rainer crone david moos (117 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. VG black boards with white lettering on spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges. 230pp. Index. Full number line.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Chicago: University of Chicago Press. 1991. First edition. Black cloth. 230 pages. 155 illustrations, many in A near fine, brighnt and clean copy with the dust jacket in a mylar protector. All books shipped in boxes.

Paperback. Condizione: New. Color exhibition card laid in. Exhibition catalog illustrated in color. 36 pages.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover with dustjacket, 230 pages, very good condition; no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 230 pages, very good condition; no internal marks, clean and crisp. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Oversized hardback book (230 pages)illustrated with vintage black and white photographs and color reproductions of the artist work. Dust jacket shows scuffing/rubbing with small nicks at edge. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-E-Top-Flat) rareviewbooks.

Soft cover. Condizione: Near Fine. Near fine copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Color and black and white illustrations throughout. First printing. Near fine in a near fine (one inch scratch on rear panel) dust jacket.

Paperback. Condizione: Very Good. With presentation letter by Jane Laudi tucked inside. Pages unmarked, mild wear.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

hardcover. Condizione: Very Good. First Edition. First Printing. Hardcover in Dust Jacket. Pages clean, unmarked. Cover and Jacket have light wear. Small patch of sticker residue inside front cover. Shipped promptly with Tracking. MISC8.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Light wear to jacket otherwise very clean and sound. Includes 155 b/w and color illustrations. 230 pgs. Mylar plastic covers jacket.

Condizione: New.

Condizione: New. Brand New.

Hardcover. Condizione: New. Black cloth with white spine lettering, black glossy color illustrated dustjacket. viii, 230 pp., 155 illustrations, including 50 in color. Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics the work of Roman Jakobson and the "Prague School" in linguistics and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Contents as follows: Introduction: This book . and the end of experience -- 1. The question of information -- 2. Artistic positions: a critical survey -- 3. Origins of a painter -- 4. Cubo-futurism: interchanges -- 5. Passages through poetry -- 6. The edge of innovation -- 7. Subjectivity in temporality -- 8. Late sensations and the new reality -- 9. The free imaginary variation -- Exhibitions.

First edition. Softcover. 36 pages. Exhibition catalog for a show that ran October 11 thorugh November 10, 1990. Features text by David Moos and Rainer Crone. Includes several color and black and white illustrations with one gatefold and a checklist and brief biographical information. A very near fine copy in wrappers.

Hardcover. Condizione: Good. All of our books without an ISBN number (normally pre-1970 in date) are described individually in detail. Books with an ISBN number (this one included) are all offered for sale in good condition or better: some may be in very good, near fine, or fine condition. If the condition is critical to your decision to purchase, then please contact us and we will let you know our view of its condition. If the book is very heavy, we will may need to contact you before completion of purchase to advise you of extra postage costs.

Original Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. A crisp, clean Fine copy with a trace of foxing to the top edges in a Fine mylar-protected dust jacket (front slightly rubbed and back has some rubbing and light scratches). A crisp, unread copy. 230 pp., profusely illustrated in color and B&W, extensive bibliography and index. The authors define the influences that shaped the dramatic shift in Malevich's oeuvre- from his early examination of Cezanne and his involvement in Futurist circles to his rejection of mimesis and to the final wprks following 1927.

Hardcover. Condizione: Used - Very Good. Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics; the work of Roman Jakobson and the 'Prague School' in linguistics; and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Very nice clean, tight copy free of any marks.

Condizione: As New. Unread book in perfect condition.

4°. VIII,230,(2) S. Mit 155 teils farbigen Abbildungen. Erste Ausgabe in Deutschland. - Mit Bibliographie und Register. - Gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 1600 Schwarzes Orig.-Leinen mit farbig illustriertem Umschlag.

Condizione: Gut. Erstauflage dieser Ausgabe. Bll. + 230 S. inkl. Anhang mit Bibliographie u. Index, u. mit s/w. u. vielen farb. Abbildungen der Werke u.a. Papier minimal randvergilbt. Sprache: Englisch Gewicht in Gramm: 1215 Mittl.-4°, O(Schwarz)-GanzLnw. mit weißgepr.-Rückentitel u. OIll.-Umschlag (U. mit geringf. Gebrauchsspuren). Gut erhalten.