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Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2025. hardcover. . . . . .

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 240 pages. 9.00x6.00x9.00 inches. In Stock.

Hardcover. Condizione: Brand New. 240 pages. 9.00x6.00x9.00 inches. In Stock. This item is printed on demand.

Hardcover. Condizione: new. Hardcover. Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship.In Germany and in Western culture more broadly, women experience anger in response to misogyny, racism, and other injustice, but open expression of that anger is often considered unwomanly. Yet a rich tradition of feminist thinkers of color-including Audre Lorde, Brittney Cooper, Amia Srinivasan, and Sara Ahmed-understands anger as energizing and imperative for structural change. How might we cultivate an anger that is affirming, inclusive, legitimate, creative, animating, and most of all, feminist?This volume of essays by feminist scholars of German Studies-writing in dialogue with such thinkers while acknowledging their own largely white, privileged positionalities-looks at how women have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. The eleven contributions approach the topic of female anger intersectionally and transnationally. They examine angry women in the contexts of politics, activism, philosophy, economics, race, nationality, sexuality, illness, and humour. Covering a wide array of genres and discussing works from the eighteenth to the twenty-first centuries, they explore creators including writers, filmmakers, comedian/activists, musicians, and journalists. They investigate the tensions between the emotion of anger and the practice of being an angry woman, global responses to anger, and artistic representations of angry women in Germany, Austria, and Switzerland. Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. Print on Demand.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Hardcover. Condizione: new. Hardcover. Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship.In Germany and in Western culture more broadly, women experience anger in response to misogyny, racism, and other injustice, but open expression of that anger is often considered unwomanly. Yet a rich tradition of feminist thinkers of color-including Audre Lorde, Brittney Cooper, Amia Srinivasan, and Sara Ahmed-understands anger as energizing and imperative for structural change. How might we cultivate an anger that is affirming, inclusive, legitimate, creative, animating, and most of all, feminist?This volume of essays by feminist scholars of German Studies-writing in dialogue with such thinkers while acknowledging their own largely white, privileged positionalities-looks at how women have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. The eleven contributions approach the topic of female anger intersectionally and transnationally. They examine angry women in the contexts of politics, activism, philosophy, economics, race, nationality, sexuality, illness, and humour. Covering a wide array of genres and discussing works from the eighteenth to the twenty-first centuries, they explore creators including writers, filmmakers, comedian/activists, musicians, and journalists. They investigate the tensions between the emotion of anger and the practice of being an angry woman, global responses to anger, and artistic representations of angry women in Germany, Austria, and Switzerland. Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

Hardcover. Condizione: new. Hardcover. Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship.In Germany and in Western culture more broadly, women experience anger in response to misogyny, racism, and other injustice, but open expression of that anger is often considered unwomanly. Yet a rich tradition of feminist thinkers of color-including Audre Lorde, Brittney Cooper, Amia Srinivasan, and Sara Ahmed-understands anger as energizing and imperative for structural change. How might we cultivate an anger that is affirming, inclusive, legitimate, creative, animating, and most of all, feminist?This volume of essays by feminist scholars of German Studies-writing in dialogue with such thinkers while acknowledging their own largely white, privileged positionalities-looks at how women have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. The eleven contributions approach the topic of female anger intersectionally and transnationally. They examine angry women in the contexts of politics, activism, philosophy, economics, race, nationality, sexuality, illness, and humour. Covering a wide array of genres and discussing works from the eighteenth to the twenty-first centuries, they explore creators including writers, filmmakers, comedian/activists, musicians, and journalists. They investigate the tensions between the emotion of anger and the practice of being an angry woman, global responses to anger, and artistic representations of angry women in Germany, Austria, and Switzerland. Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Essays by feminist scholars of German Studies looking at how women-particularly women of color-have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship.In Germany and in Western culture more broadly, women experience anger in response to misogyny, racism, and other injustice, but open expression of that anger is often considered unwomanly. Yet a rich tradition of feminist thinkers of color-including Audre Lorde, Brittney Cooper, Amia Srinivasan, and Sara Ahmed-understands anger as energizing and imperative for structural change. How might we cultivate an anger that is affirming, inclusive, legitimate, creative, animating, and most of all, feminist This volume of essays by feminist scholars of German Studies-writing in dialogue with such thinkers while acknowledging their own largely white, privileged positionalities-looks at how women have put their anger to use in German-language cultural production and how they themselves might do so in their scholarship. The eleven contributions approach the topic of female anger intersectionally and transnationally. They examine angry women in the contexts of politics, activism, philosophy, economics, race, nationality, sexuality, illness, and humour. Covering a wide array of genres and discussing works from the eighteenth to the twenty-first centuries, they explore creators including writers, filmmakers, comedian/activists, musicians, and journalists. They investigate the tensions between the emotion of anger and the practice of being an angry woman, global responses to anger, and artistic representations of angry women in Germany, Austria, and Switzerland.