Ragnhild brovig (29 risultati)

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Paperback. Condizione: new. Paperback. The art of mashup music, its roots in parody, and its social and legal implications.The art of mashup music, its roots in parody, and its social and legal implications.Parody needn't recognize copyright-but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music-the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents-Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it.In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Br vig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area content-to the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the future-but it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues. "Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Br2vig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Taschenbuch. Condizione: Neu. Neuware - The art of mashup music, its roots in parody, and its social and legal implications.Parody needn't recognize copyrightbut does an algorithm recognize parody The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup musicthe creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presentsParody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it.In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Brøvig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area contentto the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the futurebut it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues. …

Condizione: New. Ragnhild Br&oslashvig-Hanssen is Professor of Popular Music Studies in the Department of Musicology and Research Fellow at RITMO, the Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo.&ldquoThis in-depth study o.

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Paperback. Condizione: new. Paperback. The art of mashup music, its roots in parody, and its social and legal implications.The art of mashup music, its roots in parody, and its social and legal implications.Parody needn't recognize copyright-but does an algorithm recognize parody? The ever-increasing popularity of remix culture and mashup music, where parody is invariably at play, presents a conundrum for internet platforms, with their extensive automatic, algorithmic policing of content. Taking a wide-ranging look at mashup music-the creative and technical considerations that go into making it; the experience of play, humor, enlightenment, and beauty it affords; and the social and legal issues it presents-Parody in the Age of Remix offers a pointed critique of how society balances the act of regulating art with the act of preserving it.In several jurisdictions, national and international, parody is exempted from copyright laws. Ragnhild Br vig contends that mashups should be understood as a form of parody, and thus be protected from removal from hosting platforms. Nonetheless, current copyright-related content-moderation regimes, relying on algorithmic detection and automated decision making, frequently eliminate what might otherwise be deemed gray-area content-to the detriment of human listeners and, especially, artists. Given the inaccuracy of takedowns, Parody in the Age of Remix makes a persuasive argument in favor of greater protection for remix creativity in the future-but it also suggests that the content-moderation challenges facing mashup producers and other remixers are symptomatic of larger societal issues. "Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Br2vig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How sonically distinctive digital "signatures"including reverb, glitches, and autotuningaffect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.Is digital production killing the soul of music Is Auto-Tune the nadir of creative expression Digital technology has changed not only how music is produced, distributed, and consumed but alsoequally important but not often consideredhow music sounds. In this book, Ragnhild Brøvig and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive "digital signatures"musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuningall of which they analyze in specific works by popular artists.Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Brøvig and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's "Get Out of My House"; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's "Stranger"; and they describe the development of Auto-Tuneat first a tool for pitch correctioninto an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ragnhild Br&oslashvig is Professor in the Department of Musicology at the University of Oslo.Anne Danielsen is Professor in the Department of Musicology at the University of Oslo.How sonically distinctive digital &ldquosignatures&rdquo&mda.…

Taschenbuch. Condizione: Neu. Digital Signatures | The Impact of Digitization on Popular Music Sound | Ragnhild Brøvig (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2023 | MIT Press | EAN 9780262549639 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…