Radigue eliane (16 risultati)

Paperback. Condizione: Good. Alien Roots: Éliane Radigue, the tenth and final anthology from Blank Forms, explores the early electronic work of French composer Éliane Radigue, whose radical approach to feedback, analog synthesis, and composition on tape has long evaded historical and technical analysis. Combining key texts, newly translated primary documents, interviews, and commissioned essays, this compendium interrogates the composer's idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification, and the very experience of listening. Among these entries is an in-depth overview by cellist Charles Curtis, a close collaborator of Radigue's, examining the composer's earliest experiments with feedback techniques and analog synthesis, her eventual shift to composing for unamplified instruments and live performers, and her unique aesthetic configurations of time and presence. A number of detailed conversations between the composer and researchers Georges Haessig, Patrick de Haas, Ian Nagoski, and Bernard Girard provide crucial insights into her working methods at different points throughout her career. Religious studies scholar Dagmar Schwerk reflects upon Radigue's profound Trilogie de la Mort (1988-93) in the context of Tibetan Buddhist thought and its history, while texts by musicians Daniel Silliman and Madison Greenstone examine, in notably different ways, the technical characteristics of Radigue's sound practice. Sketches for unrealized work, contemporary reviews, concert programs, and other ephemera mapping the performance history of Radigue's early work are presented together for the first time. The anthology concludes with a roundtable discussion between Curtis, Greenstone, and Anthony Vine, untangling the knot of paradoxes at the center of Radigue's artistic practice to trace the thread of her continued "ethos of resistance.".…

Paperback. Condizione: Good. Alien Roots: Éliane Radigue, the tenth and final anthology from Blank Forms, explores the early electronic work of French composer Éliane Radigue, whose radical approach to feedback, analog synthesis, and composition on tape has long evaded historical and technical analysis. Combining key texts, newly translated primary documents, interviews, and commissioned essays, this compendium interrogates the composer's idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification, and the very experience of listening. Among these entries is an in-depth overview by cellist Charles Curtis, a close collaborator of Radigue's, examining the composer's earliest experiments with feedback techniques and analog synthesis, her eventual shift to composing for unamplified instruments and live performers, and her unique aesthetic configurations of time and presence. A number of detailed conversations between the composer and researchers Georges Haessig, Patrick de Haas, Ian Nagoski, and Bernard Girard provide crucial insights into her working methods at different points throughout her career. Religious studies scholar Dagmar Schwerk reflects upon Radigue's profound Trilogie de la Mort (1988-93) in the context of Tibetan Buddhist thought and its history, while texts by musicians Daniel Silliman and Madison Greenstone examine, in notably different ways, the technical characteristics of Radigue's sound practice. Sketches for unrealized work, contemporary reviews, concert programs, and other ephemera mapping the performance history of Radigue's early work are presented together for the first time. The anthology concludes with a roundtable discussion between Curtis, Greenstone, and Anthony Vine, untangling the knot of paradoxes at the center of Radigue's artistic practice to trace the thread of her continued "ethos of resistance.".…

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Paperback. Condizione: new. Paperback. A detailed look at the elusive work of a French pioneer of musique concrete and electroacoustic compositionThis volume is an exploration of the early electronic work of French composer Eliane Radigue (born 1932), whose radical approach to feedback, analog synthesis and composition on tape has long evaded straightforward interpretation. Combining key texts, newly translated primary documents, in-depth interviews and commissioned essays, this compendium probes her idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification and the very experience of listenership.Chief among these entries is an in-depth overview by cellist Charles Curtis examining the composer's earliest experiments in feedback techniques and analog synthesis, her eventual turn to works for unamplified instruments and live performers, and her unique aesthetic of time and presence. Detailed conversations provide crucial windows into her working methods at different points in her career. Sketches for unrealized work, contemporary reviews, programs and ephemera are collected together for the first time. The anthology concludes with a roundtable discussion working out the knotty paradoxes of Radigue's continued "ethos of resistance." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: Brand New. 407 pages. 8.00x6.00x10.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. A detailed look at the elusive work of a French pioneer of musique concrete and electroacoustic compositionThis volume is an exploration of the early electronic work of French composer Eliane Radigue (born 1932), whose radical approach to feedback, analog synthesis and composition on tape has long evaded straightforward interpretation. Combining key texts, newly translated primary documents, in-depth interviews and commissioned essays, this compendium probes her idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification and the very experience of listenership.Chief among these entries is an in-depth overview by cellist Charles Curtis examining the composer's earliest experiments in feedback techniques and analog synthesis, her eventual turn to works for unamplified instruments and live performers, and her unique aesthetic of time and presence. Detailed conversations provide crucial windows into her working methods at different points in her career. Sketches for unrealized work, contemporary reviews, programs and ephemera are collected together for the first time. The anthology concludes with a roundtable discussion working out the knotty paradoxes of Radigue's continued "ethos of resistance." Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condizione: new. Paperback. A detailed look at the elusive work of a French pioneer of musique concrete and electroacoustic compositionThis volume is an exploration of the early electronic work of French composer Eliane Radigue (born 1932), whose radical approach to feedback, analog synthesis and composition on tape has long evaded straightforward interpretation. Combining key texts, newly translated primary documents, in-depth interviews and commissioned essays, this compendium probes her idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification and the very experience of listenership.Chief among these entries is an in-depth overview by cellist Charles Curtis examining the composer's earliest experiments in feedback techniques and analog synthesis, her eventual turn to works for unamplified instruments and live performers, and her unique aesthetic of time and presence. Detailed conversations provide crucial windows into her working methods at different points in her career. Sketches for unrealized work, contemporary reviews, programs and ephemera are collected together for the first time. The anthology concludes with a roundtable discussion working out the knotty paradoxes of Radigue's continued "ethos of resistance." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New.

Condizione: New. KlappentextrnrnThis book has been conceived as both a prism and a manual. Following the traditional? arc of electroacoustic composition (listen?record?compose?deploy?feel), each of the contributions collected together here focuses in on a perso.

94 pp.; 29.1 x 22.9 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 3 - July 28, 2007. Edited by Alex Waterman. Contributors include: Alex Waterman, Robert Ashley, J.S. Bach, Anner Bylsma, Bruce Andrews, John Law, Charles Curtis, Eliane Radigue, Christian Wolff, The Brothers Grimm, Herbert Read, Frances Stark, James Saunder, Cornelius Cardew, Ludwig Wittgenstein, Will Holder, Alvin Lucier, and Chris Mann. "Agape is the drawing together of poets, philosophers, writers, composers, and musicians in an attempt to address the role of reading as a social act through an exhibition and concert series." -- from the preface by Alex Waterman. Very Good / Fine. Light curl to right side edge of publication. Light sunning of pages. Contents clean and unmarked.…