social and economic truths as the real estate holdings of Manhattan slumlords, and the attempts to whitewash support for the Nazi regime, apartheid, or the war on terror through museum donations. This book gathers interviews, difficult-to-find essays, cornerstones of institutional critique, and new critical approaches by writers that include Benjamin H. D. Buchloh, Jack Burnham, Rosalyn Deutsche, and Leo Steinberg. Haacke's 1971 Guggenheim exhibition was famously canceled when the artist refused to withdraw several proposed works, including one exposing the business dealings of a Manhattan real estate company. This volume includes Edward Fry's catalog text for that show, as well as Walter Grasskamp's 'An Unpublished Text for an Unpainted Picture,' redacted from an exhibition catalog in 1984 because of statements about the German collector Peter Ludwig. Other essays consider such topics as Haacke's controversial commission for the Reichstag; the activation of the spectator, from ' Condensation Cube' to the Polls; the conceptual continuity of his practice with regard to General Systems Theory; and his delayed and problematic reception in both the United States and Europe. With contemporary essays and scholarly reassessments, this collection serves as an essential guide to critical thinking on Haacke's artistic practice, from the works of the 1960s that engage with physical and biological systems to his later interrogations of the social and economic underpinnings of art. ContributorsYve-Alain Bois, Benjamin H. D. Buchloh, Jack Burnham, Douglas Crimp, Rosalyn Deutsche, Sam Durant, Edward F. Fry, Walter Grasskamp, Rosalind Krauss, Jack McGrath, Luke Skrebowski, Leo Steinberg.…

Condizione: Like New. LIGHTNING FAST SHIPPING! Like New Hardcover. Very minor cover scuffing. Ships Fast.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

hardcover. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Soft cover. Condizione: Very Good. Very good condition. Minor wear. Binding tight, pages clean. Pictures available upon request.

Hard cover. Condizione: Very good. No jacket. Cover is in good condition. Spine is slightly cocked, but binding is tight. Inside is clean, bright, and unmarked.

Condizione: New.

Hardcover. Condizione: new. Hardcover. On the rich history of video art and its enduring relevance to today's artistic and critical practices.On the rich history of video art and its enduring relevance to today's artistic and critical practices.The New Television delves into the rich history of video art, reexamining the pivotal Open Circuits conference held at MoMA in 1974 and exploring its enduring relevance to today's artistic and critical practices. Open Circuits was an important event in establishing video art in American museums and articulated a range of conflicting teloses for the medium, some which materialized (like local cable television) and others that remain unrealized. The conference proceedings were published in 1977 as The New Television: A Public/Private Art, and the radical design of the book reflected the conference's utopian aims.This two-part publication includes a facsimile of the long-out-of-print conference proceedings and new essays and discussions by over a dozen scholars and artists. The new scholarly texts and previously unpublished archival documents in The New Television illuminate the network of institutional histories of video art, consider global televisual contexts and alternative critical approaches, and examine contemporary video art and its continued relevance from new perspectives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New.

Condizione: New.

Hardcover. Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Very Good. None Issued. Text is unmarked; pages are bright. There is a remainder mark on the bottom edge of the pages. Binding is tight and square. Covers show very little wear. No dust jacket, as issued. 253pp.

Hardcover. Condizione: As new. Small Quarto. Hardcover. Bound in tan cloth with red and black titles. 47 pages : color illustrations ; 23 cm. "Portrait of the Artist, Running is a look at the artist's most important and thought-provoking painting. The book sheds light on the thought processes and techniques of a talented artist who spent fifteen years completing this single painting."--BOOK JACKET.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Condizione: Neu. Neuware -Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, collected for the first time.This posthumous volume gathers Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, giving readers the opportunity to track her sustained investigations into their work. Michelson introduced American audiences to Soviet cinema in the early 1970s, extending the interpretive paradigm she had used for American filmmakers of the mid-twentieth centuryin which she emphasized phenomenological readings of their workto films and writings by Eisenstein and Vertov. Over four decades, Michelson returned again and again to what she calls, following Eisenstein, "intellectual cinema"the deliberate attempt to create philosophically informed analogues for consciousness. The volume includes Michelson's major essays on Eisenstein's unrealized attempts to make movies of both Marx's Capital and Joyce's Ulysses, as well as her authoritative discussion of Vertov's 1929 masterpiece The Man with a Movie Camera. Together, the texts demonstrate Michelson's pervasive influence as a writer and thinker, and her role in the establishment of cinema studies as an academic field. This collection makes these canonical texts available for a new generation of film scholars. 256 pp. Englisch.…

Buch. Condizione: Neu. Neuware -Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, collected for the first time.This posthumous volume gathers Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, giving readers the opportunity to track her sustained investigations into their work. Michelson introduced American audiences to Soviet cinema in the early 1970s, extending the interpretive paradigm she had used for American filmmakers of the mid-twentieth centuryin which she emphasized phenomenological readings of their workto films and writings by Eisenstein and Vertov. Over four decades, Michelson returned again and again to what she calls, following Eisenstein, "intellectual cinema"the deliberate attempt to create philosophically informed analogues for consciousness. The volume includes Michelson's major essays on Eisenstein's unrealized attempts to make movies of both Marx's Capital and Joyce's Ulysses, as well as her authoritative discussion of Vertov's 1929 masterpiece The Man with a Movie Camera. Together, the texts demonstrate Michelson's pervasive influence as a writer and thinker, and her role in the establishment of cinema studies as an academic field. This collection makes these canonical texts available for a new generation of film scholars. 256 pp. Englisch.…

Hardcover. Condizione: Brand New. 233 pages. 9.25x7.25x1.00 inches. In Stock.

Condizione: As New. Unread copy in mint condition.