Ramadan lina (6 risultati)
Madness of the Anthropocene : Thinking With an Image
Ramadan, Lina (EDT); Al Hassan, Faisal (FRW); Al Sehlawi, Reem Ibrahim; Al-issa, Asmaa; Almatrooshi, Moza
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 29,40
EUR 2,26 spedizioneSpedito in U.S.A.Quantità: 4 disponibili
Condizione: New.
- Brossura
Da: California Books, Miami, FL, U.S.A.California Books
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 31,74
Spedizione gratuitaSpedito in U.S.A.Quantità: 5 disponibili
Condizione: New.
Madness of the Anthropocene : Thinking With an Image
Ramadan, Lina (EDT); Al Hassan, Faisal (FRW); Al Sehlawi, Reem Ibrahim; Al-issa, Asmaa; Almatrooshi, Moza
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 30,09
EUR 2,26 spedizioneSpedito in U.S.A.Quantità: 4 disponibili
Condizione: As New. Unread book in perfect condition.
- Brossura
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 34,27
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. How artists rethink their work in the face of the Anthropocene's biggest challenges, including natural disasters and political upheavalPublished with 421 Online. This book brings together artists and writers who use image-making and text as means to understand ecological change in the age o…f the Anthropocene. This experimental approach is inspired by Bayan al-Madrasa al-Kristaliyya (The Crystal Manifesto), published in 1976 by the Crystallist School in Khartoum. The manifesto delves into artistic and philosophical commentary on topics such as time, space and language. It also critiques artmaking practices within a growing "universal" imperialist discourse, a mode of thinking that resonated with concurrent African liberation movements of the South as well as Arab and African visual art movements from the 1960s. Madness of the Anthropocene draws inspiration from the "no-color phenomena" within the crystal--an object seemingly colorless whose visibility emerges under pressure. This dual state serves as a metaphorical and literal embodiment, echoing the overarching theme of the book's chapters that embrace madness as an artistic methodology for image-making today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 40,26
EUR 11,68 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Paperback. Condizione: Brand New. 216 pages. 8.25x6.25x8.30 inches. In Stock.
- Brossura
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 41,00
EUR 62,04 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. Neuware - How artists rethink their work in the face of the Anthropocene's biggest challenges, including natural disasters and political upheavalPublished with 421 Online. This book brings together artists and writers who use image-making and text as means to understand ecological change in the age…of the Anthropocene. This experimental approach is inspired by Bayan al-Madrasa al-Kristaliyya (The Crystal Manifesto), published in 1976 by the Crystallist School in Khartoum. The manifesto delves into artistic and philosophical commentary on topics such as time, space and language. It also critiques artmaking practices within a growing 'universal' imperialist discourse, a mode of thinking that resonated with concurrent African liberation movements of the South as well as Arab and African visual art movements from the 1960s. Madness of the Anthropocene draws inspiration from the 'no-color phenomena' within the crystal--an object seemingly colorless whose visibility emerges under pressure. This dual state serves as a metaphorical and literal embodiment, echoing the overarching theme of the book's chapters that embrace madness as an artistic methodology for image-making today.
